Skip to main content

Heritage as a Cultural Measure in a Postcolonial Setting

  • Chapter
Making Culture Count

Part of the book series: New Directions in Cultural Policy Research ((NDCPR))

  • 451 Accesses

Abstract

The definition of ‘heritage’ has been stretching in recent decades as a result of the interaction of people and communities with heritage places (Byrne et al. 2001, 53). The definition has shifted from being situated in meaningful buildings (see Figures 11.1 and 11.2) to natural sites, oral histories and traditions. It went from considering tangible objects to including intangible heritage, recognising formerly excluded heritage (Ahmad 2006; Yin 2006). Both forms of heritage (intangible and tangible) comprise the concept of cultural heritage. This concept emphasises the traditional aspect of intangible cultural heritage. This means that some dominant groups value some forms of heritage over other forms, attributing social or cultural significance, and excluding Western intangible cultural forms. Tongyun Yin even argues (2006) that all manifestations of the Masterpieces of the Oral and Intangible Heritage of Humanity proclaimed by the United Nations Educational, Scientific and Cultural Organization (UNESCO) in 2001 belong to minority communities in developing countries.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Subscribe and save

Springer+ Basic
$34.99 /Month
  • Get 10 units per month
  • Download Article/Chapter or eBook
  • 1 Unit = 1 Article or 1 Chapter
  • Cancel anytime
Subscribe now

Buy Now

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 119.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book
USD 159.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Similar content being viewed by others

References

  • ACHS (Association of Critical Heritage Studis) (2013) ‘Manifesto’. Accessed 22 Oc tober. http://archanth.anu.edu.au/heritage-museum-studies/association-critical-heritage-studies.

    Google Scholar 

  • Ah Kit, John (1995) ‘Aboriginal aspirations for heritage conservation’, Historic Environment, 11, 34–36.

    Google Scholar 

  • Ahmad, Yahaya (2006) ‘The scope and definitions of heritage: from tangible to intangible’, International Journal of Heritage Studies, 12, 292–300.

    Article  Google Scholar 

  • Bednarik, Robert (2002) ‘The survival of the Murujuga (Burrup) petroglyphs’, Rock Art Research, 19, 29–40.

    Google Scholar 

  • Bednarik, Robert (2006) Australian Apocalypse. The Story of Australia’s Greatest Cultural Monument (Melbourne: Australian Rock Art Research Association, Inc).

    Google Scholar 

  • Bokova, Irina (2012) ‘Culture in the cross hairs’, New York Times, 2 December. Accessed 2 December 2012. http://www.nytimes.com/2012/12/03/opinion/03iht-edbokova03.html.

  • Bonfil Batalla, Guillermo (1993) ‘Nuestro patrimonio cultural: un laberinto de significados’, in Enrique Florescano (ed.) El patrimonio nacional de México, vol. 1 (México: Conaculta/Fondo de Cultura Económica), 28–57.

    Google Scholar 

  • Byrne, Denis (2008) ‘Heritage as social action’, in Graham Fairclough, Rodney Harrison, John Schofield and John H. Jameson, Jnr. (eds) The Heritage Reader (London: Routledge), 149–173.

    Google Scholar 

  • Byrne, Denis, Helen Brayshaw and Tracy Ireland (2001) Social Significance. A Discussion Paper (Hurtsville: NSW National Parks and Wildlife Service).

    Google Scholar 

  • Carman, John (2005) Against Cultural Property. Archaeology, Heritage and Ownership (London: Duckworth).

    Google Scholar 

  • Carman, John (2002) Archaeology and Heritage. An Introduction (London and New York: Continuum).

    Google Scholar 

  • Carmichael, David L., Jane Hubert, Brian Reeves and Audhild Schanche (1994) Sacred Sites, Sacred Places (London: Routledge).

    Google Scholar 

  • Caygill, Howard (2008) ‘The destruction of art’, in Diarmuid Costello and Dominic Willsdon (eds) The Life and Death of Images: Ethics and Aesthetics (Ithaca: Cornell University Press), 162–173.

    Google Scholar 

  • Chilton, Paul and Christina Schäffner (2002) ‘Introduction: themes and principles in the analysis of political discourse’, in Paul Chilton and Christina Schäffner (eds) Politics as Text and Talk: Analytic Approaches to Political Discourse (Amsterdam: John Benjamins Publishing Company), 1–41.

    Chapter  Google Scholar 

  • Colwell-Chanthaphonh, Chip and T.J. Ferguson (2008) Collaboration in Archaeological Practice: Engaging Descendant Communities (Lanham, MD: AltaMira Press).

    Google Scholar 

  • Davison, Graeme (1991) ‘The meanings of heritage’, in Graeme Davison and Chris McConville and Monash Public History Group (eds) A Heritage Handbook (North Sydney: Allen & Unwin), 1–13.

    Google Scholar 

  • Davidson, Iain, Christine Lovell-Jones and Robyne Bancroft (1995) Archaeologists and Aborigines Working Together (Armidale: University of New England Press).

