Abstract
To investigate the role of prior knowledge in perceiving the hollow-face illusion, we set out to correlate human performance with that of a computational model that tracks facial features. Toward this goal, we prepared a video of a thin human mask, realistically painted on both the convex and concave sides, that rotated by 360 degrees. It is well known that when humans view the rotating hollow part of the mask, they perceive it as a convex face that rotates in the opposite direction. We submitted this video as input to DeCarlo & Metaxas’s (Int. J. Comput. Vis. 38(2):99–127, 2000) face tracking algorithm that uses a combination of optical flow and feature alignment to track moving faces; importantly, the algorithm uses a schema of a 3-D convex face. The algorithm was fooled, as humans are, into misperceiving a concave face as a convex face rotating in the opposite direction. Notably, this is a significant case where a computer vision algorithm “experiences” an illusion. However, when the convex-face schema was replaced with a schema that allowed both convex and concave faces, the algorithm tracked the mask accurately. The similarity in the responses of the computer vision algorithm and human observers reinforces the hypothesis that a built-in convex 3D face schema imposes a depth inversion for concave faces that in turn forces the false interpretation of motion signals.
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28.1 Introduction
One of the fundamental questions in vision is how the visual system recovers a nearly veridical representation of the world, given that the retinal optic flow has an infinite number of possible interpretations, especially if one considers that there are moving objects in the environment. This one-to-many mapping from retinal optic flow onto the real-world surfaces and objects that provide the stimulation is known as the inverse problem in optics [35, 40, 45–47].
There is a long-standing debate in vision on whether visual perception, which is based on the solution to the inverse problem in optics, is influenced by schema-driven processes or it is entirely stimulus-driven and automatic. Helmholtz [26] was among the first researchers to hypothesize that perception is a process that involves “unconscious inference” at a time when it was commonly believed that perception was a purely data-driven process. This view has been adopted and extended by more recent formulations based on experimental evidence [11, 20, 22–24, 42, 52]. This view is also adopted by researchers who use a Bayesian formulation [8, 15, 19, 34, 71]; according to this view, the visual system uses “priors”, such as the convexity bias [39, 60] or the “light-from-above” assumption [1, 6, 7, 36], to arrive at the most probable interpretation of the visual input, given the ambiguity of the solution to the inverse problem in optics. Proponents of this view posit that, in addition to the “bottom-up” processing that starts with data-driven sensory signals and activates progressively higher brain areas, there are also schema-driven “top-down” cognitive influences (such as experience, memory, suggestions, knowledge, etc.) that start at higher brain areas that “interpret” their input and modulate the activation of lower brain areas ([3, 17, 30, 32, 41]; but see [18] for an argument against top-down influences).
One approach to studying the interaction of bottom-up (data-driven) and top-down (prior-knowledge-driven) processes is to select stimuli in which these two processes compete against each other, such that the percept elicited by the bottom-up signals is quite different from—and often opposite from—the percept that is favored by the top-down processes. Specifically, the value of visual illusions in this effort has long been recognized [5, 22–24, 52, 69]. Illusions have been used extensively to study normal brain mechanisms and stages of processing [2, 16, 20, 38, 49]. In particular, there is a fascinating class of three-dimensional (3-D) stimuli in which the data-driven cues elicit one depth percept while the schema-driven processes elicit a strong depth-inversion illusion. Two members of this class that produce very reliable illusions are the hollow mask [21, 27–29, 43, 70] and the reverse perspective [9, 42, 43, 55, 61, 67]. In this chapter, we will consider the role of top-down influences on the hollow-mask illusion both for human and machine vision. We observe that a face-tracking algorithm that recovers the 3-D shape from animation sequences of moving faces is susceptible to the hollow-mask illusion just as humans are, when it incorporates a top-down schema of convex faces, even though the data-driven motion parallax signals are adequate to recover the veridical concave 3-D shape. We discuss the implications of this observation.
