Abstract
Perhaps it comes as no surprise that computers are having a profound effect in the world of music, just as in so many other fields of human endeavor. Computers are being applied to many practical aspects of musicmaking; consider, for example, the recent introduction of digital recording techniques to replace conventional tape recording in making the masters for commercial records and cassettes. Scholastic activities are also being affected: musicological research, music library management, and pedagogy. Since such activities have analogs in other fields of work, they are readily perceived as natural applications for digital processing.
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© 1988 Springer Science+Business Media New York
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Hiller, L. (1988). The Composer and the Computer. In: Weiss, E.A. (eds) A Computer Science Reader. Springer, New York, NY. https://doi.org/10.1007/978-1-4419-8726-6_12
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DOI: https://doi.org/10.1007/978-1-4419-8726-6_12
Publisher Name: Springer, New York, NY
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