Article PDF
Avoid common mistakes on your manuscript.
References
ACA (American Council of the Arts) (1980).Americans and the Arts: A survey of Public Opinion. New York: St. Martin's Press.
Austen-Smith, David (1980), “On Justifying Subsidies to the Performing Arts,” in: William S. Hendon, James L. Shanahan and Alice J. MacDonald, eds.,Economic Policy for the Arts. Cambridge, Mass.: Abt, 24–32.
— and Stephen Jenkins (1985), “A Multiperiod Model of Nonprofit Enterprises”,Scottish Journal of Political Economy, 32 (no. 1), 119–134.
Banfield, Edward C. (1984),The Democratic Muse: Visual Arts and the Public Interest. New York: Basic Books.
Baumol, William J. (1979), “On Two Experiments in the Pricing of Theatre Tickets,” in: Michael J. Boskin, ed.,Economics of Human Welfare. New York: Academic Press, pp. 41–58.
— and William G. Bowen (1966),Performing Arts—The Economic Dilemma. Cambridge, Mass.: Twentieth Century Fund.
Biermann, Franz W. and Ursula Krenkler, (1974), “Publikumsunter-suchungen am Theaterwissenschaftlichen Institut der Universitaet Muenchen,”Bayerisches Staatsschauspiel: Theaterzeitung, Jan., pp. 17–21.
B.O.R. (Bayerischer Oberster Rechnungshof) (1984),Bericht des Bayerischen Obersten Rechnungshofes 1984. Munich: B.O.R.
Bohm, Peter (1979), “Estimating Willingness to Pay: Why and How?”,Scandinavian Journal of Economics, 81, 1, pp. 142–153.
— (1984), “Revealing Demand for an Actual Public Good,”Journal of Public Economics, 24, 1, pp. 135–151.
Boulding Kenneth, “Toward the Development of a Cultural Economics,”Social Science Quarterly, 53, (Sept., 1977), pp. 267–284.
Clark, David E. and James R. Kahn (1988), “The Social Benefits of Urban Cultural Amenities,”Journal of Regional Science, 28, 3, pp. 363–377.
Cwi, David (1979), “Public Support of the Arts: Three Arguments Examined,”Journal of Behavioural Economics, 8 (Summer), pp. 39–68.
DiMaggio, Paul, Michael Useem and Paula Brown (1978),Audience Studies of Performing Arts and Museums. Washington, D.C.: National Endowments for the Arts.
Dupuis, Xavier (1983), “La surqualite': le spectacle subventionne' malade de la bureaucratie?”,Revue Economique, 34 (Nov.), pp. 1089–1115.
— (1985), “L' micro-e'conomie du spectacle vivant”, in: Augustin Girard, ed.,L'economie du spectacle vivant et l'audiovisuel. Paris: Ministre de la Culture et Association pour le development et la diffusion de l'conomie de la culture, pp. 71–97.
Feld, Alan L., Michael O'Hare and J. Mark D. Schuster (1983),Patrons Despite Themselves: Taxpayers and Arts Policy. New York: New York University Press.
Frey, Bruno S. (1986), “The Salzburg Festival-from the Economic Point of View,”Journal of Cultural Economics, 10 (Dec.), pp. 27–44.
— and Werner W. Pommerehne (1980), “An Economic Analysis of the Museum,” in: William S. Hendon, James L. Shanahan, and Alice J. MacDonald, eds.,Economic Policy for the Arts. Cambridge, Mass.: Abt, pp. 248–259.
— and Werner W. Pommerehne (1987), “L'art pour l'art? Behavioral Effects of Performing Arts Organizations.”Empirical Studies of the Arts, 5 (no. 1) pp. 59–78.
— and Werner W. Pommerehne (1989),Muses and Markets: Explorations in the Economics of the Arts. Oxford: Basil Blackwell.
Gapinski, James H. (1984), “The Economics of Performing Shakespeare,”American Economic Review, Papers and Proceedings, 74 (May), pp. 458–466.
— (1988), “The Economic Right Triangle of Nonprofit Theates”,Social Science Quarterly, 69 (Sept.) pp. 756–763.
Grampp, William D. (1983), “On Subsidizing Art Museums”, Mimeo, University of Illinois, Chicago, May.
— (1986/87), “Should the Arts Support Themselves?”,Economic Affairs, 6 (Dec/Jan.), pp. 41–43.
— (1989), “Rent-Seeking in Arts Policy,”Public Choice, 60 (Feb.), pp. 113–121.
Hansmann, Henry B. (1981), “Nonprofit Enterprise in the Performing Arts”,Rand Journal of Economics, 12 (Autumn), pp. 341–361.
Hendon, William S., Frank Costa and Robert A. Rosenberg (1989), “The General Public and the Art Museum”,American Journal of Economics and Sociology, 48 (April), pp. 132–143.
Honolka, Kurt (1986),Die Operist tot-die Oper lebt: Kritische Bilanz der deutschen Musiktheater. Stuttgart: Deutsche Verlagsanstalt.
Horlacher, Felix (1984),Kultursubventionen. Berne, Francfort and New York: Lang.
