Abstract
A well-preserved, characteristic work from 1626, with reliable signature and the date.
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References
W. R. Valentiner, ‘Opmerkingen over enkele schilderijen van Rembrandt’, Onze Kunst 11 (1907), pp. 157–168, esp. p. 157–158.
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Bauch 1933, p. 15 and fig. 7.
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B. P.J. Broos, ‘Rembrandt en zijn eeuwige leermeester Lastman’, De Kroniek van het Rembrandthuis 26 (1972), pp. 76–96.
K. Freise, Pieter Lastman, Leipzig 1911, pp. 261–263.
C. G. Campbell, Studies in the formal sources of Rembrandt’s figure compositions, typescript dissertation University of London 1971, p. 133.
W. Bode, ‘Neuentdeckte Rembrandtbilder’, Zeitschr. f.b.K. new series 17 (1905 1906), pp. 8 14, esp. p. 9; A. Bredius, ‘Rembrandt’s Balaam’, Burl. Mag. 23 (1913), p. 59; C. Hofstede de Groot, ‘Rembrandt’s Youthful Works’, Burl. Mag. 44 (1924), p. 126.
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© 1982 Stichting Foundation Rembrandt Research Project MCMLXXXII, Martinus Nijhoff Publishers
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Bruyn, J., Haak, B., Levie, S.H., Van Thiel, P.J.J., Van De Wetering, E. (1982). Balaam and the ass. In: A Corpus of Rembrandt Paintings. Stichting Foundation Rembrandt Research Project, vol 1. Springer, Dordrecht. https://doi.org/10.1007/978-94-009-7517-0_7
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DOI: https://doi.org/10.1007/978-94-009-7517-0_7
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