Access provided by Autonomous University of Puebla. Download to read the full chapter text
Chapter PDF
Keywords
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
References
Acker, J., Barry, K., & Esseveld, J. (1996). Objectivity and truth: Problems in doing feminist research. In H. Gottfried (Ed.), Feminism and social change: Bridging theory and practice. Urbana, DL: University of Illinois Press.
Adorno, T. (1991). The culture industry: Selected essays on mass culture. New York: Routledge.
Adorno, T., & Horkheimer, M. (1944). The dialectic of enlightenment. New York: Continuum.
Ang, I. (1985). Watching Dallas: Soap opera and the melodramatic imagination. London: Metheun.
Barrett, M., & Phillips, A. (Eds.) (1992). Destabilizing theory: Contemporary feminist debates. Stanford: Stanford University Press.
Baudrillard, J. (1983). Simulations. New York: Semiotext(e).
Becker, H. S. (1982). Art worlds. Berkeley, CA: University of California Press.
Berger, J. (1972). Ways of seeing. New York: Penguin.
Berger, P., & Luckmann, T. (1966). The social construction of reality: A treatise in the sociology of knowledge. Garden City, NY: Doubleday.
Blumer, H. (1969). Symbolic interactionism. Englewood Cliffs, NJ: Prentice-Hall.
Bobo, J. (1988). The Color Purple: Black women as cultural readers. In E. D. Pribram (Ed.), Female spectators: Looking at film and television. New York: Verso.
Bordo, S. (1990). Feminism, postmodernism, and gender-scepticism. In L. Nicholson (Ed.), Feminism/Postmodernism. New York: Routledge.
Bourdieu. P. (1993). How can one be a sports fan? In S. During (Ed.), The Cultural Studies Reader. New York: Routledge.
Brown, M. E. (Ed.) (1990), Television and women’s culture: The politics of the popular. London: Sage.
Brunsdon, C. (1996). A thief in the night: Stories of feminism in the 1970s at CCCS. In D. Morley & K. Chen (Eds.) Stuart Hall: Critical dialogues in cultural studies. New York: Routledge.
Brunsdon, C., & Morley, D. (1978). Everyday television: Nationwide. London: British Film Institute.
Butler, J. (1990). Gender trouble: Feminist theory, and psychoanalytic discourse. In L. Nicholson (Ed.), Feminism/Postmodernism. New York: Routledge.
Byars, J. (1991). All that Hollywood allows: Re-reading gender in 1950s melodrama. Chapell Hill: University of North Carolina Press.
Chen, R. (1996). Post-Marxism: Between/beyond critical postmodernism and cultural studies. In D. Morley & K. Chen. (Eds.), Stuart Hall: Critical dialogues in cultural studies. New York: Routledge.
Clifford, J., & Marcus, G. (Eds.) (1986). Writing culture: The poetics and politics of ethnography. Berkeley, CA: University of California Press.
Echols, A. (1989). Daring to be bad: Radical feminism in America, 1967–1915. Minneapolis: University of Minnesota Press.
Ellsworth, E. (1986). Illicit pleasures: Feminist spectators and Personal Best. Wide Angle, 8, 2.
Ferguson, M., & Golding, P. (Eds.) (1997). Cultural studies in question. Thousand Oaks, CA: Sage.
Fisher, S. (1993). Gender, power, resistance: Is care the remedy? In S. Fisher & K. Davis (Eds.), Negotiating at the margins: The gendered discourses of power and resistance. New Brunswick, NJ: Rutgers University Press.
Flax, J. (1990). Postmoderism and gender relations in feminist theory. In L. Nicholson (Ed.), Feminism/postmodernism. New York: Routledge.
Fonow, M. M., & Cook, J. A. (Eds.) (1991). Beyond methodology: Feminist scholarship as lived research. Bloomington: University of Indiana Press.
Foucault, M. (1990). The history of Sexuality, Vol. I. New York: Vintage.
Friedan, B. (1963). The feminine mystique. New York: Dell.
Gamman, L., & Marshment, M. (Eds.) (1988) The female gaze: Women as viewers of popular culture. London: Women’s Press.
Garfinkel, H. (1967). Studies in ethnomethodology. Englewood Cliffs, NJ: Prentice-Hall.
Geertz, C. (1973). The interpretation of cultures. New York: Basic Books.
