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Abstract

By 1984, the year of Orwell’s atomic dystopia, it seemed to many that modern military technology was far more dangerous than the Soviet internationalism it was there to contain. The Stockholm International Peace Research Institute estimated that, whereas in 1945 only the US possessed an atomic arsenal, in 1984 some 50,000 nuclear warheads existed around the world, a growth rate of some four warheads per day and a combined capacity equivalent to 3–7 tonnes of TNT for each member of the world’s population.1 In his preface to Einstein’s Monsters (1987), Martin Amis mounts a scathing attack on what he calls ‘the most momentous development in the history of the species’.2 Born four days before the first Soviet testing of an atomic bomb, his whole life has been spent in the age of deterrence, plagued by fear, despair, nausea and the ‘black dream of nuclear exchange’ (6). He goes on to denounce the colossal overproduction of nuclear weapons, the inevitable failure of a deterrence that can never conceivably be deployed and the likely scale of the threatened destruction. As he writes, ‘radiation, superstellar temperatures, electromagnetic pulse, thermal pulse, blast overpressure, fallout, disease, loss of immunity, cold, dark, contamination, inherited deformity, ozone depletion: with what hysterical ferocity, with what farcical disproportion, do nuclear weapons loathe human life’ (17). The supposed threat of communism seems negligible in comparison. Convinced that ‘it is the weapons themselves that are the threat’, Amis struggles to locate their political or social benefit to humanity: ‘[i]f things don’t go wrong, and continue not going wrong for the next millennium […], you get … What do you get? What are we getting?’3 He also expresses bemusement at how rarely mainstream fiction has addressed nuclear issues, although here miscalculates badly.4 In a survey published in 1990, Paul Brians’s estimate that there exists over a thousand English-language novels depicting nuclear conflict indicates the genuine extent of the literary response.5

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Notes

  1. Mikhail A. Milshtein, ‘On the Question of Non-Resort to the First Use of Nuclear Weapons’, in Frank Blackaby, Jozef Goldblat and Sverre Lodgaard, eds, No-First-Use (London and Philadelphia: Taylor and Francis, 1984), p. 112.

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  2. Amis, ‘Introduction: Thinkability’, in Amis, Einstein’s Monsters, new edn (1987; London: Penguin, 1988), p. 5.

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  3. Ibid., pp. 11, 22. During the SALT talks, the issue of nuclear proliferation left even Kissinger dumbfounded: see John Newhouse, The Nuclear Age: From Hiroshima to Star Wars (London: Michael Joseph, 1989), p. 245.

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  4. ibid., p. 18. Like much of Amis’s preface, the point seems to be influenced by Jonathan Schell’s The Fate of the Earth (1982), which claimed that, despite ‘the immeasurable importance of nuclear weapons, the world has declined … to think about them very much’ (Schell, The Fate of the Earth, in Schell, The Fate of the Earth and The Abolition, new edn (1982, 1984; Stanford CA: Stanford University Press, 2000), pp. 3–4).

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  5. Brians, ‘Nuclear Family/Nuclear War’, PLL: Papers on Language & Literature, Vol. 26, No. 1 (1990), p. 134.

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  39. Ibid., p. 20.

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© 2013 Andrew Hammond

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Hammond, A. (2013). The Nuclear Debate. In: British Fiction and the Cold War. Palgrave Macmillan, London. https://doi.org/10.1057/9781137274854_3

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