Skip to main content
SpringerLink
Log in

Capture the Imagination – 100 Jahre Disney-Märchenanimationsfilme

  • Chapter
Märchen im Medienwechsel

Zusammenfassung

Der Name Disney steht heute sowohl für das Wirken eines Weltkonzerns als auch für ein kulturelles Phänomen, das mit der Macht von Träumen, Wünschen, Visionen, Bildern, Stereotypen, Grenzen und Normen zu tun hat.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Log in via an institution

Subscribe and save

Springer+ Basic
$34.99 /Month
  • Get 10 units per month
  • Download Article/Chapter or eBook
  • 1 Unit = 1 Article or 1 Chapter
  • Cancel anytime
Subscribe now

Buy Now

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 69.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book
USD 89.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Similar content being viewed by others

Quellenverzeichnis

1 Primärquellen/1.1 Analysierte Märchenfilme

  • Aladdin / Aladdin (R. Ron Clements/John Musker, USA 1992).

    Google Scholar 

  • Arielle, die Meerjungfrau / The Little Mermaid (R. Ron Clements/John Musker, USA 1989).

    Google Scholar 

  • Aschenputtel / Cinderella (R. Clyde Geronimi/Wilfred Jackson/Hamilton Luske, USA 1950).

    Google Scholar 

  • Cinderella (R. Walt Disney, USA 1922).

    Google Scholar 

  • Die Eiskönigin – Völlig unverfroren / Frozen (R. Chris Buck/Jennifer Lee, USA 2013).

    Google Scholar 

  • Die Schöne und das Biest / Beauty and the Beast (R. Gary Trousdale/Kirk Wise, USA 1991).

    Google Scholar 

  • Dornröschen / Sleeping Beauty (R. Clyde Geronimi/Les Clark/Eric Larson/Wolfgang Reitherman, USA 1959).

    Google Scholar 

  • Küss den Frosch / The Princess and the Frog (R. Ron Clements/John Musker, USA 2009).

    Google Scholar 

  • Little Red Riding Hood (R. Walt Disney, USA 1922).

    Google Scholar 

  • Mickey and the Beanstalk (R. Hamilton Luske/Bill Roberts, USA 1947).

    Google Scholar 

  • Puss in Boots (R. Walt Disney, USA 1922).

    Google Scholar 

  • Rapunzel – Neu verföhnt / Tangled (R. Greno Nathan/Byron Howard, USA 2010).

    Google Scholar 

  • Schneewittchen und die sieben Zwerge / Snow White and the Seven Dwarfs (R. David D. Hand, USA 1937).

    Google Scholar 

1.2 Weitere genannte Märchenfilme

  • Abenteuer im Zauberland / Babes in the Woods (R. Burt Gillet, USA 1932).

    Google Scholar 

  • Cinderella / Cinderella (R. Kenneth Branagh, USA 2015).

    Google Scholar 

  • Der Dieb von Bagdad / The Thief of Bagdad (R. Ludwig Berger/Michael Powell/Tim Whelan, GB 1940).

    Google Scholar 

  • Der gestiefelte Kater / Puss in Boots (R. Chris Miller, USA 2011).

    Google Scholar 

  • Der große böse Wolf / The Big Bad Wolf (R. Burt Gillet, USA 1934).

    Google Scholar 

  • Die drei kleinen Schweinchen / The Three Little Pigs (R. Burt Gillet, USA 1933).

    Google Scholar 

  • Die Schöne und das Biest / Beauty and the Beast (R. Bill Condon, USA 2017).

    Google Scholar 

  • Fröhlich, Frei, Spaß dabei / Fun and Fancy Free (R. Bill Roberts/Jack Kinney/Hamilton Luske/William Morgan, USA 1947).

    Google Scholar 

  • Goldie Locks and the Three Bears (R. Walt Disney, USA 1922).

    Google Scholar 

  • Im Land der Riesen / Giantland (R. Burt Gillet, USA 1933).

    Google Scholar 

  • Jack and the Beanstalk (R. Walt Disney, USA 1922).