Gitlin, T. (1997). The anti-political populism of cultural studies, In M. Ferguson & P. Golding (Eds.), Cultural studies in question. Thousand Oaks, CA: Sage.
Glaser, B, G., & Strauss, A. (1973). The discovery of grounded theory: Strategies for qualitative research. Chicago: Aldine.
Gledhill, C. (Ed.) (1987). Home is where the heart is: Studies in melodrama and the woman’s film. London: British Film Institute.
Goffman, E, (1959). The presentation of self in everyday life. Garden City, NY: Doubleday.
Goffman, E. (1961). Asylums: Essays on the social situation of mental patients and other inmates. Garden City, NY: Doubleday.
Goffman, E. (1971). Relations in public. New York: Basic Books.
Gordon, D. (1995). Feminism and cultural studies. Feminist Studies 21, 363–377.
Gorelick, S. (1996). Contradictions of feminist methodology. In H. Gottfried (Ed.), Feminism and social change: Bridging theory and practice. Urbana, IL: University of Illinois Press.
Gottfried, H. (Ed.) (1996). Feminism and social change: Bridging theory and practice. Urbana, IL: University of Illinois Press.
Gramsci, A. (1971). Selections from the prison notebooks. New York: International Publishers.
Griswold, W. (1986). Renaissance revivals: City comedy and revenge tragedy in the London theatre, 1576–1980. Chicago: University of Chicago Press.
Griswold, W. (1987). A methodological framework for the sociology of culture. Sociological Methodology, 17, 1–35.
Griswold, W. (1994). Culture and societies in a changing world. Thousand Oaks, CA: Pine Forge.
Grodin, D., & Lindlof, T. (1996). Constructing the self in a mediated world. Thousand Oaks, CA: Sage.
Grossberg, L. (1996a). History, politics and postmodernism. In D. Morley & K. Chen. (Eds.), Stuart Hall: Critical dialogues in cultural studies. New York: Routledge.
Grossberg, L. (1996b). Toward a geneology of the state of cultural studies. In C. Nelson & D. Gaonkar (Eds.), Disciplinarity and dissent in cultural studies. New York: Routledge.
Grossberg, L., Nelson, C., & Treichler, P. (Eds.) (1992). Cultural studies. New York: Routledge.
Hall, S. (1980). Cultural studies: Two paradigms. Media, Culture, and Society, 2, 57–72.
Hall, S. (1980b). Encoding/decoding. In S. Hall, D. Hobson, A. Love, & P. Willis (Eds.), Culture, media, language: Working papers in cultural studies, 1972–79. Birmingham: Centre for Contemporary Cultural Studies, University of Birmingham.
Hall, S. (1992). Cultural studies and its theoretical legacies. In L. Grossberg, C. Nelson, & P. Treicher (Eds.), Cultural studies. New York: Routledge.
Hall, S. (1996). The problem of ideology: Marxism without guarantees. In D. Moreley & K. Chen (Eds.), Stuart Hall: Critical dialogues in cultural studies. New York: Routledge.
Harding, S., & Hintikka, M. B. (Eds.) (1983). Dis-covering reality: Feminist perspectives on epistemology, methodology, and philosophy of science. Boston: Reidel.
Hartsock, N. (1990). Foucault on power: A theory for women? In L. Nicholson (Ed.), Feminism/postmodernism. New York: Routledge.
Hartsock, N. (1996). Theoretical bases for coalition building: An assessment of postmodernism. In H. Gottfried (Ed.), Feminism and social change: Bridging theory and practice. Urbana, IL: University of Illinois Press.
Hebdige, D. (1996). Postmodernism and ‘the other side’. In D. Morley & K. Chen. (Eds.), Stuart Hall: Critical dialogues in cultural studies. New York: Routledge.
Hobson, D. (1982). Crossroads: The drama of a soap opera. London: Metheun.
Inglis, F. (1993). Cultural studies. Cambridge, MA: Blackwell.
Jameson. F. (1984). Postmodernism: The logic of late capitalism. New Left Review, 146, 53–92.
Joyrich, L. (1996). Re-viewing reception: Television, gender, and postmodern culture. Bloomington, IN: Indiana University Press.
Kaplan, C. (1986). Sea changes: Culture and feminism. London: Verso.