28.2 The Hollow-Mask Illusion for Humans
The hollow-mask illusion, along with reverse perspectives, is one of the best-known depth inversion illusions, where one can distinguish cues and processes that give rise to competing percepts. In the case of the hollow mask, the prior knowledge of faces being convex, based on life-long exposure to faces, is the only schema-driven influence in favor of the illusion. It would be instructive to summarize briefly the basic data-driven influences that provide cues for the true depth structure, against the illusion, with the exception of the kinetic depth effect cue that provides ambiguous information (see item 2b.2 below). (1) There are two main extraretinal signals: (1a) Vergence is a binocular signal: it refers to the simultaneous but opposite-directed movement of the two eyes to achieve fixation of both on the point of interest. Since it can be expressed as an angle (vergence angle) that is formed by the two eyes’ lines of sight, it is a single-valued function. (1b) Lens accommodation is self-explanatory monocular signal: the shape of the eye lenses has to vary in order to achieve the proper optical power, also single valued, to obtain a sharp “image” on the retina. Theoretically, at least, if viewers had access to the motor signals that control the muscles affecting vergence and accommodation, they could have used them as cues to depth, provided they were derived over time, as they fixate various points on the object/surface of interest. In practice, there is a long-standing debate on whether such motor signals are indeed used as cues to depth [4, 50, 68]. (2) We next move to some of the retinal-based cues: (2a) The most important binocular signal is the stereoscopic disparity between the two-eyes’ “images”, which comprises both horizontal and vertical components; disparity provides continuous 3-D shape cues that recover the true depth ordering of a scene or object; however, disparity needs to be processed further to yield true accurate depth information [51, 64]. (2b) Some of the monocular cues that are most relevant to the hollow-face illusion are: (2b.1) Motion parallax, due to the observer’s self-motion as he/she views a scene, produces an optic flow field that also provides continuous 3-D shape cues with properties that are similar to those of stereopsis; they recover the correct depth ordering but they need to be scaled for recovering true depth [53, 54]. (2b.2) For a stationary observer, a moving object provides depth-from-motion cues, the so-called kinetic depth effect or KDE [31, 62]. KDE also provides continuous 3-D shape cues, but the depth ordering is ambiguous; as an example, a rotating wire-frame globe can be perceived either veridically, rotating in the physical direction, or in reverse depth, rotating in the opposite direction. (2b.3) Occlusion is a powerful cue to depth but it only provides depth-ordering information. (2b.4) Shading can also provide cues to the 3-D shape of an object [48, 65]. (2b.5) Finally, image blur can be used for assessing depth relationships in a scene [25, 66]. Blur is closely related to lens accommodation because only the point that the viewer fixates on and its close surroundings are in sharp focus, whereas more distant points are blurred. The degree of blur can be used to estimate the depth differential between a blurred image point and the fixation point, but it does not inform us of the depth polarity (is it in front or behind fixation). In addition, there are other depth cues in the general case (texture gradient, atmospheric perspective, size familiarity, etc.) that may not be strongly relevant in the hollow mask illusion. Nevertheless, the plethora of depth cues makes the problem of recovering depth too complex for a thorough scientific analysis. Here, we lump together all the depth cues that provide good estimates of depth (items 1a, 1b, 2a, 2b.1, 2b.3) and observe that they are more powerful at small viewing distances.
Thus, when observers view a hollow mask up close, the bottom-up signals of stereopsis, motion parallax, vergence eye movements and lens accommodation, among others, provide powerful signals that dominate and enable viewers to recover the veridical concave 3-D shape of the mask. These signals, however, become weaker as the viewing distance increases. At an adequately long viewing distance, the top-down influences—familiarity with convex faces in the case of a facial mask—dominate, causing depth relationships to be inverted; points that are physically further away appear to be closer than points that are physically closer. Consequently, concavities appear as convexities and vice versa, resulting in the percept of an overall convex face.
