Abstract
Despite film sound’s affective potentialities for sensations of fear, disturbance, revulsion, and horror, film violence is still primarily considered in visual terms. This chapter seeks to refocus and alter this ocularcentrism by analysing the imperative role of sonic aspects of cinematic violence, especially extreme modes of violence that are seen to go too far and are deemed unbearable or unwatchable. In this chapter, I examine what constitutes the ‘unlistenable’ as an acoustic analogue of the unwatchable and interrogate what I contend is a key aspect of this unlistenability: acoustic disgust. Arguing that the envelopment and intimacy associated with hearing create a particularly fecund environment for disgust, I consider what it is that renders some sounds truly disgusting.
I would like to thank SSHRC’s Insight Grant program for their generous funding of this research.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Similar content being viewed by others
References
Beugnet, M. (2007) Cinema and Sensation: French Film and the Art of Transgression (Edinburgh: Edinburgh University Press).
Birks, C. (2013) Violent Subjectivity: New Extremist Cinema and the Philosophy of Jean Luc Nancy, unpublished MA dissertation, University of British Columbia.
Brinkema, E. (2014) The forms of the affects (Durham: Duke University Press).
Business Wire (2011) ‘The Sound of “Drive”: Soundelux Creates “Emotional Truth” for Nicolas Winding Refn’s Cerebral Action Film’ [Press Release], http://www.businesswire.com/news/home/20110928006344/en/Sound-Drive-Soundelux-Creates-Emotional-Truth-Nicolas, date accessed 10 February 2015.
Chion, M. (1994) Audio-Vision: Sound on Screen (New York: Columbia University Press).
Derrida, J. (1981) ‘Economimesis’, trans. R. Klein, Diacritics Vol. 11, No. 2, 2–25.
Donnelly, K.J. (2005) The Spectre of Sound: Music in Film and Television (London: BFI).
Dyson, F. (2009) Sounding New Media: Immersion and Embodiment in the Arts and Culture (Berkeley: University of California Press).
Engber, D. (2012) ‘The Sounds of Violence’, Slate Magazine, http://www.slate.com/articles/arts/culturebox/2012/02/drive_the_sound_editing_in_the_elevator_stomping_scene_.html, date accessed 10 February 2015.
Grønstad, A. (2011) Screening the Unwatchable: Spaces of Negation in Post-Millennial Art Cinema (Basingstoke and New York: Palgrave Macmillan).
Hanich, J. (2011) ‘Toward a Poetics of Cinematic Disgust’, Film-Philosophy Vol. 15, No. 2, 11–35.
Kerins, M. (2011) Beyond Dolby (Stereo): Cinema in the Digital Sound Age (Bloomington: Indiana University Press).
Kolnai, A. (2004) On Disgust (Chicago: Open Court).
Lejacq, Y. (2012) ‘The Sounds of Violence’, Kill Screen Daily, http://killscreendaily.com/articles/sounds-violence/, date accessed 10 February 2015.
Miller, W.I. (1997) The Anatomy of Disgust (Cambridge: Harvard University Press).
Nancy, J. (2005) The Ground of the Image, trans. J. Fort (New York: Fordham University Press).
———. (2007) Listening, trans. C. Mandell (New York: Fordham University Press).
———. (2008) ‘Icon of Fury: Claire Denis’s Trouble Every Day’, Film-Philosophy Vol. 12, No. 1, 1–9.
Slocum, J.D. (ed) (2001) Violence and American Cinema (New York: Routledge).
Vancouver Film School [blog] (2011) ‘The Man Behind Super Meat Boy’s Squishy Sound’, http://blog.vfs.com/2011/01/14/the-man-behind-super-meat-boys-squishy-sound/, date accessed 10 February 2015.
Zeller Jr., T. (2007) ‘Most Horrible Sound in the World’, The Lede [blog], http://thelede.blogs.nytimes.com/2007/01/24/most-disgusting-sound-in-the-world/, date accessed 10 February 2015.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Copyright information
© 2016 The Author(s)
About this chapter
Cite this chapter
Coulthard, L. (2016). Acoustic Disgust: Sound, Affect, and Cinematic Violence. In: Greene, L., Kulezic-Wilson, D. (eds) The Palgrave Handbook of Sound Design and Music in Screen Media. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-51680-0_13
Download citation
DOI: https://doi.org/10.1057/978-1-137-51680-0_13
Published:
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-137-51679-4
Online ISBN: 978-1-137-51680-0
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)