Katz, E. (1980). On conceptualizing media effects. Studies in Communication, 1, 119–141.
Katz, E., & Lazarsfeld, P. F. (1955). Personal influence. Glencoe, IL: Free Press.
Kellner, D. (1995). Cultural studies, multiculturalism and media culture. In G. Dines & J. M. Humez (Eds.), Gender, race and class in media: A text reader. Thousand Oaks, CA: Sage.
Krieger, S. (1991). Social science & the self: Personal essays on an art form. New Brunswick, NJ: Rutgers University Press.
Lacan, J. (1977a). Ecrits: A selection. New York: Norton.
Lacan, J. (1977b). The four fundamentals of psychoanalysis. London: Hogarth.
Laclau, E. (1977). Politics and ideology in Marxist theory. London: New Left Books.
Laclau, E., & Mouffe, C. (1985). Hegemony and socialist strategy: Towards a radical democratic politics. London: Verso.
de Lauretis, T. (1984). Alice doesn’t: Feminism, semiotics, cinema. Bloomington, IN: University of Indiana Press.
Lewis, L. (1990). Gender politics and MTV: Voicing the difference. Philadelphia: Temple University Press.
Livingstone, S. (1990). Making, sense of television: The psychology of audience interpretation. Oxford: Pergamon.
Lyotard, J. (1984). The postmodern condition: A Report on knowledge. Minneapolis: University of Minnesota Press.
McRobbie, A. (1981). Settling accounts with subcultures: A feminist critique. In T. Bennett, G. Martin, C. Mercer, & J. Wooldacott (Eds.), Culture, ideology and social process: A reader. London: Open University.
Mead, G. H. (1934). Mind, self & society from the standpoint of a social behaviorist. Chicago: University of Chicago Press.
Millett, K. (1970). Sexual politics. Garden City, NY: Doubleday.
Mishler, E. G. (1986). Research interviewing: Context and narrative. Cambridge: Harvard University Press.
Modleski, T. (1986). Femininity as mas(s)querade: A feminist approach to mass culture. In C. MacCabe (Ed.), High theory/low culture: Analyzing popular television and film. New York: St. Martin’s Press.
Modleski, T. (1988). The women who knew too much: Hitchcock and feminist theory. New York: Routledge.
Modleski, T. (1991). Feminism without women: Culture and criticism in a “postfeminist” age. New York: Routledge.
Moerman, M. (1988). Talking culture: Ethnography and conversation analysis. Philadelphia: University of Pennsylvania Press.
Morgan, R. (Ed.) (1970). Sisterhood is powerful. New York: Vintage.
Morley, D. (1980). The Nationwide audience. London: British Film Institute.
Morley, D. (1992). Television, audience, and cultural studies. New York: Routledge.
Morris, M. (1988a). Banality in cultural studies. In P. Mellencamp (Ed.), Logics of television. Bloomington, IN: Indiana University Press.
Morris, M. (1988b). Introduction: Feminism, reading, postmodernism. In M. Morris (Ed.), The pirate’s fiancee: Feminism, reading, postmodernism. London: Verso.
Morris, M. (1988c). Things to do with shopping centres. In S. Sheridan (Ed.), Grafts: Feminist cultural criticism. London: Verso.
Mulvey, L. (1975). Visual pleasure and narrative cinema. Screen, 16, 6–8.
Nochlin, L. (1971). Why have there been no great women artists? In T. Hess & E. Baker (Eds.), Art and sexual politics: Women’s liberation, women artists, and art history (pp. 1–39). London: Collier Books.
Oakley, A. (1981). Interviewing women: A contradiction in terms. In H. Roberts (Ed.), Doing feminist research (pp. 30–61). London: Routledge and Kegan Paul.
Penley. C. (1992). Feminism, psychoanalysis, and the study of popular culture. In L. Grossberg, C. Nelson, & P. Treichler (Eds.), Cultural studies. New York: Routledge.
Press, A. (1991). Women watching television: Gender, class, and generation in the American television experience. Philadelphia: University of Pennsylvania Press.
Pribram, E. D. (Ed.) (1988). Female spectators: Looking at film and television. New York: Verso.
Radway, J. (1984). Reading the romance: Women, patriarchy, and popular literature. Chapel Hill, NC: University of North Carolina Press.
Reinharz, S. (Ed.) (1992). Feminist methods in social research. New York: Oxford University Press.