Figures 28.1a and 28.1b illustrate an essential feature of the hollow-mask illusion. Namely, even though the hollow mask of Fig. 28.1b faces to the left, the (mis-)perceived convex mask appears to face to the right (more details on this are provided later in reference to Fig. 28.2). This gives rise to two related motion illusions: (1) When a viewer moves laterally in front of a static hollow mask, the perceived convex mask appears to turn and “follow” the viewer. An explanation of this illusory motion that is based on the depth inversion has been proposed by Papathomas [42]. (2) When the hollow mask is rotated in front of a stationary viewer, the perceived convex mask appears to rotate in a direction opposite to the physical direction of rotation. An extension of the explanation by Papathomas can be applied in this case. In this paper, we will concentrate on the second type of illusory motion that is elicited by a rotating mask for a stationary observer.
Figure 28.2a is a top view that illustrates the notation we use to describe the orientation of the mask. Angle θ specifies the spatial orientation of the mask, starting from zero when the convex side of the mask faces straight ahead toward the viewer, shown with solid lines, and increasing in the counter-clockwise (CCW) direction; a mask is shown in dashed lines as it rotates CCW by an angle θ 1. This mask orientation is very similar to the one used to obtain the image in Fig. 28.1a. In Fig. 28.2b the mask starts at θ=180∘−θ 1 (dashed lines) and it rotates CCW by an angle θ 1 to the straight ahead concave position at θ=180∘ (solid lines). The viewer sees the concave side of the mask in this case. The image in Fig. 28.1b was obtained using a mask orientation similar to that at θ=180∘−θ 1. Notice that, if we think of the dashed-line hollow mask (θ=180∘) as pointing toward the viewer, then the solid-line hollow mask of Fig. 28.2b points to the left of the viewer by an angle θ=−θ 1.
Importantly, as masks in Figs. 28.2a and 28.2b illustrate, for small rotation angles that avoid self-occlusions on the mask, and under orthographic projection, the image of the concave mask at θ=180∘−θ 1 is very similar to that of the convex mask at θ=θ 1. For example, the sizes of the left and right eyes of the masks will be roughly equal under orthographic projection. In contrast, for a perspective projection—which, after all, is what one obtains on the retina or with a camera—there are ample cues, for small viewing distances, to distinguish between the images obtained for the masks at θ=180∘−θ 1 and at θ=θ 1; this ability to distinguish between the two images decreases with increasing viewing distance.
For example, for the dashed-line mask in Fig. 28.2a (θ=θ 1), the eye to the left of the viewer, being closer than the eye to the right of the viewer, will form a larger image. The opposite will be true for the solid-line mask in Fig. 28.2b (θ=180∘−θ 1); the eye to the right of the viewer will form a larger image than the eye to the left of the viewer. Of course, the size difference depends on the viewing distance of the imaging device (retina or camera) from the mask. This size difference between the left and the right eyes extends to the entire left and right sides of the face and the resulting size gradient can theoretically be used to recover the true 3-D shape. The images of Figs. 28.1a and 28.1b were obtained from a relatively large distance and, hence, these size differences are not evident.
The essence of the illusion is obtained when one compares what is perceived in the following two cases: (a) The convex masks starts from a straight-ahead position (θ=0∘) and moves CCW by an angle θ 1 to position θ=θ 1, as in Fig. 28.2a. (b) The concave masks starts from a straight-ahead position (θ=180∘) and moves CW by an angle θ 1, to position θ=180−θ 1, in the opposite direction to that shown in Fig. 28.2a. Under viewing conditions that favor the illusion, these two motions will produce the same percept, namely a convex masks that rotates CCW, because the concave mask will appear to rotate in the opposite direction to that of its physical direction of rotation. Notice that, because the kinetic-depth-effect cue (item 2b.2 in this section) is ambiguous, when we perceive the concave mask in inverted depth (convex), we perceive it rotating in the opposite direction.
