Biblical typology and the role of Baligant in the OxfordRoland Russell Hunt OriginalPaper Pages: 161 - 166
Une lecture iconique de quelques Illuminations de Rimbaud A. W. G. Kingma-Eijgendaal OriginalPaper Pages: 179 - 209
La fusión barroca de las artes enPeribáñez Clark ColahanAlfred Rodriguez OriginalPaper Pages: 210 - 218
García Lorca and Hart Crane: Two views from the bridge Virginia Higginbotham OriginalPaper Pages: 219 - 226
Tormenta de verano: Abandono y despojo de Maruja, alias Margot F. García Sarriá OriginalPaper Pages: 227 - 234
“Nur eine wertlose scherbe” — zur rezeption der Weimarer Klassik bei Franz Mehring Klaus F. Gille OriginalPaper Pages: 246 - 258
Der “un-ruhige” held: Utopie und stagnation in volker brauns Stück “Großer Frieden” Christine Cosentino OriginalPaper Pages: 259 - 268
Double negation and eighteenth-century English grammars Ingrid Tieken-Boon van Ostade OriginalPaper Pages: 278 - 285
A case of “slipping”: Direct and indirect speech in Old English prose Johan Kerling OriginalPaper Pages: 286 - 290
The diabolical chapel: A motif inPatience andSir Gawain and the Green Knight Malcolm Andrew OriginalPaper Pages: 313 - 319