Abstract
The research described in this paper focuses on global tempo transformations of monophonic audio recordings of saxophone jazz performances. More concretely, we have investigated the problem of how a performance played at a particular tempo can be automatically rendered at another tempo while preserving its expressivity. To do so we have develppoped a case-based reasoning system called TempoExpress. The results we have obtained have been extensively compared against a standard technique called uniform time stretching (UTS), and show that our approach is superior to UTS.
Access provided by Autonomous University of Puebla. Download to read the full chapter text
Chapter PDF
Similar content being viewed by others
Keywords
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
References
Desain, P., Honing, H.: Does expressive timing in music performance scale proportionally with tempo? Psychological Research 56, 285–292 (1994)
Gabrielsson, A.: Once again: The theme from Mozart’s piano sonata in A major (K. 331). A comparison of five performances. In: Gabrielsson, A. (ed.) Action and perception in rhythm and music, pp. 81–103. Royal Swedish Academy of Music, Stockholm (1987)
Gabrielsson, A.: Expressive intention and performance. In: Steinberg, R. (ed.) Music and the Mind Machine, pp. 35–47. Springer, Berlin (1995)
Gómez, E., et al.: Using and enhancing the current MPEG-7 standard for a music content processing tool. In: Proceedings of Audio Engineering Society, 114th Convention, Amsterdam, The Netherlands (2003a)
Gómez, E., et al.: Melodic characterization of monophonic recordings for expressive tempo transformations. In: Proceedings of Stockholm Music Acoustics Conference 2003 (2003b)
Grachten, M., Arcos, J.L., López de Mántaras, R.: Melody retrieval using the Implication/Realization model. MIREX (2005), http://www.music-ir.org/evaluation/mirex-results/articles/similarity/grachten.pdf
Honing, H.: Is expressive timing relational invariant under tempo transformation? Psychology of Music (in press) (2006)
Juslin, P.: Communicating emotion in music performance: a review and a theoretical framework. In: Juslin, P., Sloboda, J. (eds.) Music and emotion: theory and research, pp. 309–337. Oxford University Press, New York (2001)
Levenshtein, V.I.: Binary codes capable of correcting deletions, insertions and reversals. Soviet Physics Doklady 10, 707–710 (1966)
Palmer, C.: Anatomy of a performance: Sources of musical expression. Music Perception 13(3), 433–453 (1996)
Plaza, E., Arcos, J.L.: Constructive adaptation. In: Craw, S., Preece, A.D. (eds.) ECCBR 2002. LNCS (LNAI), vol. 2416, pp. 306–320. Springer, Heidelberg (2002)
Repp, B.H.: Relational invariance of expressive microstructure across global tempo changes in music performance: An exploratory study. Psychological Research 56, 285–292 (1994)
Sloboda, J.A.: The communication of musical metre in piano performance. Quarterly Journal of Experimental Psychology 35A, 377–396 (1983)
Temperley, D.: The Cognition of Basic Musical Structures. MIT Press, Cambridge (2001)
Timmers, R., et al.: Timing of ornaments in the theme of Beethoven’s Paisiello Variations: Empirical data and a model. Music Perception 20(1), 3–33 (2002)
Author information
Authors and Affiliations
Editor information
Rights and permissions
Copyright information
© 2007 Springer-Verlag Berlin Heidelberg
About this paper
Cite this paper
López de Mántaras, R., Grachten, M., Arcos, JL. (2007). Expressivity-Preserving Tempo Transformation for Music – A Case-Based Approach. In: Freksa, C., Kohlhase, M., Schill, K. (eds) KI 2006: Advances in Artificial Intelligence. KI 2006. Lecture Notes in Computer Science(), vol 4314. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-540-69912-5_1
Download citation
DOI: https://doi.org/10.1007/978-3-540-69912-5_1
Publisher Name: Springer, Berlin, Heidelberg
Print ISBN: 978-3-540-69911-8
Online ISBN: 978-3-540-69912-5
eBook Packages: Computer ScienceComputer Science (R0)