Skip to main content

Part of the book series: Black Religion / Womanist Thought / Social Justice ((BRWT))

  • 112 Accesses

Abstract

Picture yourself sitting in a theater, waiting in anticipation for the lights to dim, the curtains to part, the actors to appear, and a story line to unfold. Imagine the excitement of witnessing new expressions of black cultural life and production, and more significantly, the anticipation of the unfolding narrative being presented as your story. Visualize sitting in that same theater now bursting with uncontrollable laughter. Now, envision your amusement disoriented by discontent, for your complex individuality has not only been typecast in front of a backdrop of familiar, fictitious, frozen themes, but it has also been eclipsed by a massive cultural invention. What you just witnessed is not an accurate depiction of you, or anyone you have ever met. Yet, there is something strangely familiar and compelling about it. And this is just the opening scene. Oddly you desire more, so you begin plotting when you might be entertained once more—even if it means disentangling your identity from the creative energies of the master showman…again.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Subscribe and save

Springer+ Basic
$34.99 /Month
  • Get 10 units per month
  • Download Article/Chapter or eBook
  • 1 Unit = 1 Article or 1 Chapter
  • Cancel anytime
Subscribe now

Buy Now

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 84.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 109.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 109.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Similar content being viewed by others

Notes

  1. W. E. B. Du Bois noted that “three things characterize this religion of the slave—the Preacher, the Music and the Frenzy” in The Souls of Black Folk (Chicago: A. C. McClurg & Co.; [Cambridge]: University Press John Wilson and Son, Cambridge, 1903).

    Google Scholar 

Download references

Authors

Editor information

LeRhonda S. Manigault-Bryant Tamura A. Lomax Carol B. Duncan

Copyright information

© 2014 LeRhonda S. Manigault-Bryant, Tamura A. Lomax, and Carol B. Duncan

About this chapter

Cite this chapter

Lomax, MB., Duncan (2014). Introduction. In: Manigault-Bryant, L.S., Lomax, T.A., Duncan, C.B. (eds) Womanist and Black Feminist Responses to Tyler Perry’s Productions. Black Religion / Womanist Thought / Social Justice. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137429568_1

Download citation

Publish with us

Policies and ethics