Skip to main content

Cultural Diplomacy and the Orange Economy in Africa: A Case Study of Nollywood

  • Chapter
  • First Online:
Re-centering Cultural Performance and Orange Economy in Post-colonial Africa
  • 186 Accesses

Abstract

The slave trade and colonialism left Africa with permanent legacy of economic upheaval and political instability. The continent is the most vulnerable as the world grapples with climate change, heightened insecurity, and technological advances. As a challenge to state-centric theories, culture and identity have a significant role to play in diplomacy and awareness creation in expanding the orange economy. This is anchored on cultural diplomacy that influences audiences for the purpose of attraction and the advancement of political and economic interests in the contemporary global political economy. Economies that have the capacity to commoditize culture take the lead in a knowledge-based race, where talent and creativity are the leading impetus. The changing nature of the global economy has highlighted the importance of creativity in wealth generation and job security. This chapter examines how cultural diplomacy and the orange economy enhance Africa’s soft power using Nollywood as a case study. It utilizes secondary data and the lens of constructivism to situate the argument that cultural diplomacy promotes the orange economy. We argue that, while Nollywood is a veritable tool for cultural diplomacy, copyright infringement, inadequate infrastructure, unrefined content, and poor funding inhibit its potential to support soft power.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Subscribe and save

Springer+ Basic
$34.99 /Month
  • Get 10 units per month
  • Download Article/Chapter or eBook
  • 1 Unit = 1 Article or 1 Chapter
  • Cancel anytime
Subscribe now

Buy Now

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 84.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 109.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 109.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Similar content being viewed by others

References

  • Abdullahi, D. (2015). Teaching and old dog a new trick: Reviewing government’s interventions in the Nollywood industry. Being a Paper Presented at the Annual International Conference of the Society of Nigerian Theatre Artists (SONTA), holding from the 3–6 August, 2015, at The Shehu Musa Yar’adua Centre, Abuja.

    Google Scholar 

  • Anaemene B. U. (2015.) Cultural imperatives in foreign policy: The case of Nigeria. In K. Nwoko & O. Osiki (Eds.), Dynamics of culture and tourism in Africa: Perspectives on Africa’s development in the 21st century. Babcock University Press.

    Google Scholar 

  • Anyanwu C. (2019). Nigeria’s cultural policy and the needs of the performing arts. International Review of Humanities Studies. 4(2), 717–727. https://www.researchgate.net/publicatoin/334778866

  • Ayakoroma, F. (2014). Trends in nollywood. A study of selected genres.

    Google Scholar 

  • Azuah. U. (2008). The lenght of light. VDM verlag book. ISBN 10: 369106245.

    Google Scholar 

  • Benavente, J. M & Grazzi, M. (2017). Public policies for creativity and innovation: Promoting the Orange Economy in Latin America and the Caribbean. Inter-American Development Bank. https://publications.iadb.org/publications/english/document/Public

  • British Council. (2019). Developing creative economics in ODA Countries. Overview Report. Tom Fleming/Creative Consultancy. http//www.britishcouncil.com

  • Brown, C., & Ainley, K. (2005). Understanding international relations. Palgrave Macmillan.

    Google Scholar 

  • Constitution of the Federal Republic of Nigeria. (1999). Federal Government Press.

    Google Scholar 

  • Cummings, M. C. (2003). Cultural Diplomacy and the United States Government: A Survey. Center for arts and culture.

    Google Scholar 

  • Cummings, M. C. (2009). Cultural diplomacy and the United States government: A survey. http://www.americanforthearts.org

  • Durkin, A. (2020). The orange economy: Where creativity is an economic asset. https://globaltrademag.com

  • Essien, M. (2020). Nollywood: A brief history of Nigerian cinema. www.curiosityshots.com/Nollywood-a-brief-history.

    Google Scholar 

  • Euphemia, A. C., Ben, O. I., & Unekwu, O. E. (2015). The representation of Nigeria indigenous culture in nollywood. Journal of Scientific Research and Reports, 97–107. https://doi.org/10.9734/JSRR/2015/15596

  • Federal Republic of Nigeria. (1988). Cultural policy for Nigeria. Federal Government Printers.

    Google Scholar 

  • Gasca and Luzardo. (2018). Launching an orange future. Inter-American Development Bank Publication. http://www.creativecommons.org/licences/by-nc- nd/3.0/igo/legalcode

  • Gienow-Hecht & Donfried (Eds.). (2010). Searching for a cultural diplomacy. Berghahn Books.

