Abstract
The twenty-first century is truly the century of science and technology. If we will not make science and technology accessible to all, we will form a two-class society, divided not by royalty or economic status, but by knowledge of science and technology. It is our tenet in life that science education is a human right that belongs to all. Therefore, it is essential that we employ every method possible to make chemistry accessible to all in the twenty-first century [1, 2]. A Chinese proverb states: “I hear and I forget; I see and I remember; I do and I understand.” At the Science Institute, Columbia College Chicago, we believe strongly in this proverb, and we incorporate visualization and art in the teaching of chemistry. Students remember and understand abstract chemistry concepts best by creating their own artistic projects. Through this process, students take an active role in the learning process, instead of only being passive observers. The students can produce visualization projects using the media of their choice, from computer animation (High Tech) to dance and drama (No Tech). These projects are used as an alternative assessment method where the evaluation is done in a constructive way by the whole class and not just by the instructor. This method has been proven successful with undergraduate students, with science teachers, and with middle and high school students. Many institutions in the USA and around the world have adopted this method.
Access provided by Autonomous University of Puebla. Download chapter PDF
Similar content being viewed by others
Keywords
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
Narrative
A key element of the innovative science curriculum used at Columbia College in teaching, learning, and assessing science to its non-science major student body requires all students to prepare projects to express their knowledge of science in an original and creative way [3], making use of the skills and talents in each individual’s particular major field of study, personal interest, or cultural background. These projects have taken the form of videotapes, paintings [4], sculptures, audiotapes, dances, “rap” songs, and scripts for theater. Students present their research and investigation results using the medium in which they feel most competent, comfortable, and talented [5]. It has been observed that students better understand and retain longer the scientific information they present in their projects. The entire class benefits from the scientific content of the project presentations: each presentation inspires in the other students new ideas and new ways of looking at scientific material. This form of assessment allows the teacher, the entire class, and the student presenter to engage in a cooperative assessment. Furthermore, the projects often result in a permanent record, similar to portfolio assessment, which is both useful for its scientific and educational content, and valuable from a dissemination standpoint. This approach works outstandingly well with undergraduate non-science majors, with teachers and students of grades K-12, and with people who have developed hostility or anxiety toward science and standardized tests. This method, if properly utilized, can yield enormous benefits to many generations of students. Not only can it help students become citizens who are well-informed about science, it can also encourage more of them to choose science and science-related fields as possible career choices.
Examples of Student Projects
Abstract scientific concepts have been made concrete through paintings, sculptures, dances, and plays. A group of high school students from a very low-income neighborhood who participated in our program were invited to perform in a Gordon Research Conference on science visualization [6]. The Gordon Research Conferences are very prestigious scientific conferences; the students showed the conference participants how they visualize scientific concepts through dance, and how they are able to grasp the abstract concepts after visualizing them though dance. They performed dances on the Periodic Table, the Ionic Bond, and the Effect of Water on the Ionic Bond as part of the visualization process (Figs. 1 and 2). A group of middle school children performed a dance on the depletion of the Ozone Layer by CFCs. This dance was aired globally by CNN, and in the USA by NBC, ABC and WGN television stations (Fig. 3).
A group of college students in the course “From Ozone to Oil Spills: Chemistry, the Environment and You” produced a video on the formation of NH3 (Fig. 4), in which they named nitrogen as “Agent 007,” and the three hydrogens as “The Hydrogen Triplets.” The video describes the covalent bond and the ionic bond of table salt in a satiric, but scientifically accurate, way. An art student [7] presented his understanding of the fission reaction and a nuclear explosion through an art book (Fig. 5), while another art student expressed in a painting her concern for the environment and the adverse effects of air pollution on our cities and on the human body (Fig. 6). An animation student created a DVD showing glacial melting as a result of climate change (Fig. 7), and the destruction of the Ozone Layer by CFCs was presented using computer animation (Fig. 8). The “Science Classroom of the Future” was visualized by a group of students (Fig. 9) who presented abstract scientific concepts through computer animation. A movie depicting the discovery of Ra and Po by Madame Curie, as well as her presentations in front of the French Science Academy, was produced by a team of students (Figs. 10 and 11).
An art student truly represented the danger we face by forming a two-class society. He presented a drawing of two groups of students resembling the two-class society divided by knowledge of science and technology. One group is busy working on their computers, while the other group is sad and deprived (Fig. 12).
Summary
This method of teaching chemistry at all levels has been proven successful in many institutions in the USA and around the world. Much of the funding for this curriculum was received from the National Science Foundation (NSF) and required an independent evaluator. The results of the evaluation showed that in grades 5 through 10, students who studied using these methods achieved on standardized tests an average of 20% higher scores than their peers. An NSF site visitor to Columbia College Chicago, after attending one of our classes that was funded by NSF and developed in collaboration with Princeton University, wrote: “The class meeting I sat in on was scintillating. I have rarely been in a classroom where students had such energy and enthusiasm. It is quite important that the results of this project be shared with faculty at as many institutions as possible; this will certainly help faculty at other institutions to adopt/adapt this successful approach.”
References
Lerman, Z. M. 1986. Chemistry for Art and Communication Students: J. Chem. Ed., 63, 142.
Lerman, Z. M. 1986. Energy for Art and Communication Students: J. Chem. Ed., 63, 520.
Gardner, H. 1993. Multiple Intelligences: The Theory in Practice. HarperCollins, New York.
Hoffmann, R. and Torrence, V. 1993. Chemistry Imagined: Reflections on Science. Smithsonian Institution Press,Washington, DC.
Lerman, Z. M. 2000. Chemistry for the People who will Shape our Future. Chemical Education Journal, 4, (1), Special Issue on the 8ACC Symposium on Chemical Education; http://chem.sci.utsunomiya-u.ac.jp/v4n1/indexE.html/
Lerman, Z. M. 2001. Visualizing the Chemical Bond. Chemical Education Journal, 5, (1), Special Issue on Pacifichem 2000; http://ce.t.soka.ac.jp/cei/v2n1/ZLerman/index.html
Lerman, Z. M. 2003. Using the Arts to Make Chemistry Accessible to Everybody. J. Chem. Ed., 80 (11), 1234.
Acknowledgement
Acknowledgement is given to the National Science Foundation for financial support of this work.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2009 Springer Science + Business Media B.V.
About this chapter
Cite this chapter
Lerman, Z., Morton, D. (2009). Using the Arts and Computer Animation to Make Chemistry Accessible to All in the Twenty-First Century. In: Gupta-Bhowon, M., Jhaumeer-Laulloo, S., Li Kam Wah, H., Ramasami, P. (eds) Chemistry Education in the ICT Age. Springer, Dordrecht. https://doi.org/10.1007/978-1-4020-9732-4_5
Download citation
DOI: https://doi.org/10.1007/978-1-4020-9732-4_5
Published:
Publisher Name: Springer, Dordrecht
Print ISBN: 978-1-4020-9731-7
Online ISBN: 978-1-4020-9732-4
eBook Packages: Humanities, Social Sciences and LawEducation (R0)