    Google Scholar 

  • Shrek (vier Teile; R. Andrew Adamson/Vicky Jenson, USA 2001–2010).

    Google Scholar 

  • Tapferes kleines Schneiderlein / Brave Little Tailor (R. Bill Roberts, USA 1938).

    Google Scholar 

  • The Four Musicians of Bremen (R. Walt Disney, USA 1922).

    Google Scholar 

  • Verwünscht / Enchanted (R. Kevin Lima, USA 2007).

    Google Scholar 

1.3 Weitere genannte Filme (inkl. Bonusmaterial)

  • From Rags to Riches: The Making of Cinderella. Bonusmaterial zu Cinderella. DVD. 2-Disc Special Edition. Disc 2. Walt Disney Home Entertainment [2005].

    Google Scholar 

  • Hans Christian Andersen. My Life as a Fairytale (R. Philip Saville, USA 2001).

    Google Scholar 

  • Newman Laugh-O-gram [1921]. Before Walt. Inkwell Images Inc. USA 1999. DVD (Golden Classics).

    Google Scholar 

  • Once Upon a Dream: The Making of Walt Disney’s Masterpiece Sleeping Beauty (1997). Bonusmaterial zu Dornröschen. DVD. Deluxe Edition. Walt Disney Home Entertainment [o. J.].

    Google Scholar 

  • Songs of the Silly Symphonies. Buena Vista Home Entertainment [o. J.], Bonusmaterial zu Silly Symphonies: The Historic Musical Animated Classics. DVD. Walt Disney Home Entertainment [o. J.].

    Google Scholar 

  • Steamboat Willie / Steamboat Willie (R. Ub Iwerks/Walt Disney, USA 1928).

    Google Scholar 

  • Still the Fairest of Them All: The Making of Snow White and the Seven Dwarfs. Bonusmaterial zu Walt Disney’s Snow White and the Seven Dwarfs. DVD. Platinum Edition. Disc 1. Disney Enterprises Inc. [o. J.].

    Google Scholar 

  • 1937 Trailer # 1. Bonusmaterial zu Walt Disney’s Snow White and the Seven Dwarfs. DVD. Platinum Edition. Disc 2. Disney Enterprises Inc. [o. J.].

    Google Scholar 

2 Sekundärquellen

  • Avila-Saavedra, Guillermo: Ghetto Princes, Pretty Boys, and Handsome Slackers. Masculinity, Race and the Disney Princes. In: Forman-Brunell/Hains 2015, 45–63.

    Google Scholar 

  • Bell, Elizabeth: Somatexts at the Disney Shop. Constructing the Pentimentos of Women’s Animated Bodies. In: Bell/Haas/Sells 1995, 107–124.

    Google Scholar 

  • Bell, Elizabeth/Haas, Lynda/Sells, Laura (Hrsg.): From Mouse to Mermaid. The Politics of Film, Gender, and Culture. Bloomington/Indianapolis: Indiana University Press 1995.

    Google Scholar 

  • Bendix, Regina: Seashell Bra and Happy End. Disney’s Transformation of The Little Mermaid. In: Fabula 34 (1993), H. 3/4, 280–290.

    Article  Google Scholar 

  • Bordwell, David/Staiger, Janet/Thompson, Kristin: The Classical Hollywood Cinema: Film Style and Mode of Production to 1960. New York: Columbia University Press 1985.

    Google Scholar 

  • Borsy, Natalie: »Welcome to the real world, Princess.« Die parodistische De- und Rekonstruktion des Disney-Prinzessinnenfilms. In: Enchanted. Werkstücke No. 8 (2017), 53–86; Wiederveröffentlichung in kids+media 7 (2017) H. 1, http://www.kids-media.uzh.ch/de/1–2017.html, Zugriff: 24.08.2017.

  • Breaux, Richard M.: After 75 Years of Magic: Disney Answers Its Critics, Rewrites African American History, and Cashes in on Its Racist Past. In: Journal of African American Studies 14 (2010), 389–416.

