Abstract
The question of the boundary between the mappable and the unmappable is brought into focus by the recent announcement of the map of dark matter and its parallels with paradoxes that have long defined Venice. The dark matter map, in bringing into visibility that which was previously invisible, seems to have forced a reconfiguration of thought and knowledge very like that brought about in Venice by the publication of Luca Paciolo’s mathematical encyclopedia in 1494. I explore these transformations in knowability and mappability in Venice’s early forms of knowledge, objectivity, value, and place that came to underpin capitalism, science, and modernity, contrasting them with the transformations brought about by the mappers of dark matter and current problems besetting the contemporary Venetian lagoon.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Similar content being viewed by others
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2017 The Author(s)
About this chapter
Cite this chapter
Turnbull, D. (2017). Mapping Dark Matter and the Venice Paradox. In: Schaffer, S., Tresch, J., Gagliardi, P. (eds) Aesthetics of Universal Knowledge. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-42595-5_9
Download citation
DOI: https://doi.org/10.1007/978-3-319-42595-5_9
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-319-42594-8
Online ISBN: 978-3-319-42595-5
eBook Packages: Religion and PhilosophyPhilosophy and Religion (R0)