Abstract
Through literature and cinema we know them, and disability scholars have named them—the too-prideful Oedipus; the corrupt Richard III; the poor Tiny Tim; villainous, vengeful amputees such as Captain Hook, Captain Ahab, and Long John Silver; the violent and dejected Phantom; the cold, impotent Clifford Chatterley; Wilfred Owens’s lonely, pathetic war vet; the power-hungry, evil Darth Vadar; the dishonest Professor from the DaVinci Code; the bratty and malevolent Mini-Me from the Austin Powers movies and more—the hit parade of disabled male characters whose textual and cinematic presence links disabled masculinity with corrupted power, immorality, and hypersexuality on the one side, and pity, tragedy, asexuality, and dejection on the other, and sometimes a mixture of both.
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© 2013 Matthew Wappett and Katrina Arndt
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Torrell, M.R. (2013). Potentialities: Toward a Transformative Theory of Disabled Masculinities. In: Wappett, M., Arndt, K. (eds) Emerging Perspectives on Disability Studies. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137371973_10
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DOI: https://doi.org/10.1057/9781137371973_10
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