    Article  Google Scholar 

  • Byrne, Eleanor/McQuillan, Martin: Deconstructing Disney. London: Pluto Press 1999.

    Google Scholar 

  • Condis, Megan: Applying for the Position of Princess: Race, Labor, and the Privileging of Whiteness in the Disney Princess Line. In: Forman-Brunell/Hains 2015, 25–44.

    Google Scholar 

  • Davis, Amy M.: Good Girls and Wicked Witches. Women in Disney’s Feature Animation. Eastleigh: John Libbey Publishing 2006.

    Google Scholar 

  • Desowitz, Bill: ›Little Mermaid‹ Team Discusses Disney Past and Present. In: Animation World Network, 06.09.2006, http://www.awn.com/news/little-mermaid-team-discusses-disney-past-and-present, Zugriff: 27.04.2017.

  • Eliot, Marc: Walt Disney. Genie im Zwielicht. München: Heyne 1994.

    Google Scholar 

  • Finch, Christopher: The Art of Walt Disney. From Mickey Mouse to the Magic Kingdoms. New York: Abrams 1995.

    Google Scholar 

  • Forman-Brunell, Miriam/Hains, Rebecca C. (Hrsg.): Princess Cultures. Mediating Girls’ Imaginations and Identities. New York [u. a.]: Lang 2015.

    Google Scholar 

  • Giroux, Henry A.: The Mouse that Roared. Disney and the End of Innocence. Maryland: Rowman & Littlefield 1999.

    Google Scholar 

  • Gregory, Sarita: Disney’s Improvisation. New Orleans’ Second Line, Racial Masquerade and the Reproduction of Whiteness in The Princess and the Frog. In: Mask, Mia (Hrsg.): Contemporary Black American Cinema. Race, Gender and Sexuality at the Movies. New York/London: Routledge 2012, 175–199.

    Google Scholar 

  • Heidtmann, Horst: Von Pinocchio bis Pocahontas. Die Märchenfilme der Walt-Disney-Company. In: Wardetzky, Kristin/Zitzlsperger, Helga (Hrsg.): Märchen in Erziehung und Unterricht heute, Bd. 1: Beiträge zu Bildung und Lehre. Rheine: Europäische Märchengesellschaft 1997 (Veröffentlichungen der Europäischen Märchengesellschaft; 22), 259–268.

    Google Scholar 

  • Maltin, Leonard: The Disney Films. New York: Disney Editions 2000.

    Google Scholar 

  • Marzolph, Ulrich: Das Aladdin-Syndrom. Zur Phänomenologie des narrativen Orientalismus. In: Brunold-Bigler, Ursula/Bausinger, Hermann (Hrsg.): Hören – Sagen – Lesen – Lernen. Bausteine zu einer Geschichte der kommunikativen Kultur. Bern [u. a.]: Lang 1995, 449–462.

    Google Scholar 

  • Murphy, Patrick D.: »The Whole Wide World Was Scrubbed Clean«. The Androcentric Animation of Denatured Disney. In: Bell/Haas/Sells 1995, 125–136.

    Google Scholar 

  • Pallant, Chris: Demystifying Disney. A History of Disney Feature Animation. London: Continuum 2011.

    Google Scholar 

  • Petersen, Kierran: Disney’s Frozen and the ›gay agenda‹. In: BBC News [Online], 27.03.2014, http://www.bbc.com/news/blogs-echochambers-26759342, Zugriff: 18.04.2017.

  • Platthaus, Andreas: Von Mann & Maus. Die Welt des Walt Disney. Berlin: Henschel 2001.

    Google Scholar 

  • Ross, Deborah: Escape from Wonderland. Disney and the Female Imagination. In: Marvels & Tales 18 (2004), H. 1, 53–66.

    Article  Google Scholar 

  • Rothschild, Sarah: The Princess Story. Modeling the Feminine in Twentieth-Century American Fiction and Film. New York [u. a.]: Lang 2013.

