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A Hybrid Neural-Markov Approach for Learning to Compose Music by Example

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Advances in Artificial Intelligence (Canadian AI 2004)

Part of the book series: Lecture Notes in Computer Science ((LNAI,volume 3060))

Abstract

In this paper we introduce a hybrid approach to autonomous music composition by example. Our approach utilizes pattern recognition, Markov chains, and neural networks. We first extract patterns from existing musical training sequences, and then construct a Markov chain based on these patterns with each state corresponding to a pattern. We then use a neural network to learn which shifts of pitch and duration are allowed for each pattern in the training sequences. Using this hybrid model, we compose novel musical sequences.

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References

  1. Hiller, L., Isaacson, L.: Experimental Music: Composition with an Electronic Computer. McGraw Hill, New York (1959)

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  2. Miranda, E.R.: Composing Music with Computers. Focal Press, Burlington (2001)

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  3. The Mutopia Project, http://www.mutopiaproject.org

  4. Verbeurgt, K., Dinolfo, M., Fayer, M.: Extracting Patterns in Music for Composition via Markov Chains. In: 17th International Conference on Industrial and Engineering Applications of Artificial Intelligence and Expert Systems, Ottawa, Canada (May 2004)

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© 2004 Springer-Verlag Berlin Heidelberg

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Verbeurgt, K., Fayer, M., Dinolfo, M. (2004). A Hybrid Neural-Markov Approach for Learning to Compose Music by Example. In: Tawfik, A.Y., Goodwin, S.D. (eds) Advances in Artificial Intelligence. Canadian AI 2004. Lecture Notes in Computer Science(), vol 3060. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-540-24840-8_41

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  • DOI: https://doi.org/10.1007/978-3-540-24840-8_41

  • Publisher Name: Springer, Berlin, Heidelberg

  • Print ISBN: 978-3-540-22004-6

  • Online ISBN: 978-3-540-24840-8

  • eBook Packages: Springer Book Archive

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