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Shavian Shadows in Spanish Lands: Shaw’s Impact on the ‘Generation of 1898’

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Bernard Shaw and the Spanish-Speaking World

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Abstract

This chapter will analyze the impact of George Bernard Shaw’s writing and career on the loose grouping of Spanish authors which has come to be known as the ‘Generation of 1898’ (Generación del 98). I will begin by examining what direct influence, if any, Shaw had on the work of the so-called 98ers. I will propose that, perhaps surprisingly, his strongest impact was not on the generation’s playwrights (Jacinto Benavente and Ramón del Valle-Inclán) but on its journalist and essayist Ramiro de Maeztu. I will then explain how Shaw’s international renown meant that, from the 1920s onward, he became one of the fundamental points of reference for the public’s understanding of the characteristics and direction of contemporary high culture. This meant that, even within Spain, the work and actions of the 98ers were often compared to Shaw’s by younger authors and readers. Shaw thus defined a horizon of expectations regarding the behavior of writers and public intellectuals which, in turn, determined the Spanish public’s perception of 98ers like the writer Miguel de Unamuno. This shows that, when it comes to a figure as widely known and multifaceted as Shaw, studies on his influence must take into consideration his presence as a loosely defined persona in the public’s imagination as well as his specific works and ideas.

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Notes

  1. 1.

    I am adapting here, somewhat orthopedically, one of the ways in which these authors are referred to in Spanish literary scholarship: noventayochistas.

  2. 2.

    The most succinct exemplar of these scholarly objections can be found in the manifesto appended to José-Carlos Mainer and Jordi Gracia, eds., En el 98: los nuevos escritores (Soria–Madrid: Fundación Duques de Soria—Visor, 1997). A classic and still highly useful English-language study of the original effect of the 98ers is Herbert Ramsden’s The 1898 Movement in Spain: Towards a Reinterpretation (Manchester: Manchester University Press, 1974).

  3. 3.

    Álvaro Alcalá Galiano, “Bernard Shaw, superhombre intelectual.” ABC (8 May 1930). All translations from the Spanish are my own. I retain certain Spanish words in parentheses in the case of untranslated works or in instances where the original has nuances I have been incapable of conveying fully in English.

  4. 4.

    Asel Rodríguez-Seda de Laguna, Shaw en el mundo hispánico (Puerto Rico: Editorial Universitaria, 1981), 28, 24. Julio Caro Baroja, Los Baroja. Memorias familiares (Madrid: Taurus, 1978), 71.

  5. 5.

    Mario Valdés and María Elena de Valdés, An Unamuno Source Book (Toronto: University of Toronto Press, 1973). I am grateful to Stephen G. H. Roberts for this information.

  6. 6.

    Antonio Raúl de Toro Santos, La literatura irlandesa en España (La Coruña: Gesbiblo, 2010), 14.

  7. 7.

    The quotation is taken from Darío Villanueva, “Valle-Inclán y James Joyce,” in Joyce en España. IV Encuentros de la Asociación Española James Joyce, ed. Francisco García Tortosa & Antonio Raúl de Toro Santos (A Coruña: Universidade Servizo de publicacións, 1994), I: 55.

  8. 8.

    Enrique Gallud Jardiel, La dramaturgia de Jacinto Benavente (Madrid: Antígona, 2015), 36.

  9. 9.

    Gallud Jardiel, Benavente, 23.

  10. 10.

    Gallud Jardiel, Benavente, 24.

  11. 11.

    Jacinto Benavente, “El teatro de Bernardo Shaw,” Heraldo de Madrid (29 June 1907).

  12. 12.

    S. [sic], “Entrevista con Ricardo Baeza,” La Gaceta Literaria (15 November 1930).

  13. 13.

    Rodríguez-Seda de Laguna, Shaw, 99–101.

  14. 14.

    Jacinto Benavente, “César y Cleopatra,” Heraldo de Madrid (14 December 1907).

  15. 15.

    We see this in one of his most polemical pieces, the pro-German manifesto published during the First World War: Jacinto Benavente, “Amistad germano-española,” La Tribuna (18 December 1915).

  16. 16.

    Miguel de Unamuno, “El Estatuto o los desterrados de sus propios lares,” El Sol (7 July 1931).

  17. 17.

    Walter Starkie, “Epilogue,” in Unamuno: Creator and Creation, eds. José Rubia Barcia and M. A. Zeitlin (Berkeley, CA: University of California Press, 1967), 235.

  18. 18.

    Frank Sedwick, “Unamuno and Pirandello Revisited,” Italica 33(1), 42.

  19. 19.

    José Ortega y Gasset, “En la muerte de Unamuno,” Obras Completas. Vol. V (Madrid: Revista de Occidente, 1964), 265.

  20. 20.

    For Maeztu’s relationship with the United Kingdom, see David Jiménez Torres, Ramiro de Maeztu and England: Imaginaries, Realities and Repercussions of a Cultural Encounter (Woodbridge: Boydell & Brewer, 2016). Two relevant works on Maeztu’s impact on Spanish politics and culture are Pedro Carlos González Cuevas, Maeztu: biografía de un nacionalista español (Madrid: Marcial Pons, 2003), and José Luis Villacañas, Ramiro de Maeztu y el ideal de la burguesía en España (Madrid: Espasa, 2000).

  21. 21.

    Ramiro de Maeztu, “En torno a Shakespeare,” La Correspondencia de España (30 April 1905). For Cunninghame Graham as a nexus between the British and Spanish intelligentsias of his time, see David Jiménez Torres, “De historiador de la Conquista a icono de la Hispanidad: R. B. Cunninghame Graham como mediador cultural,” Erebea 6 (2016), 197–225.

