Abstract
This last chapter dealing with expressive performance focuses on analytical rationales of performance, which means that the shaping of performance is grounded in analytical facts, as opposed to gestural or emotional ones. This means that we have to analyze the given score’s structure and then define performance by use of such facts.
All words, And no performance!
Philip Massinger (1583-1640)
Access provided by Autonomous University of Puebla. Download to read the full chapter text
Chapter PDF
Keywords
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
References
Adorno Th W: Der getreue Korrepetitor (1963). Gesammelte Schriften, Bd. 15, Suhrkamp, Frankfurt am Main 1976
Friberg A: Generative Rules for Music Performance: A Formal Description of a Rule System. Computer Music Journal, Vol. 15, No. 2, 1991
Friberg A and R Bresin and J Sundberg: Overview of the KTH rule system for music performance. Advances in Experimental Psychology, special issue on Music Performance, 2006
Friberg A: www.speech.kth.se/music/performance/download/dm-download.html
Friberg A: www.speech.kth.se/music/performance/performance rules.html
Friberg A: www.speech.kth.se/music/performance/Texts/final ritard.htm
Mazzola G and Muzzulini D: Tempo- und Stimmungsfelder: Perspektiven künftiger Musikcomputer. In: Hesse H P (ed.): Mikrotöne III. Edition Helbling, Innsbruck 1990
Mazzola G: Musical Interpretation via Vector Fields: A New Human Workstation on the NEXTSTEP Environment. In: Friberg A et al. (Eds.): SMAC 93 Proceedings of the Stockholm Music and Acoustics Conference 1993, KTH, Stockholm 1994
Sundberg J, A Friberg, L Frydén: Rules for automated performance of ensemble music. Contemporary Music Review, Vol. 3, Issue 1, pp. 89-109, 1989
Author information
Authors and Affiliations
Corresponding author
Rights and permissions
Copyright information
© 2011 Springer-Verlag Berlin Heidelberg
About this chapter
Cite this chapter
Mazzola, G. (2011). Analytical Expression. In: Musical Performance. Computational Music Science. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-11838-8_15
Download citation
DOI: https://doi.org/10.1007/978-3-642-11838-8_15
Published:
Publisher Name: Springer, Berlin, Heidelberg
Print ISBN: 978-3-642-11837-1
Online ISBN: 978-3-642-11838-8
eBook Packages: Computer ScienceComputer Science (R0)