Abstract
Many studies have been conducted investigating narration in the field of translation, but most of these mainly focus on the agent and the way of narrating. In a different vein, the present paper will explore the other side, i.e., the narrated aspect, or what is to be narrated. It will center on the issue of motif reconstruction in the three full English translations of a Chinese classical novel Shuihu Zhuan—All Men Are Brothers (1933) by Pearl S. Buck, Outlaws of the Marsh (1980) by Sidney Shapiro, and The Marshes of Mount Liang (1994–2002) by John and Alex Dent-Young. A description of how the motif of cannibalism is presented in each translation will be given based on a parallel corpus of 189 clauses. The discussion of motif belongs to the range of the “narrated,” which is believed to be not only more transposable, but also more translatable than discourse. Despite this translatability, however, the findings reported in the present study reflect that certain motifs of Shuihu Zhuan may be changed or even lost in the translating process. The study of motif reconstruction in translation may very well help to call translation scholars’ attention to the macrostructural level of the text by focusing on “unusualness factors” that are activated and deactivated through mediation of translators.
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Notes
- 1.
In Shuihu Zhuan, jianghu repeatedly occurs as a virtual space where the underworld heroes travel and live freely without the chains of officialism. In the source culture, jianghu is more than a motif of place; it is a motif of idea or consciousness particular to a certain group of people as well as a symbolic image motif in the traditional Chinese culture over history (Wang, 2016).
- 2.
In the recently published collection of studies Chugoku Igaishi, historian Okada Hidehiro quotes passages from Shuihu Zhuan as evidence of cannibalism in the Song Dynasty.
- 3.
The translations of the cited Chinese examples done by the author are subsequently provided in brackets.
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The author acknowledges support from China National Funds for Philosophy and Social Sciences (中国国家社会科学基金项目) [Grant No. 19BZW073] and China Scholarship Council (中国国家留学基金管理委员会) [File No. 201906785019].
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Wang, Y. (2022). The Motif of Cannibalism as Reconstructed in the English Translations of a Chinese Classical Novel. In: Qi, L., Tobias, S. (eds) Encountering China’s Past. New Frontiers in Translation Studies. Springer, Singapore. https://doi.org/10.1007/978-981-19-0648-0_5
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