    Google Scholar 

  • Dolff-Bonekämper, Gabi (2009) “The social and spatial frameworks of heritage — What is new in the Faro Convention?”. In: Council of Europe (ed.). Heritage and beyond. (Strasbourg: Council of Europe Publishing).

    Google Scholar 

  • Donaldson, Mike (2009) Burrup Rock Art. Ancient Aboriginal rock art of Burrup Peninsula and Dampier Archipelago (Western Australia: Wildrocks Publications).

    Google Scholar 

  • Fairclough, Graham (2009) ‘New Heritage Frontiers’, in Council of Europe, Heritage and beyond (Strasbourg: Council of Europe Publishing), 29–41.

    Google Scholar 

  • Florescano, Enrique (1993) ‘El patrimonio cultural y la política de la cultura’, in Enrique Florescano (ed.) El patrimonio nacional de México, vol. 1 (México: Conaculta/Fondo de Cultura Económica), 9–18.

    Google Scholar 

  • Freedberg, David (1989) The Power of Images. Studies in the History and Theory of Response (Chicago and London: Chicago University Press).

    Google Scholar 

  • Frodon, Jean-Michel (2001) ‘La guerre des images, ou le paradoxe de Bamiyan’, Le Monde, 23 March.

    Google Scholar 

  • García Canclini, N. (1997) ‘El patrimonio cultural de México y la construcción imaginaria de lo nacional’, in Enrique Florescano (ed.) El patrimonio nacional de México, vol. 1 (México: Conaculta/Fondo de Cultura Económica), 57–86.

    Google Scholar 

  • González Zarandona, José Antonio (2013) ‘Destruction of heritage or secular iconoclasm? The case of Dampier Archipelago rock art’, in Ulrich Großmann and Petra Krutisch (eds) The Challenge of the Object/Die Herausforderung des Objekts (Nuremberg: Germanisches Nationalmuseum), 449–453.

    Google Scholar 

  • González Zarandona, José Antonio (2012) ‘How many times can the same image change? The history of the image in Murujuga’, International Journal of the Image, 2, 95–109.

    Google Scholar 

  • González Zarandona, José Antonio (2011) ‘The destruction of heritage: rock art in the Burrup Peninsula’, International Journal of The Humanities, 9, 325–341.

    Google Scholar 

  • Graham, Brian, John Ashworth and John Tunbridge (2005) ‘The uses and abuses of heritage’, in Gerard Corsane (ed.) Heritage, Museums and Galleries (London and New York: Routledge), 28–40.

    Google Scholar 

  • Groys, Boris (2002) ‘Iconoclasm as an artistic device. Iconoclastic strategies in film’, in Bruno Latour and Peter Weibel (eds) Iconoclash. Beyond the Image Wars in Science, Religion and Art (Boston: MIT Press), 286–295.

    Google Scholar 

  • Harrison, Rodney (2013a) Heritage: Critical Approaches (Abingdon and New York: Routledge).

    Book  Google Scholar 

  • Harrison, Rodney (2013b) ‘Forgetting to remember, remembering to forget: Late modern heritage practices, sustainability and the crisis of accumulation of the past’, International Journal of Heritage Studies, 19, 579–595.

    Article  Google Scholar 

  • Holfort, Cornelius (2012) ‘The Heritage of Heritage’, Heritage & Society, 5, 153–174.

    Article  Google Scholar 

  • Kuhlenbeck, Britta (2010) Re-Writing Spatiality: The Production of Space in the Pilbara Region in Western Australia (Berlin: Lit Verlag, AL).

    Google Scholar 

  • Langton, Marcia (2003) ‘Dreaming art’, in Nikos Papastergiadis (ed.) Complex Entanglements: Art, Globalisation and Cultural Difference (London: Rivers Oram Publishers), 42–56.

    Google Scholar 

  • Lowenthal, David (2007) ‘Fabricating heritage’, in Laurajane Smith (ed.) Cultural Heritage. Critical Concepts in Media and Cultural Studies, vol. 3 (London: Routledge), 109–124.

    Google Scholar 

  • Lowenthal, David (1998) The Heritage Crusade and the Spoils of History (Cambridge: Cambridge University Press).

    Book  Google Scholar 

  • Magar, Valerie (2012) ‘Managing rock art sites’, in Jo McDonald and Peter Veth (eds) A Companion to Rock Art (Oxford, Malden: Wiley-Blackwell), 532–545.

    Chapter  Google Scholar 

  • Mason, Randall (2002) ‘Assessing values in conservation planning: methodological issues and choices’, in Marta de la Torre (ed.) Assessing the Values of Cultural Heritage. Research Report (Los Angeles: The Getty Conservation Institute), 5–31.

    Google Scholar 

  • Maynard, Lesley (1979) ‘The archaeology of Australian Aboriginal art’, in Sidney M. Mead (ed.) Exploring the Visual Art of Oceania (Honolulu: University Press of Hawaii), 83–110.

