Skip to main content

Surveillance in Zero Dark Thirty: Terrorism, Space and Identity

  • Chapter
  • First Online:
Spaces of Surveillance
  • 907 Accesses

Abstract

Frances Pheasant-Kelly’s chapter on the recent film Zero Dark Thirty (Bigelow 2012) investigates the link between surveillance and the war on terror. This chapter, through engagement with the works of Thomas Mathiesen (Theoretical Criminology 1(2): 215–234, 1997) and Michel Foucault (Discipline and punish: The birth of the prison. Penguin, London, 1991), as well as military surveillance theorists, considers the multiple scopic regimes evident in Bigelow’s film, and the tensions between them in respect to theory. Pheasant-Kelly pays particular attention to the relationship between surveillance and terrorism and the spaces of post 9/11 America. She examines strategies for surveillance in Zero Dark Thirty and considers the ways in which these reflect changes in real-world monitoring of both public and terrorist activities since 9/11. The film is particularly relevant to a consideration of surveillance and space because it charts the ten-year search for Osama bin Laden across various locations, a mission that is accomplished through a combination of strategic physical and technological modes of observation. Indeed, its visual style and narrative trajectory are dictated by surveillance, the film thereby epitomising the prevalence of surveillance in contemporary visual culture since 9/11. Forms of surveillance exercised within the film embody a combination of the models articulated by Foucault and Mathiesen, which consider how the few view the many and how the many watch the few. The film’s expression of surveillance is accordingly concerned with the physical space between the observed and the observer, although often in terms of geographically greater, or more technologically controlled distances than articulated by Foucault and Mathiesen. As the film is based on real events, its analysis offers opportunities to consider the implementation of real-world surveillance, the multiple forms that this can take, and its potential inadequacies, as well as its increasing significance, in combatting terrorism.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Institutional subscriptions

Similar content being viewed by others

References

  • Andrejevic, M. (2007). iSpy: Surveillance and power in the interactive age. Kansas: University of Kansas Press.

    Google Scholar 

  • Bauman, Z., & Lyon, D. (2013). Liquid surveillance. Cambridge: Polity Press.

    Google Scholar 

  • Bergen, P. (2013). Manhunt: From 9/11 to Abbottabad—The ten-year search for Osama Bin Laden. London: Vintage Books.

    Google Scholar 

  • Bernstein, J. (2012). Preface. In Asbjørn Gronstad & Henrik Gustafsson (Eds.), Ethics and images of pain (pp. xi–xiv). London: Routledge.

    Google Scholar 

  • Bigo, D. (2011). Security, exception, ban and surveillance. In David Lyons (Ed.), Theorizing surveillance: The panopticon and beyond. London: Routledge.

    Google Scholar 

  • Burgoyne, R. (2014). The violated body: Affective experience and somatic intensity in zero dark thirty. In David LaRocca (Ed.), The philosophy of war films (pp. 247–260). Lexington: University of Kentucky Press.

    Google Scholar 

  • Butler, J. (2009). Frames of war: When is life grievable? London: Verso.

    Google Scholar 

  • Danner, M. (2004). Torture and truth: America Abu Ghraib and the war on terror. New York: New York Review Books.

    Google Scholar 

  • Deleuze, G. (1995). Negotiations. New York: Columbia University Press.

    Google Scholar 

  • Doyle, A. (2011). Revisiting the synopticon: Reconsidering Mathiesen’s “The viewer society” in the age of web 2.0. Theoretical Criminology, 15(3), 283–299.

    Article  Google Scholar 

  • Foucault, M. (1991). Discipline and punish: The birth of the prison. London: Penguin.

    Google Scholar 

  • Haggerty, K. (2011). Tear down the walls: On demolishing the panopticon. In David Lyon (Ed.), Theorising surveillance: The panopticon and beyond (pp. 23–45). London: Routledge.

    Google Scholar 

  • Jones, D., & Smith, M. (2016). The rise of Dark Americana: Depicting the “War on Terror” on-screen. Studies in Conflict and Terrorism, 39(1), 1–21.

    Article  Google Scholar 

  • Lyon, D. (2003). Surveillance after September 11. Cambridge: Polity Press.

    Google Scholar 

  • Lyon, D. (Ed.). (2011). Theorising surveillance: The panopticon and beyond. London: Routledge.

    Google Scholar 

  • Mathiesen, T. (1997). The viewer society: Michel Foucault’s panopticon revisited. Theoretical Criminology, 1(2), 215–234.

    Article  Google Scholar 

  • Matthews, R. (1999). Doing time: An introduction to the sociology of imprisonment. London: Macmillan.

    Book  Google Scholar 

  • McSweeney, T. (2014). The ‘War on terror’ and American film: 9/11 frames per second. Edinburgh: Edinburgh University Press.

    Book  Google Scholar 

  • Nolan, C. (2008). The Dark Knight. USA/UK.

    Google Scholar 

  • Pheasant-Kelly, F. (2013). Abject spaces in American cinema: Institutional settings identity and psychoanalysis in film. London: IB Tauris.

    Book  Google Scholar 

  • Singer, P. W. (2009). Wired for war: The robotics revolution and conflict in the 21st century. London: Penguin.

    Google Scholar 

  • Spielberg, S. (2002). Minority Report. USA.

    Google Scholar 

  • Tanguay, L. (2015). The “Good war” on terror: Rewriting empire from George W. Bush to American sniper. Critical Studies on Security, 3(3), 297–302.

    Article  Google Scholar 

  • Westwell, G. (2014). Parallel lines: Post-9/11 American cinema. London: Wallflower Press.

    Book  Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Frances Pheasant-Kelly .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2017 The Author(s)

About this chapter

Cite this chapter

Pheasant-Kelly, F. (2017). Surveillance in Zero Dark Thirty: Terrorism, Space and Identity. In: Flynn, S., Mackay, A. (eds) Spaces of Surveillance. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-49085-4_5

Download citation

Publish with us

Policies and ethics