Hughes, Gordon (1989), “Measuring the Economic Value of the Arts,”Policy Studies, 9 (no. 3), pp. 33–45.
Hummel, Marlies and Manfred Berger (1988),Die volkswirtschaftliche Bedeutung von Kunstund Kultur. Munich: Ito-Institut fr Wirtschaftsforschung.
Le Pen, Claude (1982), “L'analyse microeconomique de la production dramatique et l'effet des subventions publiques.”Revue Economique, 33 (July), pp. 639–674.
Leroy, Dominique (1980),Economic des arts du spectacle vivant. Paris: Economica.
Marplan (1968), “Marktforschung fur das Theater: Motivforschung,” in: Wilhelm Allgayer und Gustav Weidemann, eds.,Handbuch der Theaterwerbung, Teil 3. Cologne: Deutscher Bhnenverein.
Martorella, Rosanne (1977), “The Relationship between Box Office and Repertoire: A Case Study of Opera,”Sociological Quarterly, 18(no. 2), pp. 354–366.
Montias, John M. (1973), “Are Museums Betraying the Public's Trust?”Museum News, 51 (May/June), pp. 25–31.
Morrison, William G. and Edwin G. West (1986), “Subsidies for the Performing Arts: Evidence on Voter Preferences”,Journal of Behavioral Economics, 15 (Fall), pp. 57–72.
Moulin, Raymonde (1967),Le marche'de la peinture en France, Paris: Editions du minuit.
Myerscough, John (1988),The Economic Importance of the Arts in Britain. London: Policy Studies Institute.
Netzer, Dick (1978),The Subsidized Muse. Cambridge, London and Melbourne: Cambridge University Press.
ORH (Osterreichischer Rechnungshof) (1984),Bericht uber die Gebahrung des Bundes mit Mitteln der Kunst- und der Sportforderung. Vienna: Osterreichische Staatsdruckerei.
— (1988),Nachtrag zum Tatigkeitsbericht des Rechnungshofes. Vienna: Osterreichische Staatsdruckerei.
Peacock, Alan T. (1969), “Welfare Economics and Public Subsidies to the Arts”,Manchester School of Economic and Social Studies, 37(Dec), pp. 70–86.
— (1988), “Cultural Economics and the Finance of the Arts,” Mimeo, Heriot-Watts University, Edinburgh.
Pommerehne, Werner W. (1982), “Steuern, Staatsausgaben und Stimmburgerverhalten: Eine empirische Untersuchung am Beispiel der offentlichen Subventionierung des Theaters”,Jahrbucher fur Nationalokonomie und Statistik, 197(no. 5), pp. 437–462.
— and Bruno S. Frey (1980), “Kunst zwischen Freiheit und Demokratie”,Wirtschaftspolitische Blatter, 27 (no. 6), pp. 27–37.
— and Friedrich Schneider (1983), “Warum Bloss ist ein Rauschenberg so teuer?”, in: Clemens-A. Andreae, ed.,Kunst und Wirtschaft. Cologne: Bachem, pp. 50–81.
Sagot-Duvauroux, Dominique (1985),Structure de financement et organisation d'un systeme: l'exemple du theatre. PhD. Dissertation, Universit de Paris-I-Pantheon-Sorbonne.
Shanahan, James L. (1978), “The Consumption of Music: Integrating Aesthetics and Economics”,Journal of Cultural Economics, 2 (Dec.), pp. 13–26.
Smolensky, Eugene (1986), “Municipal Financing of the U.S. Fine Art Museum: A Historical Rationale”,Journal of Economic History, 46 (no. 4), pp. 757–768.
Throsby, C. David and Glen A. Withers (1979),The Economics of the Performing Arts. London and Melbourne: Arnold.
— and Glen A. Withers (1983), “Measuring the Demand for the Arts as a Public Good: Theory and Empirical Results,” in: William S. Hendon and James L. Shanahan, eds.,Economics of Cultural Decisions. Cambridge, Mass.: Abt, pp. 177–191.
— and Glen A. Withers (1986), “Strategic Bias and Demand for Public Goods: Theory and an Application to the Arts.”Journal of Public Economics, 31 (Dec.), pp. 307–327.
Touchstone, Susan K. (1980), “The Effects of Contributions on Price and Attendance in the Lively Arts.Journal of Cultural Economics, 4 (June), pp. 33–46.
Wahl-Zieger, Erika (1978),Theater und Orchesterzwischen Marktkraften und Marktkorrektur. Gottingen: Vandenhoeck and Ruprecht.
West, Edwin G. (1985),Subsidizing the Performing Arts. Toronto: Ontario Economic Council.
— (1986), “Art Vouchers to Replace Grants,”Economic Affairs, 6 (no. 3), pp. 9–11, 16.
Withers, Glen A. (1981), “Principles of Government Support to the Arts,”Meanjin, 40 (Dec.), pp. 442–460.
Rights and permissions
About this article
Cite this article
Pommerehne, W.W., Frey, B.S. Public promotion of the ARTS: A survey of means. J Cult Econ 14, 73–95 (1990). https://doi.org/10.1007/BF02898283
Issue Date:
DOI: https://doi.org/10.1007/BF02898283