Abstract
Academics know how to judge a film’s success or failure as a work of art, but how would we judge its success or failure as a piece of entertainment? Using the case study of Alfred Hitchcock’s Dial M for Murder (1954) this chapter shows that film is great entertainment because no important character or story beat is missing, it is packed with such beats, and it has plenty of satisfying twists. It promotes strong emotional reactions: a continual interplay of suspense, despair and elation. It has an ending that is both happy and satisfying. And it is fun – particularly in its performances. It is important to take Hitchcock seriously as an entertainer – this chapter demonstrates how to value his films for that reason.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Similar content being viewed by others
References
Barthes, R. (1974) S/Z, Hill and Wang: New York.
Bordwell, D., Staiger, J., and Thompson, K. (1988) The Classical Hollywood Cinema: Film Style & Mode of Production to 1960, Routledge: London.
Buscombe, E. (1981 [1973]) ‘Ideas of Authorship’, in (ed.) Caughie, J., Theories of Authorship, Routledge, in association with the British Film Institute: London and New York, pp. 22–34.
Caughie, J. (1981a) ‘Introduction’, in (ed.) Caughie, J., Theories of Authorship, Routledge, in Association with the British Film Institute: London and New York, pp. 9–16.
Caughie, J. (ed.) (1981b) Theories of Authorship, Routledge, in association with the British Film Institute: London and New York.
Dyer, R. (1973) Light Entertainment, BFI: London.
Dyer, R. (1994) ‘Idol Thoughts: Orgasm and Self-Reflexivity in Gay Pornography’, Critical Quarterly, Vol. 36, no. 1, pp. 49–62.
Dyer, R. (2002) Only Entertainment (2nd ed.), Routledge: London and New York.
Erikson, H. (undated) ‘Dial M for Murder’, Rotten Tomatoes, http://www.rottentomatoes.com/m/dial_m_for_murder/.
Flitterman, S. (1981[1978]) ‘Women, Desire and the Look: Feminism and the Enunciative Apparatus in the Cinema’, in (ed.) Caughie, J., Theories of Authorship, Routledge, in association with the British Film Institute: London and New York, pp. 242–250.
Gordon, P (2008) Dial M for Mother: A Freudian Hitchcock, Associated University Presses: Cranbury, NJ.
Hall, S. (2004) ‘Dial M for Murder’, Film History, Vol. 16, no. 3, pp. 243–255.
Leitch, T., and Poague, L. (eds.) (2011a) A Companion to Alfred Hitchcock, Wiley Blackwell: Malden, MA and Oxford.
Leitch, T., and Poague, L. (2011b) ‘Introduction’, in (eds.) Leitch, T. and Poague, L., A Companion to Alfred Hitchcock, Wiley Blackwell: Malden, MA and Oxford, pp. 1–8.
Mackie, D. (2012) ‘Nine Reasons to Watch “Dial M for Murder”’, KCET TV Talk, 24 August, http://www.kcet.org/shows/tvtalk/tv-news/nine-reasons-to-watch-dial-m-for-murder.html.
McKee, A. (2012) ‘The Aesthetic System of Entertainment’, in (eds.) McKee, A., Collis, C., and Hamley, B., Entertainment Industries: Entertainment as a Cultural System, Routledge: London, pp. 9–19.
McKee, A. (2016) FUN! What entertainment tells us about living a good life, Palgrave Macmillan: London
McKee, A., Collis, C., and Hamley, B. (eds.) (2012) Entertainment Industries: Entertainment as a Cultural System, Routledge: London.
Rebello, S. (1998) Alfred Hitchcock and the Making of Psycho, Marion Boyars: London and New York.
Rohmer, E. (1981 [1954]) ‘Extract from ‘a Qui La Faute?’, in (ed.) Caughie, J., Theories of Authorship, Routledge, in association with the British Film Institute: London and New York, pp. 40–42.
Stafford, J. (2014) ‘Dial M for Murder’, Turner Classic Movies, http://www.tcm.com/this-month/article/386348%7C18624/Dial-M-for-Murder.html.
Turnbull, S. (2012) ‘Crime as Entertainment: The Case of TV Crime Drama’, in (eds.) McKee, A., Collis, C., and Hamley, B., Entertainment Industries: Entertainment as a Cultural System, Routledge: London and New York, pp. 21–30.
Wollen, P. (1981[1969]) ‘The Auteur Theory (Extract)’, in (ed.) Caughie, J., Theories of Authorship, Routledge, in association with the British Film Institute: London and New York, pp. 138–151.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Copyright information
© 2017 The Author(s)
About this chapter
Cite this chapter
McKee, A. (2017). Why I Wasn’t Interested in Hitchcock Until I Turned 40: Valuing Films as Entertainment. In: Harrington, S. (eds) Entertainment Values. Palgrave Entertainment Industries. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-47290-8_14
Download citation
DOI: https://doi.org/10.1057/978-1-137-47290-8_14
Published:
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-137-47289-2
Online ISBN: 978-1-137-47290-8
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)