The question is: will this size-differential cue, as well as other bottom-up cues (motion parallax, stereoscopic disparity, blur and possibly vergence angle and accommodation,Footnote 1 among others) overcome the schema of a convex face to recover the true concave mask shape? The answer is: it depends on several factors but primarily on the viewing distance. As explained above, the size gradient is negligible for large viewing distances and increases with decreasing viewing distance. The same is true for the differential signals provided by most of the bottom-up cues we mentioned earlier. Namely, the binocular disparity differential signals provided by mask features that are at different depths, such as the tip of the nose and lips, are very weak at long viewing distances and grow stronger as the distance decreases; ditto for motion parallax signals, and differences in vergence and accommodation. Because the strength of these bottom-up signals diminishes with increasing viewing distance, the prior experience with convex faces dominates and thus the prediction is that the illusion strength will increase with increasing distance. This is precisely what has been observed in experimental studies [21, 27–29, 43, 70].
28.3 The Hollow-Mask Illusion and Computer Vision
Most computer vision algorithms that have been developed to recover the 3-D structure of human faces include the schema for the convex form of faces as part of their knowledge base. Naturally, one would expect this schema to influence the recovery of 3-D shape when such algorithms are provided an animation sequence that involves a hollow mask. This is what we consider below for a representative face-tracking algorithm.
28.3.1 Model and Algorithm
The particular 3-D face model and tracking algorithm we used is that of DeCarlo and Metaxas [10]. The model itself is a handcrafted 3-D polygon model which has motion parameters that describe head movements (3-D translation and rotation) and facial motions (mouth movements, eyebrow raises, etc.), and shape parameters that enable the model to approximate the geometry of an individual’s face. See Fig. 28.3. The 3-D face model uses about 80 spatial geometry variables (distance between eyes, length of nose, distance between upper lip and tip of nose, width of lips, etc.) that the algorithm adjusts to obtain a physical 3-D surface that conforms best to the face features that are present in the animation sequence being processed. The algorithm uses a combination of optical flow and feature alignment in order to maintain track of moving subjects. Essentially, the 3-D model, along with a simple model of image formation, is used to explain the changing appearance of a face in a series of images, in terms of its parameters.
In Fig. 28.3, the light regions of the shape are the explicitly parameterized parts of the shape, e.g., a hand-crafted 3D deformable model of the lips. The dark regions connect the vertices of the deformable models together using triangles (and no new vertices), e.g., the space between the lips and nose is “filled in”. These dark regions are only used for modeling occlusion and are use for predicting the locations of occluding contours. The shape and motion models are formulated the same way, except that the shape parameters are static quantities, and the motion parameters are time-varying. For instance, one particular shape parameter describes the width of the lips. One particular motion parameter is the horizontal translation of the entire head.
We developed two versions of the tracking framework, which differed only in the schema used to interpret the input images: (1) The original algorithm used the assumption that human faces are convex. It tracked faces and, naturally, the 3D face model implicitly constrained geometry to be convex overall, with depth undulations that are typical of human faces. (2) To explore the interaction of top-down and bottom-up processes on the behavior of the algorithm, the second version of the algorithm did not use the assumption that faces are convex. We allowed it to accept concave faces, as well as convex faces, and to conduct feature tracking based on this new schema. In some sense, this second version enables the algorithm to recognize a thin mask that has both a convex and a concave side, like Halloween masks.
28.3.2 Algorithm Input—Results
The input to the algorithm was a video animation of a mask that was painted realistically on both sides, as shown in Fig. 28.1. The concave side was painted to give the impression of a convex face. The mask rotated by 360∘ about a vertical axis in the CCW direction. The animation can be viewed in http://videos.springer.com. Examples of tracking results are shown in Fig. 28.4.
The results of the original version are graphed in Fig. 28.5a. The horizontal axis represents the orientation θ of the physical mask that varies from −180∘ (concave part facing viewer) through −90∘ (mask facing left), 0∘ (convex part facing viewer), 90∘ (mask facing right), all the way to 180∘ (concave part facing viewer). As θ varies continuously along the horizontal axis, the mask can be thought of as rotating CCW. The vertical axis represents the orientation that the algorithm recovers, based on the visual input, as modulated by the algorithm’s schema.
