Skip to main content

Sound, Gown and Town: Students in the Economy and Culture of UK Popular Music

  • Chapter
  • First Online:
Students in Twentieth-Century Britain and Ireland
  • 402 Accesses

Abstract

As Paul Chatterton notes: ‘although it is clear that universities have a major cultural, as well as teaching and research, role in the community, few attempts have been made to specify these in detail’ (Paul Chatterton, ‘The Cultural Role of Universities in the Community: Revisiting the University–Community Debate’, Environment and Planning 32 (2000), 169). One area in which universities, and students in particular, have had a major role is in the field of popular music. Since the 1970s, the music industries have had a productive relationship with the National Union of Students (NUS) and individual students’ unions (SUs) and across the UK higher education sector. Music companies and promoters have been able to take advantage of an established culture and infrastructure of NUS co-ordination, subsidised venues and audiences deemed to be receptive to a variety of musical forms. In fact, SUs have constituted a coherent touring circuit for professional (and semi-professional) bands. However, in scholarly and biographical literature about students and the music world, and indeed in music press reviews, the university or SU (the distinction is not always clearly demarcated) usually appears as little more than a taken-for-granted mise en scène. Rarely, if at all, is attention given to how such sites became important, why popular music has been performed in such places and their particular character. Drawing upon official and unofficial archives, this chapter seeks to explore the role that students and union sites have played in popular music culture in the UK. It asks: How has activity in the higher education sector played a part in national and local scenes? What has been the nature of relationships with promoters, non-student audiences and the wider popular music culture and economy? Indeed, how has the vibrancy of the engagement with music cultures among students played a part in ‘branding’ both institution and town, underpinning the appeal of universities for applicants as much as academic credentials?

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Subscribe and save

Springer+ Basic
$34.99 /Month
  • Get 10 units per month
  • Download Article/Chapter or eBook
  • 1 Unit = 1 Article or 1 Chapter
  • Cancel anytime
Subscribe now

Buy Now

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 99.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 129.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 129.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Similar content being viewed by others

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2018 The Author(s)

About this chapter

Cite this chapter

Long, P., Thompson, L. (2018). Sound, Gown and Town: Students in the Economy and Culture of UK Popular Music. In: Burkett, J. (eds) Students in Twentieth-Century Britain and Ireland. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-58241-2_8

Download citation

  • DOI: https://doi.org/10.1007/978-3-319-58241-2_8

  • Published:

  • Publisher Name: Palgrave Macmillan, Cham

  • Print ISBN: 978-3-319-58240-5

  • Online ISBN: 978-3-319-58241-2

  • eBook Packages: HistoryHistory (R0)

Publish with us

Policies and ethics