    Google Scholar 

  • McDonald, Jo and Peter Veth (2005) Desktop Assessment of Scientific Values for Indigenous Cultural Heritage on the Dampier Archipelago, Western Australia (Canberra: Jo McDonald Cultural Heritage Management Pty Ltd).

    Google Scholar 

  • Mulvaney, Ken (2010) ‘Murujuga Marni — Dampier petroglyphs. Shadows in the landscape. Echoes across time’, Unpublished PhD thesis (Armidale: University of New England).

    Google Scholar 

  • Palmer, Kingsley (1975) ‘Petroglyphs and associated Aboriginal sites in the North West of Western Australia’, Archaeology & Physical Anthropology in Oceania, 10, 152–160.

    Google Scholar 

  • Perkins, Hetti (2003) ‘Parallel universe, other worlds’, in Nikos Papastergiadis (ed.) Complex Entanglements: Art, Globalisation and Cultural Difference (London: Rivers Oram Publishers), 57–68.

    Google Scholar 

  • Rijavec, Frank (1995) Know the Song, know the Country: The Ngarda-ngali Story of Culture and History in the Roebourne District (Roebourne, W. A.: Ieramugadu Group Incorporated).

    Google Scholar 

  • Rubertone, Patricia (ed.) (2008) Archaeologies of Placemaking: Monuments, Memories and Engagement in Native North America (Walnut Creek, CA: Left Coast Press).

    Google Scholar 

  • Shanks, Michael and Christopher Tilley (1987) Re-Constructing Archaeology (Cambridge: Cambridge University Press).

    Google Scholar 

  • Smith, Bernard (1989) European Vision and the South Pacific (2nd edn) (Melbourne: Oxford University Press).

    Google Scholar 

  • Smith, Laurajane (2006a) The Uses of Heritage (London: Routledge).

    Google Scholar 

  • Smith, Laurajane (2006b) Cultural Heritage. Critical Concepts in Media and Cultural Studies (London: Routledge).

    Google Scholar 

  • Smith, Laurajane (2004) Archaeological Theory and the Politics of Cultural Heritage (London: Routledge).

    Book  Google Scholar 

  • Smith, Laurajane and Emma Waterton (2009) Heritage, Communities and Archaeology (London: Duckworth).

    Google Scholar 

  • Swidler, Nina, Kurt Dongoske, Roger Anyon and Alan Downer (1997) Native Americans and Archaeologists. Stepping Stones to Common Ground (Walnut Creek CA: AltaMira Press).

    Google Scholar 

  • Tunbridge, John and Gregory Ashworth (1996) Dissonant Heritage: The Management of the Past as a Resource in Conflict (Chichester: Wiley).

    Google Scholar 

  • UNESCO (United Nations Educational, Scientific and Cultural Organization) (2011) Echoing Voices — Cultural Diversity: A Path to Sustainable Development. Tenth Anniversary of the Adoption of the UNESCO Universal Declaration on Cultural Diversity (Paris: UNESCO).

    Google Scholar 

  • Vinnicombe, Pat (2002) ‘Petroglyphs of the Dampier Archipelago: background to development and descriptive analysis’, Rock Art Research, 19, 3–27.

    Google Scholar 

  • Waterton Emma and Steve Watson (2013) ‘Framing theory: towards a critical imagination in heritage studies’, International Journal of Heritage Studies, 19, 546–561.

    Article  Google Scholar 

  • White, Randall (2003) Prehistoric Art: The Symbolic Journey of Humankind (New York: Harry Abrams).

    Google Scholar 

  • Winter, Tim. (2013) ‘Clarifying the critical in critical heritage studies’, International Journal of Heritage Studies, 19, 532–545.

    Article  Google Scholar 

  • Witcomb, Andrea and Kristal Buckley (2013) ‘Engaging with the future of ‘critical heritage studies’: looking back in order to look forward’, International Journal of Heritage Studies, 19, 562–578.

    Article  Google Scholar 

  • Wright, Bruce (1968) Rock Art of the Pilbara Region, North-West Australia. Occasional Papers in Aboriginal Studies 11. (Canberra: Australian Institute of Aboriginal Studies).

    Google Scholar 

  • Yin, Tongyun (2006) ‘Museum and the safeguarding of intangible cultural heritage’, The Ethic Arts, 6, npa.

    Google Scholar 

Download references

Authors

Editor information

Editors and Affiliations

Copyright information

© 2015 José Antonio González Zarandona

About this chapter

Cite this chapter

Zarandona, J.A.G. (2015). Heritage as a Cultural Measure in a Postcolonial Setting. In: MacDowall, L., Badham, M., Blomkamp, E., Dunphy, K. (eds) Making Culture Count. New Directions in Cultural Policy Research. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-137-46458-3_12

Download citation

Publish with us

Policies and ethics