    Google Scholar 

  • Giwa, E. T. (2014). Nollywood: A case study of the rising Nigerian film industry—Content & production. Research Papers. Paper 518. http://opensiuc.lib.siu.edu/gs_rp/518

  • Gumbi, K. S. (2015). The role of cultural diplomacy in promoting Nigerians National Image in the Common Wealth. International Symposium on Cultural Diplomacy Organised by the Institute of Cultural Diplomacy, July 22–24th 2015, London. https://www.academia.edu/19334107

  • Ibagere, E. (2015). Globalization and nollywood: Carving a niche on the global plane. International Journal of Africa Society, Cultures and Tradition. European Centre for Training and Development Cullingham Kent, UK

    Google Scholar 

  • Jones, S. (2019). Understanding soft power in US foreign policy. https://www.thoughtsco.com

  • Kang, H. (2013). Reframing cultural diplomacy: International Cultural Politics of Soft Power and the Creative Economy. Culture, Media & Creative Industries, King’s College London. https://www.culturaldiplomacy.org

  • Nigerian Copyright Commission. (2004). Copyright Act. CAP C28, Laws of Federation of Nigeria and Subsidiary Legislations.

    Google Scholar 

  • Nigerian Copyright Commssion. (2008). Survey of copyright piracy in Nigeria. Management Review Limited, Lagos.

    Google Scholar 

  • Nwogu, M. I. O. (2014). The challenges of the Nigerian copyright commission (NCC) in the fight against copyright piracy in Nigeria. Global Journal of Politics and Law Research, 2(5), 22–34.

    Google Scholar 

  • Nye, J. S. (2006). Think again: Soft power. https://www.foriegnpolicy.com

  • Ogunnubi, O., & Isike, C. (2015). Regional hegemonic contention and the asymmetry of soft power: A Comparative Analysis of South Africa and Nigeria. Strategic Review for Southern Africa, 37(1), 152–177.

    Google Scholar 

  • Omanufeme. S. (2016, June). Nigeria’s film industry is taking off. Finance & Development, 53(2).

    Google Scholar 

  • Pajtinka, E. (2014). Cultural diplomacy in theory and practice of contemporary international relations. https://www.researchgate.net/publication/269763112/

  • PWC’s Global Entertainment & Media Outlook (2017–2021). https://www.pwc.com

  • Raimzhanova, A. (2015). Power in IR: Hard, soft, and smart. Institute for Cultural Diplomacy and the University of Bucharest https://www.culturaldiplomacy.org

  • Samuel, E. & Chimeziem, G. (2009). Towards the implementation of the Nigerian cultural policy for the promotion of culture in Nigeria. African Journal Online, 3(1). https://www.ajol.info/index.php/cajtms/article/view/76597

  • Society of Nigeria Theatre Artists (SONTA). (2015). Remark by Nkechi Ejele, Permanent Secretary, Federal Ministry of Culture Tourism and National Oreintation, at Repositioning Nollywood for the promotion of Nigeria's cultural diplomacy & national security: Proceedings of the 28th Annual International Conference of the Society of Nigeria Theatre Artists (SONTA), from 3rd–6th August, 2015, at the Shehu Musa Yar'Adua Centre, Abuja. Available at https://nico.gov.ng/2015/08/07/remarks-by-nkechi-ejele-permanent-secretary-federal-ministry-of-tourism-cultureand-national-orientation-on-the-occasion-of-the-opening-ceremony-of-the-28th-edition-of-the-sonta-internationalconferen/

  • Sotubo, E. C. U. & Chidozie, F. C. (2014), Cultural diplomacy and national development: A study of the Nigerian entertainment industry. An International Journal of Arts and Humanities, 3 (2). https://doi.org/10.4314/ijah.v3i2.5

  • Stelowska, D. (2015). Culture in international relations. Defining cultural diplomacy. Polish Journal of Political Science, 1(3), 50–72.

    Google Scholar 

  • Timothy-Asobele, S. J. (2002) Nigerian cultural diplomacy in the 20th Century. Lagos PromoComms Limited.

    Google Scholar 

  • UNCTAD. (2008). Creative economy report. http://www.unctad.org/creative-economy

  • Wang and Lu (2008). The conception of soft power and its policy implications: A comparative study of China and Taiwan. Journal of Contemporary China, 1750 425–447. https://doi.org/10.1080/10670560802000191

  • Official Website of Federal Minisrty of Information and Culture, Nigeria. (2020). www.fmic.gov.ng.

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Ishaq Saidu .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2022 The Author(s), under exclusive license to Springer Nature Singapore Pte Ltd.

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Adoke, K., Saidu, I. (2022). Cultural Diplomacy and the Orange Economy in Africa: A Case Study of Nollywood. In: Afolabi, T., Ogunnubi, O., Ukuma, S.T. (eds) Re-centering Cultural Performance and Orange Economy in Post-colonial Africa. Palgrave Macmillan, Singapore. https://doi.org/10.1007/978-981-19-0641-1_8

Download citation

Publish with us

Policies and ethics