If the algorithm recovers the true orientation of the mask, we would expect a line with a slope of 1. On the contrary, if the algorithm is susceptible to the hollow-mask illusion then, as Fig. 28.2 illustrates, a hollow mask at an orientation θ=180∘−θ 1 will be perceived as a convex mask at θ=θ 1; thus, as the physical concave mask rotates CCW from θ=180∘−θ 1 to θ=180∘, the perceived convex mask will be seen rotating CW from θ=θ 1 to θ=0∘, producing a line with a slope of −1 on the graphs of Fig. 28.5.
This is precisely what the results of the algorithm indicate: The algorithm recovers the orientation of the convex mask perfectly for −90∘≤θ≤90∘. However, in the approximate range 132∘<|θ|≤180∘, the data indicate that the algorithm “experiences” the hollow-mask illusion as evidenced by the slope of −1; see Fig. 28.6. Interestingly, but predictably, the algorithm does not recover a face at all in the approximate range 90∘<|θ|<132∘. This is the range for which there is a significant extent of self-occlusions, as illustrated in Fig. 28.1c. The marginal orientation of 132∘ is shown in Fig. 28.1d, for which the algorithm barely recovered a face.
The results of the modified algorithm that recognizes the existence of both convex and concave faces are shown in Fig. 28.5b. As expected, the rich optic flow signals, without the constraint of a convex face, allow the algorithm to recover the true 3-D shape and spatial orientation of the mask over the entire range of 360∘. Indeed, the slope of the line is 1 for −180∘≤θ≤180∘.
28.4 Discussion
In some sense, these findings can be thought of as evidence for the existence of schema-driven influences in visual perception for the particular case of human faces. Liberated from these top-down influences—in this case the knowledge that faces are convex—the algorithm uses the bottom-up signals to recover exactly the true shape and orientation of facial masks. However, when the algorithm is imbued with the knowledge of faces being convex, it behaves just as humans in being “fooled” by the hollow-mask illusion. As Theo Pavlidis [44] commented, “I have not seen any other demonstration where machine vision algorithms also suffer from optical illusions.”
There are at least two pieces of evidence for top-down influences. The first is the inversion effect, that is, the reduced strength of the illusion when the hollow mask is displayed upside-down [27, 28, 43]. Apparently, the cause for the reduced strength is the lack of familiarity with inverted faces. The second piece of evidence is the reduced strength of the hollow-mask illusion in cases where the cognitive influences are impaired. Examples of such impairment are observed with subjects who are sleep-deprived [63] or under the influence of cannabis [13, 14, 56] or alcohol [58]. Schizophrenia (SZ) patients also experience a weaker illusion than controls, i.e., they tend to perceive the hollow mask as hollow [13, 33, 37, 57, 59]. One possible explanation is that SZ patients have a reduced ability to exert top-down influences in perception. Evidence for such weak feedback connections in SZ patients was presented by Dima et al. [11], based on fMRI data; Dima et al. [12] presented additional evidence on the basis of reduced P300 and P600 electro-encephalography (EEG) components, which signal late-stage processing, in SZ patients.
In addition to the explanation that the illusion is based on face familiarity, another possibility is that the illusion may not be stimulus-specific but instead may owe to a bias in favor of convexity [39, 60]. This hypothesis was tested by Hill and Bruce [28]. They reported that a hollow human mask produces a much stronger illusion than a “hollow potato” by comparing the switching distance, namely the average of the viewing distance at which the illusion breaks down on approach—starting with the illusory percept from a long distance—and the viewing distance at which the illusion sets in on retreat—starting with the veridical percept at a very close distance. Thus, the human mask enhances the bias to see concave surfaces as convex.
A third possibility, raised by Barlow [5], is that the sensory mechanisms analyze the redundancy that exists inherently in the sensory signals and the associations between input variables. According to Barlow, neural mechanisms respond to the “established associative structure in the input messages by recoding them … [thus] making new structure more easily detectable” [5]. In the case of faces, he argues that our vast prior experiences resulting from moving past normal faces—as they themselves move or remain stationary—have resulted in an efficient neural coding scheme for the representation of our own motion and the visual motion signals generated by the 3D geometry and the parts of a normal face. Thus, when we move past a stationary hollow mask, this recoding scheme now works in the wrong direction to compensate for the visual motion that it expects. The result is that the scheme interprets the visual motion signals as elicited by a normal (convex) face that moves. The weaker illusion for an upside-down hollow mask is accounted by Barlow’s [5] hypothesis as resulting from less exposure to upside-down faces and therefore less recoding mechanisms.
