Abstract
This chapter examines the transformations that film culture and cinephilia have undergone in the age of the digital. In focusing on the role of online portals and websites, as well as on the dialectics of materiality and immateriality, it becomes clear that the recent developments do not radically break with the past, but continue and twist dynamics that are known from the twentieth century.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Similar content being viewed by others
Bibliography
Anderson, Chris. The Long Tail: Why the Future of Business Is Selling Less of More. New York: Hyperion, 2006. Print.
Andrew, Dudley. “Time Zones and Jetlag: The Flows and Phases of World Cinema.” World Cinemas, Transnational Perspectives. Eds. Nataša Ďurovičová, and Kathleen Newman. New York, London: Routledge, 2010. 59–89. Print.
Arnheim, Rudolf. Film als Kunst. Berlin: Rowohlt, 1932. Print.
Baecque, Antoine de. La cinéphilie. Invention d’un regard, histoire d’une culture, 1944–1968. Paris: Fayard, 2003. Print.
Balázs, Béla. Der Geist des Films. Halle/Saale: Knapp, 1930. Print.
Balcerzak, Scott, and Jason Sperb, eds. Cinephilia in the Age of Digital Reproduction. Vol. 1: Film, Pleasure and Digital Culture. London, New York: Wallflower, 2009. Print.
Beltrame, Alberto, Ludovica Fales, and Giuseppe Fidotta, eds. Whose Right? Media, Intellectual Property and Authorship in the Digital Age. Udine: Film Forum, 2013. Print.
Braak, Menno ter. Cinema Militans. Utrecht: De Gemeenschap, 1929. Utrecht: Reflex, 1980. Print.
Cookson, Robert. “Efe Cakarel: Delivering Indie Films to the Masses.” Financial Times. The Fiancial Times Ltd., 21 July 2015. Web. 22 Sept. 2015. <http://www.ft.com/cms/s/0/60696860-2a39-11e5-acfb-cbd2e1c81cca.html#axzz3mRbyOyHb>.
Curtin, Michael, Jennifer Holt, and Kevin Sanson, eds. Distribution Revolution: Conversations about the Digital Future of Film and Television. Berkeley, CA: University of California Press, 2014. Print.
Decherney, Peter. Hollywood’s Copyright Wars From Edison to the Internet. New York: Columbia University Press, 2012. Print.
Deleuze, Gilles. Cinema 1: The Movement Image / Cinema 2: The Time-Image. Minneapolis: University of Minnesota, 1986 / 1989. Print.
Elsaesser, Thomas, and Malte Hagener. Film Theory. An Introduction through the Senses. 2nded. New York, London: Routledge, 2015. Print.
Epstein, Jean. Critical Essays and New Translations. Ed. Sarah Keller, and Jason N. Paul. Amsterdam: Amsterdam University Press, 2012. Print.
Goldsmith, Kenneth. “UbuWeb at 15 Years: An Overview.” Poetry Foundation Blog. Poetry Foundation, 26 Apr. 2011. Web. 9 Dec. 2015. <http://www.poetryfoundation.org/harriet/2011/04/ubuweb-at-15-years-an-overview/>.
Hagener, Malte. „La cinefilia en la época de la poscinematografia.” L‘Atalante. Revistade EstudiosCinematográficos. 18 (Julio-Diciembre 2014): 6–16. Web. 9 Dec. 2015. <http://www.revistaatalante.com/index.php?journal=atalante&page=article&op=view&path[]=238>.
Hagener, Malte. ed. The Emergence of Film Culture. Knowledge Production, Institution Building and the Fate of the Avant-garde in Europe 1919b. London: Berghahn, 2014. Print.
Hagener, Malte. Moving Forward, Looking Back. The European Avant-garde and the Invention of Film Culture, 1919a. Amsterdam: Amsterdam University Press, 2007. Print.
Holt, Jennifer, and Kevin Sanson, eds. Connected Viewing. Selling, Streaming & Sharing Media in the Digital Age. London: Routledge, 2014. Print, and Media Fields Journals, vol. 10: Digital Distribution. Web. 26. Nov. 2015. <http://www.mediafieldsjournal.org/>.
Keathley, Christian. Cinephilia and History, or The Wind in the Trees. Bloomington, IN: Indiana University Press, 2006. Print.
Klinger, Barbara. Beyond the Multiplex. Cinema, New Technologies and the Home. Berkeley, CA: University of California Press, 2006. Print.
Knörer, Ekkehard. “Movable Images on Portable Devices.” Screen Dynamics. Mapping the Borders of Cinema. Eds. Gertrud Koch, Volker Pantenburg, and Simon Rothöhler. Vienna: Synema, 2012: 169–78. Print.
Moussinac, Léon. Panoramique du cinema. Paris: Au sens pareil, 1929. Print.
Mulvey, Laura. Death 24x a Second. Stillness and the Moving Image. London: Reaktion Books, 2006. Print.
Nicodemus, Katja. “Diese Sieben Stürmen das Kino.” Die Zeit 7 May 2009: 20. Print.
Nowell-Smith, Geoffrey. “Trade Wars, Culture Wars”. Trading Culture. Global Traffic and Local Cultures in Film and Television. Ed. Sylvia Harvey. Eastleigh: John Libbey, 2006: 13–19. Print.
Richter, Hans. Filmgegner von heute – Filmfreunde von morgen. 1929. Print.
Rosenbaum, Jonathan, ed. Goodbye Cinema, Hello Cinephilia: Film Culture in Transition. Chicago, IL: University of Chicago Press, 2010. Print.
Rosenbaum, Jonathan, ed. and Adrian Martin. Movie Mutations. Letters from (and to) Some Children of the 1960s. London: British Film Institute, 2003. Print.
Rotha, Paul. The Film Till Now. A Survey of the Cinema. London: Jonathan Cape, 1930. Print.
Shambu, Girish. The New Cinephilia. Montréal: Caboose, 2014. Print.
Thompson, Anne. „The Auteurs Is Now Mubi. “Indiewire 13 May 2010. Print.
Tryon, Chuck. On-demand Culture. Digital Delivery and the Future of Movies. New Brunswick, NJ: Rutgers University Press, 2013. Print.
Tryon, Chuck. Reinventing Cinema. Movies in the Age of Media Convergence. New Brunswick, NJ: Rutgers University Press, 2009. Print.
Valck, Marijke de, and MalteHagener, eds. Cinephilia. Movies, Love, and Memory. Amsterdam: Amsterdam University Press, 2005. Print.
Willemen, Paul. “Photogénie and Epstein.” Looks and Frictions. Essays in Cultural Studies and Film Theory. London: British Film Institute 1994a: 124–133. Print.
Willemen, Paul. “Through the Glass Darkly: Cinephilia Reconsidered.” Looks and Frictions. Essays in Cultural Studies and Film Theory. London: British Film Institute 1994b: 223–257. Print.
Williams, Raymond. Television.Technology and Cultural Form. New York: Schocken, 1975. Print.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Copyright information
© 2016 The Author(s)
About this chapter
Cite this chapter
Hagener, M. (2016). Cinephilia and Film Culture in the Age of Digital Networks. In: Hagener, M., Hediger, V., Strohmaier, A. (eds) The State of Post-Cinema. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-52939-8_11
Download citation
DOI: https://doi.org/10.1057/978-1-137-52939-8_11
Published:
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-137-52938-1
Online ISBN: 978-1-137-52939-8
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)