Abstract
Even though Auden’s early poems try hard to expose the forces of tradition, politics, and history as language games, one must not be misled into thinking that the texts thereby counter the challenge of external events and time, of history, once and for all. Indeed, as pointed out above, games are serious issues, and they also always subject the players to their rules. History as a force composed of undeniable and threatening external events that cannot be deflected by ‘magic countersigns’ enters Auden’s poetry gradually, at first almost unnoticeably, until it becomes a dominant topic which eventually determines the title of the largest of the pre-Orators poems, ‘It was Easter as I walked in the public gardens’, which becomes ‘1929’ in later collections (CP 50-3).
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Notes
Paul de Man ‘Literary History and Literary Modernity’, in Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism (2nd edn., London: Routledge, 1983), pp. 142–65 (p. 161).
Gunter Jarfe, ‘Wandern und Quest als Schlüssel zur Thematik in Auden’s Fruhwerk’, Anglia, 97, no. 3–4 (1979), 367–97 (pp. 367–8) [my translation].
Michel Foucault, The Archaeology of Knowledge, trans. A. M. Sheridan Smith, World of Man (London: Tavistock, 1972), pp. 183–90 (p. 188).
Gilles Deleuze, The Logic of Sense, trans. Mark Lester with Charles Stivale, ed. Constantin V. Boundas (London: Athlone, 1990), p. 21.
Roland Barthes, ‘The Death of the Author’, in Image, Music, Text, trans. and ed. Stephen Heath (London: Fontana, 1977), pp. 142–8.
Linda Hutcheon summarises contemporary challenges to totalising and naturalising views of history in ch. 3, The Politics of Postmodernism, New Accents (London and New York: Routledge, 1989), pp. 62–92.
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© 2000 Rainer Emig
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Emig, R. (2000). The Challenge of History. In: W. H. Auden. Palgrave Macmillan, London. https://doi.org/10.1057/9780230286979_5
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DOI: https://doi.org/10.1057/9780230286979_5
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