Abstract
This chapter explores the ways that affective energies within the culture are taken up and circulated through the affective structures within popular films. Focusing on the Occupy Wall Street Movement, this essay traces the way the affective energies associated with the movement are present in three films released in the years following the event: The Cabin in the Woods; The Purge; and Snowpiercer. Each of the three films invites audiences to share in an affective orientation toward the broader systems of life that resemble the feelings surrounding the Occupy Movement.
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Notes
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Phillips, K.R. (2021). A Certain Tendency in Post-Occupy Cinema: The Cabin in the Woods, The Purge, and Snowpiercer. In: A Cinema of Hopelessness . Rhetoric, Politics and Society. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-74136-5_2
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