  22. 22.

    Ramiro de Maeztu, “Balance teatral,” La Correspondencia de España (29 July 1905). Maeztu’s statement alludes to the debate over Shakespeare between Shaw and Chesterton held around this time.

  23. 23.

    Ramiro de Maeztu, “Don Juan en el infierno,” La Correspondencia de España (12 June 1907).

  24. 24.

    Ramiro de Maeztu, “Trabajo y descontentamiento,” Nuevo Mundo (19 December 1907).

  25. 25.

    Francisco Lafarga and Luis Pegenaute ed., Diccionario histórico de la traducción en España (Madrid: Gredos, 2009), 1046–7. The reference to the 1908 and 1920 stagings is in Rodríguez-Seda de Laguna, Shaw, 19.

  26. 26.

    Ramiro de Maeztu, “La ‘Cándida’ de Shaw,” Nuevo Mundo (14 May 1908).

  27. 27.

    The letter to Ortega is dated 2 July 1908 and is held in the Fundación Ortega y Gasset—Gregorio Marañón. The letter to his sister, dated 21 July 1911, is in María Josefa Lastagaray Rosales, Los Maeztu: una familia de artistas e intelectuales (Doctoral dissertation, Universidad Autónoma de Madrid, 2010).

  28. 28.

    The play is published in Emilio Palacios Fernández, ed., Ramiro de Maeztu: obra literaria olvidada (1897–1910) (Madrid: Biblioteca Nueva, 2010). The assertion of Shavian influence is in González Cuevas, Maeztu, 139.

  29. 29.

    Ramiro de Maeztu, “Don Juan en el infierno,” La Correspondencia de España (12 June 1907).

  30. 30.

    Maeztu’s talks at the Polyglot Club are summarized in L. de Aitz-Gorri, “Don Juan y el donjuanismo: una conferencia de Maeztu,” Nuevo Mundo (10 March 1910).

  31. 31.

    Ramiro de Maeztu, Don Qujote, Don Juan y la Celestina: ensayos en simpatía (Madrid: Visor Libros, 2004), 103.

  32. 32.

    Maeztu, Don Quijote, 89.

  33. 33.

    Ramiro de Maeztu, Liberalismo y socialismo: textos fabianos de 1909–1911 (Madrid: Centro de Estudios Constitucionales, 1984).

  34. 34.

    Ramiro de Maeztu, La revolución y los intelectuales (Madrid: Bernardo Rodríguez, 1911), 28.

  35. 35.

    Rafael Urbano, “La ‘Fabian Society’,” El Socialista (18 December 1913). See also E. Inman Fox’s Introduction in Maeztu, Liberalismo.

  36. 36.

    Ramiro de Maeztu, “El fin del pacifismo,” Heraldo de Madrid (31 January 1916).

  37. 37.

    Ramiro de Maeztu. “La extinción del lujo,” Heraldo de Madrid (14 December 1914).

  38. 38.

    Ramiro de Maeztu, “The Confusions of Mr. Bernard Shaw,” The New Age (15 June 1916); George Bernard Shaw, “The Alleged Confusions of Mr. Bernard Shaw,” The New Age (20 June 1916); Ramiro de Maeztu, “Mr. Shaw and the German Republic,” The New Age (27 July 1916). I have written about this polemic, and what it signals about Spanish attitudes to the First World War (as well as about those of neutral countries in general), in David Jiménez Torres, “Neutrales belicistas contra contendientes pacifistas: la polémica entre George Bernard Shaw y Ramiro de Maeztu durante la Primera Guerra Mundial,” in Carlos Sanz Díaz and Zorann Petrovici, eds., La gran guerra en la España de Alfonso XIII (Madrid: Sílex), 233–254.

  39. 39.

    Maeztu, Don Quijote…, 96.

  40. 40.

    Ramiro de Maeztu, Defensa del Espíritu (Madrid: Rialp 1958), 60.

  41. 41.

    Ramiro de Maeztu, “Santa Juana,” El Mundo (14 January 1924).

  42. 42.

    “Lo que piensan los jóvenes,” El Sol (18 January 1930).

  43. 43.

    José Luis Salado, “Ramón J. Sender engordó cuatro kilos en la cárcel,” Heraldo de Madrid (15 May 1930).

  44. 44.

    Luis Araquistain, “La disolución de la conciencia,” El Sol (2 February 1928).

  45. 45.

    José Luis Salado, “Ramón J. Sender…”

  46. 46.

    Ramón Iglesia Parga, “El viaje de Turquía,” La Gaceta Literaria (1 August 1929).

  47. 47.

    José Ortega y Gasset, Ensayos sobre la Generación del 98 (Madrid: Alianza Editorial, 1981), 57.

  48. 48.

    On the different modes of public intellectualism in early-twentieth-century Spain, see Stephen G. H. Roberts, Miguel de Unamuno o la creación del intelectual español moderno (Salamanca: Ediciones Universidad de Salamanca, 2007), and David Jiménez Torres, “La palabra ambigua. Los discursos sobre el intelectual en España, 1889–1914,” Historia y Política, 43, 193–223. On the multiplicity of meanings of the term “intellectual” in Europe at the time, and on its relationship to cultural prestige, see Stefan Collini, Absent Minds. Intellectuals in Britain (Oxford: Oxford University Press, 2006), Chaps. 1 and 2.

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Jiménez Torres, D. (2022). Shavian Shadows in Spanish Lands: Shaw’s Impact on the ‘Generation of 1898’. In: Rodríguez Martín, G.A. (eds) Bernard Shaw and the Spanish-Speaking World. Bernard Shaw and His Contemporaries. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-97423-7_12

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