Abstract
Aesthetics is a branch of philosophy that is concerned with the analysis of concepts and the solutions of problems that arise when one contemplates on aesthetic objects. According to Imam Al- Ghazalli, aesthetic is considered as a beauty, “Allah is beautiful and He loves beauty”. Furthermore, aesthetic values can be seen through many perspectives particularly in visual artworks. In Malaysia, the Malay identification was neglected in the development of Malaysian art. The lack of Malaysian identity in the early establishment of Malaysia can be seen in the field of Malaysian modern arts. The certain groups of Malaysian artist nowadays tend to discuss their artworks based on the reflection from the current and social issue that viewed the impact and problems. This research seeks to investigate the characteristics of Malay aesthetic that embedded into contemporary visual artworks in Malaysia. Then, to classify and analyze the various samples of artworks that can be traced with Malay aesthetic concept. The methods in this study are based on the gathered data analysis from the previous and current studies and interlinked it to the visual artworks. Indeed, the outcome of this study, the artworks which have a characteristic of Malay aesthetic can sustain the uniqueness of Malay art in Malaysia, to document the artworks for the future reference.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Similar content being viewed by others
References
Abdullah, S. (2013). Artis-artis melayu dan situasi pascamoden: pendekatan-pendekatan bertema semenjak 1990-an.
Abdullah Mohamed, (1978). Falsafah dan pemikiran orang-orang melayu: hubungan dengan islam dan kesenian. Kuala Lumpur: Penerbitan Kementerian Kebudayaan, Belia dan Sukan Malaysia.
Aesthetics: Principles concerning beauty, art and taste. Questions about the nature of art; in modern aesthetics the idea that beauty is in some sense in the eye of the beholder (Housen, 2001).
Braginsky, V. I. (1991). Erti keindahan dalam kesusteraan melayu (The Meaning of Beauty in malay Literature). Dewan Sastera.
Chick, A. & Micklethwaite, P. (2011). Media of design for sustainable change: how design and designers can drive the sustainability agenda. AVA Publishing.
Haron, H., Noh, L. M. M., Ismail, N. H., Manan, S. A., & Mutalib, N. A. (2014). Aesthetic aspects of moulded clay pitcher. Middle-East Journal of Scientific Research, 21(8), 1264–1275.
Idris, N. (2013). Aspects of Malay aesthetics in Syed Ahmad Jamal artworks.
Ismail, T. (2008). Mengakar ke bumi menggapai ke langit jilid 3: himpunan tulisan 1960–2008. Jakarta: Majalah Sastra Horizon.
Jamal, S. A. (1978). A painting: Gunung ledang. Art Collection of National Art Gallery.
Jamal, S. A. (1982). A painting: Sirih pinang. Art Collection of National Art Gallery.
Jamal, S. A. (1992). Rupa dan Jiwa. Kuala Lumpur: Dewan Bahasa dan Pustaka.
Jamal, S. A. (1998). A painting: Bumi dan langit I. Art Collection of National Art Gallery.
Khairi, H. B., & Wollmering, D. (2012). A studio research project: Malay celebration as a cultural expression in creating sculpture utilizing an up-cycle approach (Doctoral dissertation, Monash University. Faculty of Art and Design. Department of Fine Art).
Legino, R. (2012). Malaysian batik sarongs: A study of tradition and change (Doctoral dissertation, RMIT University).
Mahmood, M. (2001). