Abstract
This chapter examines the ethnic portrayal of the Irish in the American gangster film genre. The analysis refers to a small selection of Irish-themed crime films produced between 1990–2010 in light of the historical context and socio-economic status of the Irish in the USA. The chapter concentrates on the ethos of the family and ethnic tribal codes of honor and clan loyalties allowing the survival of vigilante justice. The chapter also explores ethnic ghettos as places threatened not only by gang violence, but also by the dual forces of immigration and gentrification. The chapter concludes that the films illustrate the historical process of the shaping of the Irish-American identity by both American influences and the ethnic environment.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Similar content being viewed by others
References
Anagnostou, Y. 2009. Contours of white ethnicity: Popular ethnography and the making of usable pasts in Greek America. Columbus: Ohio University Press.
Anastasia, G., and G. Macnow. 2011. The ultimate book of gangster movies: Featuring the 100 greatest gangster films of all time. Philadelphia: Running Press.
Aste, M. 2001. From Western to gangster films: American society observing and observed. In Cinema and multiculturalism: Selected proceedings, eds. S.L. Postman and J.H. Hernandez. Legas: Ottawa.
Blake, R.A. 2005. Street smart: The New York of Lumet, Allen, Scorsese and Lee. Lexington: The University Press of Kentucky.
Boardwalk Empire. 2010–2014. Television series. HBO.
Cavellero, J.J. 2011. Hollywood’s Italian American filmmakers: Capra, Scorsese, Savoca, Coppola, and Tarantino. Chicago: University of Illinois Press.
DiGirolamo, V. 2004. Such, such were the B’hoys…. Radical History Review 90: 123–141.
DiPaolo, M. 2009. The dilemma of the Italian American male. In Pimps, wimps, studs and gentlemen: Essays on media images of masculinity, ed. E. Watson. McFarland & Company: Jefferson.
Hynes, C. A. 2007. ‘Strangers in the house’: Twentieth century revisions of Irish literary and cultural identity. Unpublished dissertation. The University of Texas at Austin.
Kaufman, W. 2006. Civil War in American culture. Edinburgh: Edinburgh University Press.
Langford, B. 2005. Film genre: Hollywood and beyond. Edinburgh: Edinburgh University Press.
Lenzner, S.J. 2001. A cinematic call for self-knowledge: An interpretation of Miller’s Crossing. Perspectives on Political Science 30(2): 85–92.
Levy, E. 1999. Cinema of outsiders: The rise of American independent film. New York: New York University Press.
Mattie, S. 2003. Blood, justice, and American citizenship: An interpretation of Gangs of New York. Perspectives on Political Science 32(4): 215–220.
McCaffrey, L.J. 1992. Textures of Irish America. Syracuse: Syracuse University Press.
McEntee, J. 2009. ‘I’ll give you acts of god’: God, the father, and revenge tragedy in three Billy Connolly movies. Literature/Film Quarterly 37(1): 49–71.
Miller’s Crossing. 1990. Dir. Joel Coen and Ethan Coen. Film. Circle Films/Twentieth Century Fox.
Monument Ave. 1998. Dir. Ted Demme. Film. Apostle.
Mystic River. 2003. Dir. Clint Eastwood. Film. Warner.
Negra, D. 2001. The new primitives: Irishness in recent US television. Irish Studies Review 9(2): 229–239.
Nochimson, M. 2007. Dying to belong: Gangster movies in Hollywood and Hong Kong. Hoboken: Blackwell Publishing.
O’Brien, M., R. Tzanelli, M. Yar, and S. Penna. 2005. ‘The spectacle of fearsome acts’: Crime in the melting P(l)ot in Gangs of New York. Critical Criminology 13: 17–35.
Pramaggiore, M. 2007. Irish and African American cinema: Identifying others and performing identities, 1980–2000. Albany: State University of New York Press.
Redmon, A. 2004. Mechanisms of violence in Clint Eastwood’s Unforgiven and Mystic River. The Journal of American Culture 27(3): 315–328.
Road to Perdition. 2002. Dir. Sam Mendes. Film. Dreamworks.
Roediger, D.R. 1994. Towards the abolition of whiteness. New York: Verso.
Rommel-Ruiz, W.B. 2011. American history goes to the movies: Hollywood and the American experience. New York: Routledge.
Saltzman, L. 2006. Making memory matter: Strategies of remembrance in contemporary art. Chicago: The University of Chicago Press.
Santas, C. 2007. The epic in film: From myth to blockbuster. New York: Rowman & Littlefield.
Simon, C.J. 2007. Vengeance, forgiveness and redemption in Mystic River. In Faith, film and philosophy: Big ideas on the big screen, eds. R.D. Geivett and J.S. Spiegel. Downers Grove: InterVarity Press.
The Boondock Saints. 1999. Dir. Troy Duffy. Film. Franchise Pictures.
The Gangs of New York. 2002. Dir. Martin Scorsese. Film. Miramax.
Vaux, S.A. 2012. The ethical vision of Clint Eastwood. Cambridge: Wm. B. Eerdmans Publishing.
Walkowitz, D.J. 2003. ‘The Gangs of New York’: The mean streets in history. History Workshop Journal 56: 204–209.
Welsch, J.R., and J.Q. Adams. 2005. Multicultural films: A reference guide. Westport: Greenwood Press.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Copyright information
© 2016 The Editor(s) (if applicable) and The Author(s)
About this chapter
Cite this chapter
Martynuska, M. (2016). Ethnic Conflicts in Urban Landscape: Irish-American Representations in the Gangster Film Genre, 1990–2010. In: Arapoglou, E., Kalogeras, Y., Nyman, J. (eds) Racial and Ethnic Identities in the Media. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-56834-2_10
Download citation
DOI: https://doi.org/10.1057/978-1-137-56834-2_10
Published:
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-137-56833-5
Online ISBN: 978-1-137-56834-2
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)