Abstract
The opening chapter will introduce and contextualise new forms, contents, tropes, and genres that characterise novel writing in the twenty-first century. Characteristics central to the novel as a form play an important role in providing the imaginative space to explore human-nonhuman relations. Our aim is twofold: first, we want to contextualise our literary approach within wider conversations about nature, globalisation, the Anthropocene, the digital turn, and the concomitant rise in awareness of nonhuman agents. We will situate our volume within existing discourses in the field, relating our volume to approaches from the paradigms of ecocriticism, new materialism, posthumanism, object-oriented philosophy, and actor-network theory. Bringing together different ideas and approaches from these fields, we will show how nonhuman agency emerges in literature where traditional means of meaning-making no longer suffice and categories of the ‘known’ are surpassed. Second, we will provide a general overview over the variety of different approaches that have been established to discuss literary texts and to envision the potential of the nonhuman beyond traditional dualisms. In this section, we will reflect upon the affordances of the novel as a form and its potential to trigger cultural and political change by connecting ethical questions and aesthetic expressions. The introduction will conclude with a short overview of the approaches presented in the following chapters.
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Notes
- 1.
Some of our contributors have chosen to refer to these agents as ‘(non)human’ in order to reflect their unstable position between categories.
- 2.
In our volume, this is showcased especially well by chapters like Judith Rahn’s “Postcolonial Fictions of the Anthropocene – Tracing Nonhuman Agency in Shubhangi Swarup’s Latitudes of Longing,” which emphasises the difference in human and nonhuman perceptions of time, or Nicky Gardiner’s “Hopeless NecRomantics: Transcorporeal Love, Decomposition and (Non)Human Agency in Jim Crace’s Being Dead,” which uncovers microbial agency that usually remains ignored by human observers, who frame these processes not only as passive, but, more importantly, as embodiments of death, perceived as the ultimate contrast to agency.
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Burger, B., Rahn, J., Liebermann, Y. (2021). Introduction: Narrating the Nonhuman. In: Liebermann, Y., Rahn, J., Burger, B. (eds) Nonhuman Agencies in the Twenty-First-Century Anglophone Novel . Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-79442-2_1
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