Abstract
This chapter focuses on the translation, reception and legacy of the Mysteries of Udolpho across the Channel during and after the French Revolution. It argues that Ann Radcliffe’s name became the means by which a number of writers earned their living, turning to translations, imitations and forgeries of the novelist’s characteristic gothic style. It also explains how translating Ann Radcliffe in French served as a means of addressing topical French political concerns behind a façade of Englishness. In the process, this chapter demonstrates that, though political relations between France and Britain were troubled, literary exchanges between the two nations never ceased.
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Bibliography
French Translations
Allard, Mary Gay. Éléonore de Rosalba, ou le Confessionnal des pénitens noirs (Paris & Genève: Lepetit & Paschoud, 1797).
Anonymous. Le Jacobin espagnol, ou Histoire du moine Ambrosio, et de la belle Antonia, sa sœur (Paris: Favre, 1797).
de Chastenay, Louise-Marie-Victorine. Les Mystères d’Udolphe (Paris: Maradan, 1798).
Deschamps, Jacques-Marie; Despres, Jean-Baptiste-Denis; Benoist, Pierre-Vincent; Lamarre, Pierre-Bernard, Le Moine (Paris: Maradan, 1797).
Morellet, André. L’Italien, ou le Confessionnal des pénitens noirs (Paris: Denné & Maradan, 1797).
Moylin-Fleury. Julia, ou les Souterrains de Mazzini (Paris: Forget, 1798).
Soulès, François. La Forêt, ou l’Abbaye de Saint Clair (Paris: Denné, 1794).
Soulès, François. Les Châteaux d’Athlin et de Dunbayne, histoire arrivée dans les Montagnes d’Ecosse (Paris: Testu, 1797).
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Courrier des spectacles (9 Fructidor, an VIII [27 August 1800]).
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Magasin encyclopédique (Paris: Fuchs, 1797).
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Mercure de France (20 Pluviôse, an VI [8 February 1798]).
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Lacôte, F. (2021). Ann Radcliffe and the French Revolution. In: Bloom, C. (eds) The Palgrave Handbook of Gothic Origins. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-84562-9_7
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