Abstract
Music is a meaningful context which is not bound to a conceptual scheme. Yet this meaningful context can be communicated: The process of communication between composer and listener normally requires an intermediary: an individual per-former or a group of co-performers. Among all these participants there prevail social relations of a highly complicated structure.
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References
G. H. Mead, Mind, Self, and Society, Chicago, 1937, pp. 14, 63, 253ff.
Donald Francis Tovey, “Music,” in Encyclopaedia Britannica, 14th ed.
Virgil Thompson, The Art of Judging Music, New York, 1948, p. 296.
Wilhelm Furtwüngler, “Interpretation — eine musikalische Schicksalfrage,” in Das Atlantisbuch der Musik, Zurich, 1934, pp. 609ff.
Donald Francis Tovey, Beethoven, London-New York, 1945, p. 57.
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© 1976 Martinus Nijhoff, The Hague, Netherlands
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Schutz, A. (1976). Making Music Together. In: Brodersen, A. (eds) Collected Papers II. Phaenomenologica, vol 15. Springer, Dordrecht. https://doi.org/10.1007/978-94-010-1340-6_8
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DOI: https://doi.org/10.1007/978-94-010-1340-6_8
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