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‘A New Footing’: Re-reading the Barbarian Girl in Coetzee’s Waiting for the Barbarians

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Reading Coetzee's Women

Abstract

David Attwell’s chapter on Waiting for the Barbarians challenges a tendency to mistake the magistrate’s perspective for that of the novel itself. He focuses on the barbarian woman who is often discussed as the quintessential other: silent, inscrutable, without agency. Such readings (which arguably result from heavy-handed application of postcolonial theory) overlook the subtleties of the woman’s portrayal. A careful analysis shows that she is a fully social being: resistant, multilingual, sexually independent, and politically savvy. In the end, the magistrate imagines her riding into the imperial outpost, ‘erect in the saddle, her eyes shining, a forerunner, a guide, pointing out to her comrades the lay of this foreign town where she once lived.’ She is a pivotal figure whose presence serves to convey longing for a transformed colonial order, rather than a system locked in the permanent stasis of alterity.

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Notes

  1. 1.

    J. M. Coetzee, Notebook for Waiting for the Barbarians, 25 July 1977. Harry Ransom Humanities Research Center, Coetzee Collection, University of Texas at Austin. Further references to this collection will note item and date.

  2. 2.

    The novel’s milieu changed from Cape Town to a fictional empire as an outcome of developments in the writing process. See Attwell, 2015: 105–128.

  3. 3.

    Coetzee, Notebook for Waiting for the Barbarians, 28 July 1977.

  4. 4.

    Coetzee, Notebook for Waiting for the Barbarians, 10 August 1977.

  5. 5.

    Coetzee, Notebook for Waiting for the Barbarians, 6 October 1977.

  6. 6.

    Coetzee, Notebook for Waiting for the Barbarians, 19 September 1978.

  7. 7.

    Coetzee, Notebook for Waiting for the Barbarians, 10 October 1977.

  8. 8.

    I use ‘girl’ rather than ‘woman’ in keeping with the novel’s focalisation. Occasionally, the magistrate refers to her as a woman, such as page 63 where she is ‘a witty, attractive young woman.’

  9. 9.

    Freud’s essay on wish-fulfillment informs several of Coetzee’s early fictions, including Age of Iron, which quotes the dream in which a dead child appears beside the father’s bed saying, ‘Father, can’t you see I’m burning?’ See Freud, 1976: 701–727.

  10. 10.

    This passage is memorably analysed by Derek Attridge in his essay against allegorical reading. See Attridge, 2005: 32–64.

  11. 11.

    Coetzee, Notebook for Waiting for the Barbarians, 13 January 1979.

  12. 12.

    Coetzee, Notebook for Waiting for the Barbarians, 4 March 1978.

  13. 13.

    Coetzee, Manuscripts for Waiting for the Barbarians, 13 January 1978.

Works Cited

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  • Attridge, Derek. 2005. J. M. Coetzee and the Ethics of Reading: Literature in the Event. Pietermaritzburg: University of KwaZulu-Natal Press.

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  • Attwell, David. 2015. J. M. Coetzee and the Life of Writing: Face to Face with Time. Oxford: Oxford University Press.

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  • Coetzee, J.M. 1980. Waiting for the Barbarians. Harmondsworth: Penguin.

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  • ———. 1990. Age of Iron. Johannesburg: Ravan Press.

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  • ———. 1997. Boyhood: Scenes from Provincial Life. London: Secker & Warburg.

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  • Freud, Sigmund. 1976. Wish-Fulfillment. In The Interpretation of Dreams. Trans. James Strachey, 701–727, Harmondsworth: Penguin.

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Correspondence to David Attwell .

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Attwell, D. (2019). ‘A New Footing’: Re-reading the Barbarian Girl in Coetzee’s Waiting for the Barbarians. In: Kossew, S., Harvey, M. (eds) Reading Coetzee's Women. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-19777-3_4

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