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The Bows of China

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Chinese Archery Studies

Part of the book series: Martial Studies ((MS,volume 1))

Abstract

This article provides a brief survey of the main styles of bows that historically have been in fashion in the area now covered by the People’s Republic of China. The survey draws on surviving bows, archaeological evidence as well as literary and graphic sources. The survey must of necessity be regarded as incomplete, given the period of roughly 3000 years that it covers, the vast area, and cultural diversity of the peoples who occupied it. Furthermore, the archaeological evidence is fragmentary and can be open to different interpretations. Bows and related sources that are available for study suggest that the great majority in the northern regions were made of wood or bamboo supplemented by horn and sinew; however, that was not universally the case—especially in the more humid southern regions.

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Notes

  1. 1.

    For an excellent survey of the relationship between “China” and her neighbors in pre-Han times, see Nicola Di Cosmo, Ancient China and Its Enemies (Cambridge: Cambridge University Press 2002).

  2. 2.

    “Central States” were those states (largely governed by members of the extended family of the Zhou rulers) that succeeded the state of Zhou after about 700 BCE. They were in turn gradually joined by voluntary tributary states such as Wu, Yue and Chu.

  3. 3.

    For beautiful illustrations and a description of these contacts, see Jenny F. So and Emma C. Bunker, Traders and Raiders on China’s Northern Frontier (Washington DC: Smithsonian Institution 1995).

  4. 4.

    The description of the contents of the coffin from grave #4 at Cemetery #95 at Niya was published in Wang Binghua, “Niya 95 yihao mudi 3 haomu fajüe baogao [Excavation report on the no.3 tomb, no.1 tomb site, Niya 95],” in Xinjiang wenwu [Xinjiang cultural relics], issue no. 2 (Urumqi: Xinjiang weiwu’er zizhiqu wenhuating and bowuguan 1999b), 27. There is some further comment in Wang Binghua, eds., Xinjiang gu shi: Gudai Xinjiang jumin ji qi wenhua [The ancient corpses of Xinjiang: The peoples of ancient Xinjiang and their culture] (Urumqi: Xinjiang People's Press 2002). Further background information and illustrations is provided in Liu Wei, ed., Zhonghua wenming chuanzhen [Chinese civilization in a new light], vol. 4 (Hong Kong: Commercial Press 2001).

  5. 5.

    There is a photograph of Marc Aurel Stein squatting in one of his “excavations” with one of these bows cast casually to one side in his book Marc Aurel Stein, On ancient Central Asian tracks: brief narrative of three expeditions in innermost Asia and Northwestern China, vol. 1 (London: Macmillan, 1933).

  6. 6.

    “Five stars” refers to the main visible astral bodies in the Han period. Their alignment was thought to portend auspicious political change. Sima Qian: “When the Five Planets are disposed in mid-heaven and gather in the east, China benefits, when they gather in the west, foreign kingdoms using weapons gain.” See also David W. Pankenier, Astrology and Cosmology in Early China (Cambridge: Cambridge University Press, 2013), 308.

  7. 7.

    The bow and quiver are on display at the Turfan Museum.

  8. 8.

    For example, see “The Horn Bow” in the “Xiaoya” section of the Book of Songs.

  9. 9.

    Chinese archaeologists have adopted a term “bow tip” to describe bronze objects that were made for attaching to the tips of the spokes of umbrellas that were used as parasols on chariots.

  10. 10.

    The Koreans strongly assert that their traditional bows are indigenous. See the chapter by Ki-hoon Kim in this volume.

  11. 11.

    A number of museums in China display Qing bows erroneously labelled as being from the Ming or even Tang dynasties.

  12. 12.

    It is likely that there were specialized bows at earlier times; but details of them have not yet come to light.

  13. 13.

    Tradition has it that two different styles of bow were made in the northern part of China and Central China. Northern bows (bei gong) had cores made of bamboo. Their limbs were narrower, and they were wrapped with birch bark but not lacquered. Southern bows (nan gong) had relatively broader limbs, shorter siyahs and were heavily lacquered to resist moisture.

  14. 14.

    “Secret” makers’ marks were sometimes added in the form of a simple pattern in peach bark on the side of the string bridges.

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Selby, S. (2023). The Bows of China. In: Chao, H., Ma, L., Kim, L. (eds) Chinese Archery Studies. Martial Studies, vol 1. Springer, Singapore. https://doi.org/10.1007/978-981-16-8321-3_3

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