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On Art and Politics: Exploring the Philosophical Implications of the Creative Order of Art on the Organization of Social Relations

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Lorenzo Milani’s Culture of Peace
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Abstract

The following chapter takes its cue from Milani’s effort to equip individuals with the ability to question critically the authoritarian forces that turn the world into a more “oppressive, cynical and dangerous”1 place to live in. Though the Church and the state did not endorse Milani’s notion that one should resist subordination, Milani, himself a priest in exile at Barbiana, continued to insist on the notion that education remains significant if it keeps provoking individuals to live an authentic life.

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Notes

  1. Carmel Borg, Mario Cardona, and Sandro Caruana (2009). “Introduction: Lorenzo Milani—The Man and His Legacy,” in Letter to a Teacher: Lorenzo Milani’s Contribution to Critical Citizenship (Malta: Agenda), p.19.

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  14. To understand in more detail the link between art and its branding purposes one can refer to the text by Steven Heller (2011). Iron Fists: Branding the 20th Century Totalitarian State (London: Phaidon).

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© 2014 Carmel Borg and Michael Grech

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Debono, M. (2014). On Art and Politics: Exploring the Philosophical Implications of the Creative Order of Art on the Organization of Social Relations. In: Borg, C., Grech, M. (eds) Lorenzo Milani’s Culture of Peace. Palgrave Macmillan’s Postcolonial Studies in Education. Palgrave Macmillan, New York. https://doi.org/10.1007/978-1-137-38212-2_16

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