Abstract
The statement conveyed by much dance video, screendance and mixed media work is always greater than the sum of its parts. And the parts push each other beyond dance technique and video technology to create a work that is both dance and video (or, video and dance). The collaboration between dance and the camera is like a tango: the two mediums, like the dancers, are mutually supportive and full of surprises, incorporating twists and reconfigurations of the material, but always maintaining a concern for how the two fit together, and a sensitivity about the actual bodies of the individuals dancing. In this way, dance and video intertwine to produce a work—and a genre—that does not and cannot exist in any other form.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Similar content being viewed by others
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Copyright information
© 2016 The Editor(s) (if applicable) and The Author(s)
About this chapter
Cite this chapter
Barnes, R. (2016). Conclusion: Where the Gaze Lands. In: Arendell, T., Barnes, R. (eds) Dance’s Duet with the Camera. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-59610-9_14
Download citation
DOI: https://doi.org/10.1057/978-1-137-59610-9_14
Published:
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-137-59609-3
Online ISBN: 978-1-137-59610-9
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)