    Google Scholar 

  • Schickel, Richard: Disneys Welt. Zeit, Leben, Kunst und Kommerz des Walt Disneys. Berlin: Kadmos 1997.

    Google Scholar 

  • Smith, Anna: Frozen in time: when will Disney’s heroines reflect real body shapes? In: The Guardian [online], 28.11.2013, https://www.theguardian.com/film/filmblog/2013/nov/28/frozen-disney-female-body-image, Zugriff: 28.04.2017.

  • Staninger, Christiane: Disney’s Magic Carpet Ride: Aladdin and Women in Islam. In: Ayers, Brenda (Hrsg.): The Emperor’s Old Groove: Decolonizing Disney’s Magic Kingdom. New York [u. a.]: Lang 2003, 65–78.

    Google Scholar 

  • Stone, Kay F.: Fairy Tales for Adults. Walt Disney’s Americanization of the Märchen. In: Burlakoff, Nikolai/Lindahl, Carl (Hrsg.): Folklore on Two Continents. Essays in Honor of Linda Dégh. Bloomington, Ind.: Trickster Press 1980, 40–48.

    Google Scholar 

  • Stone, Kay F.: Disney, Walt. In: Enzyklopädie des Märchens, Bd. 3. Berlin [u. a.]: de Gruyter 1981, Sp. 701–704.

    Google Scholar 

  • Tomkowiak, Ingrid: Disneys Märchenfilme. In: Bendix, Regina/Marzolph, Ulrich (Hrsg.): Hören, Lesen, Sehen, Spüren: Märchenrezeption im europäischen Vergleich. Baltmannsweiler: Schneider Hohengehren 2008, 209–233.

    Google Scholar 

  • Wasko, Janet: Understanding Disney. The Manufacture of Fantasy. Cornwall: Polit Press 2001.

    Google Scholar 

  • Watts, Steven: The Magic Kingdom. Walt Disney and the American Way of Life. New York: Houghton Mifflin 1997 (Columbia/London: University of Missouri Press 2001).

    Google Scholar 

  • Wingfield, Marvin/Karaman, Bushra: Arab Stereotypes and American Educators. American Arab Anti-Discrimination Committee (ADC), March 1995, http://www.adc.org/2009/11/arab-stereotypes-and-american-educators/, Zugriff: 18.04.2017.

  • Zipes, Jack: Breaking the Magic Spell. In: Bell/Haas/Sells 1995, 21–42.

    Google Scholar 

  • Zipes, Jack: The Enchanted Screen. The Unknown History of Fairy-Tale Films. New York/London: Routledge 2011.

    Google Scholar 

Download references

Author information

Authors and Affiliations

  1. Universität Zürich, Zürich, Switzerland

    Ingrid Tomkowiak

Authors
  1. Ingrid Tomkowiak
    View author publications

    You can also search for this author in PubMed Google Scholar

Editor information

Editors and Affiliations

  1. Goethe-Universität Frankfurt am Main, Frankfurt am Main, Deutschland

    Ute Dettmar  & Claudia Maria Pecher  & 

  2. Berlin, Deutschland

    Ron Schlesinger

Rights and permissions

Reprints and permissions

Copyright information

© 2017 Springer-Verlag GmbH Deutschland, ein Teil von Springer Nature

About this chapter

Cite this chapter

Tomkowiak, I. (2017). Capture the Imagination – 100 Jahre Disney-Märchenanimationsfilme. In: Dettmar, U., Pecher, C.M., Schlesinger, R. (eds) Märchen im Medienwechsel. J.B. Metzler, Stuttgart. https://doi.org/10.1007/978-3-476-04593-5_7

Download citation

  • DOI: https://doi.org/10.1007/978-3-476-04593-5_7

  • Publisher Name: J.B. Metzler, Stuttgart

  • Print ISBN: 978-3-476-04592-8

  • Online ISBN: 978-3-476-04593-5

  • eBook Packages: J.B. Metzler Humanities (German Language)

Publish with us

Policies and ethics

Search

Navigation