Skip to main content
Palgrave Macmillan

Gilles Deleuze and Film Criticism

Philosophy, Theory, and the Individual Film

  • Book
  • © 2023

Overview

  • Provides fresh and engaging readings of Deleuze's work on cinema
  • Investigates the relationship between Deleuze's philosophy and film criticism
  • Offers exciting new readings of important films in the light of Deleuze's writings

Part of the book series: Palgrave Film Studies and Philosophy (PFSP)

This is a preview of subscription content, log in via an institution to check access.

Access this book

Subscribe and save

Springer+ Basic
$34.99 /Month
  • Get 10 units per month
  • Download Article/Chapter or eBook
  • 1 Unit = 1 Article or 1 Chapter
  • Cancel anytime
Subscribe now

Buy Now

eBook USD 99.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 129.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 129.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access

Licence this eBook for your library

Institutional subscriptions

About this book

This book is the first collection of essays to offer detailed examinations of the role that close attention to individual films plays in the philosopher Gilles Deleuze’s work on cinema. In the last two decades, Deleuze's two books on film have had an enormous influence on Film Studies, profoundly affecting thinking about movement, time, history, and other topics. Theoretically ambitious and philosophically rich but clearly written by a broad range of established and emerging international film scholars, the chapters in this volume will both contribute to, and in places challenge, the vibrant field of Deleuzian film studies. Topics covered range from the relationship of Deleuze to film criticism; the role of theories of movement; and studies of works by major filmmakers including Federico Fellini, Werner Herzog, Vincente Minnelli, and Orson Welles. This book will be of interest not only to specialists in Deleuze but to anybody engaged with the close study of film and its philosophical ramifications.

Keywords

Table of contents (10 chapters)

  1. Perspectives on Method

  2. Films and Filmmakers

Reviews

Gilles Deleuze and Film Criticism is a remarkable collection undertaking with spirit and intelligence to grapple with what Trevor Mowchun calls the 'spates' of criticism in the writings of one of the most challenging thinkers on film. Every one of the individual forays adeptly demonstrates the value of combining film analysis with attentive meta-critical commentary and conceptual elucidation of Deleuze's terms and tendencies. Aside from the inherent interest of the essays themselves, this volume's major contribution to film studies lies in its potential to re-energise debate on a vital issue for the discipline: namely, the relation between theory and criticism.” (Alex Clayton, Associate Professor in Film and Television, University of Bristol, UK)

 

Editors and Affiliations

  • Cambridge, UK

    Dominic Lash

  • Edinburgh, UK

    Hoi Lun Law

About the editors

Dominic Lash is the author of The Cinema of Disorientation: Inviting Confusions (2020) and Robert Pippin and Film: Politics, Ethics, and Psychology after Modernism (2022). He has taught film at many institutions, including the universities of Bristol and Oxford, and has published in journals such as ScreenMovie: A Journal of Film CriticismFilm and Philosophy; and Film-Philosophy.

Hoi Lun Law is Teaching Fellow in Film Studies at the University of Edinburgh, UK. He is the author of Ambiguity and Film Criticism: Reasonable Doubt (2021).

 


Bibliographic Information

  • Book Title: Gilles Deleuze and Film Criticism

  • Book Subtitle: Philosophy, Theory, and the Individual Film

  • Editors: Dominic Lash, Hoi Lun Law

  • Series Title: Palgrave Film Studies and Philosophy

  • DOI: https://doi.org/10.1007/978-3-031-33305-7

  • Publisher: Palgrave Macmillan Cham

  • eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)

  • Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2023

  • Hardcover ISBN: 978-3-031-33304-0Published: 08 August 2023

  • Softcover ISBN: 978-3-031-33307-1Published: 08 August 2024

  • eBook ISBN: 978-3-031-33305-7Published: 07 August 2023

  • Series ISSN: 2946-5435

  • Series E-ISSN: 2946-5443

  • Edition Number: 1

  • Number of Pages: XII, 221

  • Number of Illustrations: 23 b/w illustrations, 5 illustrations in colour

  • Topics: Screen Studies, Aesthetics, Film Theory

Publish with us