Abstract
Stories are aimed at the reconfiguration of time, space, and perspective. If we consider Jafar Panahi’s trilogy in this framework, the narratives of the three films analyzed in this chapter all partake in the interplay between memory and imagination, which are in turn central and important aspects of identity. His films have routinely been put in relation to his house arrest and prohibition from making films. While this is undoubtedly true, one should not underestimate Panahi as a filmmaker solely concerned with self-allegorizing his situation. The aim of this chapter, therefore, is to read these three films within the questions and concerns of the debates around post-cinema and new forms of representation.
Perhaps nothing is more human than sharing stories, whether by fire or by ‘cloud’.
– Jenkins, Ford and Green (Spreadable Media 2013)
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Similar content being viewed by others
Bibliography
Bazin, André. Was ist Kino?: Bausteine zur Theorie des Films. Köln: Dumont, 1975. Print.
Casetti, Francesco. The Lumière Galaxy: Seven Key Words for the Cinema to Come. New York: Columbia University Press, 2015. Print.
De Vaulx, Jean-Baptiste: An analysis of the New Iranian Cinema through four of its key directors. Web. http://youngandinnocent.eu/it/articles/2012/english/analysis-new-iranian-cinema-through-four-its-key-directors?page=8 Hall, Stuart. “The Work of Representation.” Representation: Cultural Representations and Signifying Practices. London, 1993. Print.
Jameson, Fredric. Postmodernism: Or, the cultural logic of late capitalism. Durham: Duke University Press, 1991. 69. Print.
Jenkins, Henry, Sam Ford, and Joshua Green. Spreadable Media: Creating Value and Meaning in a Networked Culture. New York/London: New York University Press, 2013. 2-3. Print.
Naficy, Hamid. A Social History of Iranian Cinema. Vol.1–4. Duke University Press, 2011. Print.
Ṣadr, Ḥamīd R. Iranian cinema: A political history. London, New York, New York: I.B. Tauris; Distributed in the United States by Palgrave Macmillan, 2006. Print. International library of Iranian studies 7. Sobchack, Vivian. The Scene of the Screen: Envisioning Cinematic and Electronic “Presence”. Stanford: Stanford University Press, 1994. 83-106. Print.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Copyright information
© 2016 The Author(s)
About this chapter
Cite this chapter
Strohmaier, A. (2016). Why Stories Matter: Jafar Panahi and the Contours of Cinema. In: Hagener, M., Hediger, V., Strohmaier, A. (eds) The State of Post-Cinema. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-52939-8_7
Download citation
DOI: https://doi.org/10.1057/978-1-137-52939-8_7
Published:
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-137-52938-1
Online ISBN: 978-1-137-52939-8
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)