Riessman, C. K. (1990). Divorce talk: Women and men make sense of personal relationships. New Brunswick, NJ: Rutgers University Press.
Roberts, H. (Ed,) (1981). Doing feminist research. London: Routledge and Kegan Paul.
de Saussure, F. (1966). Course in general linguistics. New York: McGraw-Hill.
Seiter, E. (1992). Semiotics, structuralism, and television. In R. C. Allen (Ed.), Channels of discourse, reassembled: Television and contemporary criticism (2nd ed.). Chapel Hill, NC: University of North Carolina Press.
Simonds, W. (1992). Women and self-help culture: Reading between the lines. New Brunswick, NJ: Rutgers University Press.
Simonds, W. (1996). All consuming selves: Self-help literature and women’s identities. In D. Grodin & T. Lindlof (Eds,), Constructing the self in a mediated world. Thousand Oaks, CA: Sage.
Skeggs, B. (1995). Theorising, ethics and representation in feminist ethnography. In B. Skeggs (Ed.), Feminist cultural theory: Process and production. Manchester: Manchester University Press.
Slack, J. (1996). The theory and method of articulation in cultural studies. In D. Morley & K. Chen (Eds.), Stuart Hall: Critical dialogues in cultural studies. New York: Routledge.
Smelik, A. (1995). What meets the eye: Feminist film studies. In R. Buikema & A. Smelik (Eds.), Women’s studies and culture. London: Zed Books.
Smith, D. (1996). Contradictions for feminist social scientists. In H. Gottfried (Ed.), Feminism and social change: Bridging theory and practice. Urbana, IL: University of Illinois Press.
Snitow, A., Stansell, C., & Thompson, S. (Eds.) (1983). Powers of desire: The politics of sexuality. New York: Monthly Review Press.
Sparks, C. (1996). Stuart Hall, cultural studies, and Marxism. In D. Morley & K. Chen. (Eds.), Stuart Hall: Critical dialogues in cultural studies. New York: Routledge.
Spigel, L. (1992). Make room for TV: Television and the family ideal in postwar America. Chicago: University of Chicago Press.
Spigel, L., & Mann, D. (Eds.) (1992). Private screenings: Television and the female consumer. Minnesota: University of Minneapolis Press.
Stacey, J. (1988). Can there be a feminist ethnography? Women’s Studies International Forum, 11, 21–27.
Stacey, J. (1994). Star gazing: Hollywood and female spectatorship. London: Routledge.
Storey, J. (1993). Cultural theory and popular culture. Athens, GA: University of Georgia Press.
Tuchman, G. (1978). The symbolic annihilation of women. In G. Tuchman, A. K. Daniels, & J. Benet (Eds.), Hearth and home: Images of women in the mass media. New York: Oxford University Press.
Vance, C. (Ed.) (1984). Pleasure and danger: Exploring female sexuality. New York: Routledge.
Walters, S. (1995). Material girls: Making sense of feminist cultural theory. Berkeley, CA: University of California Press.
West, C., & Zimmerman, D. (1987). Doing gender. Gender & Society, 1, 125–151.
Williams, R. (1958). Culture and society, 1780–1950. Garden City, NY: Doubleday.
Williamson, J. (1986a). Consuming passions: The dynamics of popular culture. New York: Marion Boyars.
Williamson, J. (1986b). Woman is an island: Femininity and colonization. In T. Modleski (Ed.), Studies in entertainment: Critical approaches to mass culture. Indianapolis, IN: Indiana University Press.
Wolff, J. (1981). The social production of art. New York: St. Martin’s Press.
Author information
Authors and Affiliations
Rights and permissions
Copyright information
© 2006 Springer Science+Business Media, LLC
About this chapter
Cite this chapter
Cragin, B., Simonds, W. (2006). The Study of Gender in Culture. In: Handbook of the Sociology of Gender. Handbooks of Sociology and Social Research. Springer, Boston, MA . https://doi.org/10.1007/0-387-36218-5_10
Download citation
DOI: https://doi.org/10.1007/0-387-36218-5_10
Publisher Name: Springer, Boston, MA
Print ISBN: 978-0-387-32460-9
Online ISBN: 978-0-387-36218-2
eBook Packages: Humanities, Social Sciences and LawSocial Sciences (R0)