Thoroughly Modern: Investigating Materials and Techniques

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Heritage Science

Heritage Science is an open access journal publishing original peer-reviewed research covering: Understanding of the manufacturing processes, provenances, and environmental contexts of...

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Ana Martins

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Showing 1-11 of 11 articles

Saturnino Herrán’s portable murals: symbolism, material agency and conservation
Nathael Cano
Oscar G. de Lucio
José Luis Ruvalcaba Sil
Research Open access 02 April 2024 Article: 106
Painting on the margins: investigating the pigments, media, and techniques of Séraphine Louis
Abed Haddad
Ken Sutherland
Gilles Barabant
Research Open access 11 March 2024 Article: 85
Zinc white marker paint in Mondrian’s neoplastic paintings
Inez Dorothé van der Werf
Klaas Jan van den Berg
Friederike Steckling
Research Open access 18 January 2024 Article: 22
Realizing sensations: analyzing Paul Cezanne’s watercolors and assessing their light sensitivity with microfade testing
Abed Haddad
Laura Neufeld
Ana Martins
Research Open access 24 February 2023 Article: 39
Exploring the private universe of Henri Matisse in The Red Studio
Abed Haddad
Gianluca Pastorelli
Lynda Zycherman
Research Open access 23 October 2022 Article: 168
Multi-technique analysis of pigments on sandstone sculptures: Renaissance re-painting of a Roman relief
Louisa Campbell
Margaret Smith
Research Open access 05 October 2022 Article: 156
Portrait of an artist at work: exploring Max Ernst’s surrealist techniques
Martina Zuena
Luciano Pensabene Buemi
Stefano Legnaioli
Research Open access 05 September 2022 Article: 139
Research on the mechanism of emotional design in Chinese cultural and creative products
Lei Yu
Xin Feng
Weiqing Chen
Research Open access 01 August 2022 Article: 119
Reproducing ancient Chinese ink depending on gelatin/chitosan and modern experimental methodology
Zhen Liu
Kun Liu
Research Open access 16 July 2022 Article: 110
Analytical studies on commercial artists’ colour charts from Das Deutsche Farbenbuch (1925)—identification of synthetic and natural organic colourants by Raman microscopy, surface-enhanced Raman spectroscopy and metal underlayer ATR-FTIR spectroscopy
Clarimma Sessa
Christoph Steuer
Heike Stege
Research Open access 10 July 2022 Article: 109
“Foundations of a great metaphysical style”: unraveling Giorgio de Chirico’s early palette
Abed Haddad
Corina E. Rogge
Desirae Dijkema
Research Open access 25 May 2022 Article: 70

Thoroughly Modern: Investigating Materials and Techniques

Participating journal

Heritage Science

Editors

Ana Martins

Articles

Saturnino Herrán’s portable murals: symbolism, material agency and conservation

Painting on the margins: investigating the pigments, media, and techniques of Séraphine Louis

Zinc white marker paint in Mondrian’s neoplastic paintings

Realizing sensations: analyzing Paul Cezanne’s watercolors and assessing their light sensitivity with microfade testing

Exploring the private universe of Henri Matisse in The Red Studio

Multi-technique analysis of pigments on sandstone sculptures: Renaissance re-painting of a Roman relief

Portrait of an artist at work: exploring Max Ernst’s surrealist techniques

Research on the mechanism of emotional design in Chinese cultural and creative products

Reproducing ancient Chinese ink depending on gelatin/chitosan and modern experimental methodology

Analytical studies on commercial artists’ colour charts from Das Deutsche Farbenbuch (1925)—identification of synthetic and natural organic colourants by Raman microscopy, surface-enhanced Raman spectroscopy and metal underlayer ATR-FTIR spectroscopy

“Foundations of a great metaphysical style”: unraveling Giorgio de Chirico’s early palette

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Thoroughly Modern: Investigating Materials and Techniques

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Editors

Ana Martins

Articles

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