Abstract
Visitors arriving in Saragossa today will find themselves in a modern city, but one steeped in centuries of history, much of which now lies hidden. Although it suffered terrible destruction during the Peninsular War and — in more recent times — was further damaged by misguided ideas about what constituted ‘progress’, it nevertheless retains significant traces of its Roman origins: several sections of the city walls, an impressive amphitheatre, the thermal baths and, most notably, the rectangular perimeter of its old town and the two main streets that run north-south and east-west through its centre, forming the shape of a cross, a layout still clearly visible today, unusually so for a city of this size. The majestic Aljafería Palace, built in the eleventh century and converted into a Christian fortress after the Reconquest, bears witness to the rich Islamic culture that established deep roots in the city and whose influence continued to be felt for centuries. Stroll through the historic heart of Saragossa and you will see some of the loveliest examples of Mudéjar architecture to be found anywhere in the Iberian peninsula: the soaring towers of the churches of Santa Maria Magdalena, San Miguel, San Gil and San Pablo serve as vivid reminders of the minarets that were once such a defining feature of this urban landscape.2
Wherever there is religion there is magic […]; wherever there is magic there is religion1
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Similar content being viewed by others
Notes
‘Wherever there is religion there is magic, even though the magical stream does not always follow the main channel of religion; similarly, wherever there is magic there is religion, although it can be only one specific type of religion.’ Gerardus van der Leeuw, Religion in Essence and Manifestation, Princeton and New York, Princeton University Press, 1986, pp. 468–469.
See Guillermo Fatâs (éd.), Guîa Historico-Artistica de Zaragoza, Saragossa, Ayuntamiento de Zaragoza, 1982.
See Maria Tausiet, ‘Zaragoza celeste y subterrânea: Geografia mftica de una ciudad (siglos XV-XVIII)’, in François Delpech (éd.) L’imaginaire du territoire en Espagne et au Portugal (XVIe-XVIIe siècles), Madrid, Casa de Velazquez, 2008.
Sigmund Freud, Totem und Tabu. Einige Übereinstimmungen im Seelenleben der Wilden und der Neurotiker, Vienna, Hugo Heller & Cie, 1913.
See Randall Styers, Making Magic. Religion, Magic and Science in the Modern World, Oxford, Oxford University Press, 2004
See Stuart Clark, ‘Inversion, Misrule and the Meaning of Witchcraft’, Past and Present, 87, 1980, pp. 98–127
See Walter Stephens, Demon Lovers. Witchcraft, Sex, and the Crisis of Belief, Chicago, University of Chicago Press, 2002.
Copyright information
© 2013 María Tausiet
About this chapter
Cite this chapter
Tausiet, M. (2013). Prologue: Abracadabra Omnipotens. In: Urban Magic in Early Modern Spain. Palgrave Historical Studies in Witchcraft and Magic. Palgrave Macmillan, London. https://doi.org/10.1057/9781137355881_1
Download citation
DOI: https://doi.org/10.1057/9781137355881_1
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-47031-0
Online ISBN: 978-1-137-35588-1
eBook Packages: Palgrave History CollectionHistory (R0)