Abstract
Sex and Satan seem utterly entwined in contemporary culture. Mainstream movies like The Witches of Eastwick (1987), The Devil’s Advocate (1997), and Bedazzled (2000 remake) all depict an intimate link between a sexually charged Prince(ss) of Darkness, carnal prowess, and willing worshippers. Earlier on, some of the most famous 1970s porn films, such as The Devil in Miss Jones (1973), perpetuated the same notion, as did the short-lived men’s magazine Satan (1957).1 The sexy devil and randy witch are perennial favorites at Halloween parties, confirming some unsaid sexual charge of the diabolic. Satanic popular music has also returned to the occult carnality so prevalent in late-1960s rock music after a period of more ascetic violence and blasphemy typified by church-burning Scandinavian black metal activists. Hence the sexuality of The Rolling Stones is not that far from the sexualized representations offered by Cradle of Filth or Dimmu Borgir, extreme expressions notwithstanding.2
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© 2014 Henrik Bogdan and James R. Lewis
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Faxneld, P., Petersen, J.A. (2014). Cult of Carnality: Sexuality, Eroticism, and Gender in Contemporary Satanism. In: Bogdan, H., Lewis, J.R. (eds) Sexuality and New Religious Movements. Palgrave Studies in New Religions and Alternative Spiritualities. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137386434_8
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DOI: https://doi.org/10.1057/9781137386434_8
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