What happens for 90∘<|θ|<132∘? Figure 28.1c shows a mask oriented at θ=117.3∘. The algorithm, as well as the human visual system, is unable to recognize a normal face in this and other cases where there are extensive self-occlusions. Apparently, the algorithm that has a convex-face schema cannot resolve the discontinuities in the 3-D shape that are recovered by the optic flow and provides no output for a face. When the extent of the self-occlusions is limited, as in the marginal orientation of Fig. 28.1d (θ=132∘), the algorithm can still—barely—recover a face. The same occlusion that acts as noise for tracking a convex face in the convex-face schema algorithm can be used as signal in the thin-mask schema algorithm.
At this point, we can conjecture about how a computer vision algorithm for scene perception would operate when presented with an animation sequence of a rotating reverspective. A reverspective is a 3-D piece that is constructed and painted realistically such that the painted perspective cues depict a depth structure that is exactly opposite to the physical structure, which is recovered correctly by binocular disparity and motion parallax signals [61, 67]. A computer vision scene analysis system that is driven mainly by data-driven signals (motion parallax, stereoscopic disparity, etc.) would recover the veridical 3-D structure. We conjecture that, if such a scene analysis system is endowed with schema-driven modules for perspective, it will likely experience the illusion that human experience, that is, perceiving the direction of rotation to be the opposite from the physical direction, in analogy with the behavior of the face tracking algorithm (see pertinent video animation in http://videos.springer.com).
This raises an interesting issue. Ideally, computer vision systems need to be endowed with some schemata that help them process the visual input more efficiently and accurately. For example, face-processing systems benefit greatly from a built-in deformable model of a generic face that is characterized by several deformation parameters. This allows the systems, when provided the input video sequence of a particular face, to optimize the parameters so as to fit the best possible model to that particular face. The price they pay is that such systems are fooled by the hollow-mask illusion, as humans are.
Humans, however, have the advantage of changing the viewing conditions (shorter viewing distance, binocular viewing, etc.), not to mention handling the stimulus by touch, to gain more knowledge about the true 3-D structure of the stimulus. We can see two extreme options for computer vision systems. The first—easy—approach involves endowing such systems with additional schemata, such as the schema of a thin facial mask in the case of face perception. The second—difficult—approach is to enable these systems to explore possibilities that are not covered by the initial repertory of schemata they were provided with at inception. In the case of face tracking algorithms, the system would have to analyze the optic flow in the video, recognize that it fails to arrive at a solution in some instances and search for alternative schemata that, if successful, it would add it to its own repertoire. The first approach is one of “spoon feeding” schemata to the system and it requires constant supervised learning; the second approach is one of “learning from experience” and it appears more promising but requires fundamental advances before it can be implemented. Of course, these two approaches are applicable to cases where we are limited to images derived from the visible spectrum only. Obviously, systems equipped with range finders can provide 3D signals to recover the true depth structure.
Notes
- 1.
As Christopher Tyler commented, “vergence and accommodation would have to be derived over time by eye movements to provide shape information.”
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Acknowledgements
We would like to thank Manpreet Kaur for conducting experiments on the hollow-mask illusion with human observers. We thank Christopher Tyler who reviewed the manuscript and offered valuable suggestions.
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Papathomas, T.V., DeCarlo, D. (2013). Schema-Driven Influences in Recovering 3-D Shape from Motion in Human and Computer Vision. In: Dickinson, S., Pizlo, Z. (eds) Shape Perception in Human and Computer Vision. Advances in Computer Vision and Pattern Recognition. Springer, London. https://doi.org/10.1007/978-1-4471-5195-1_28
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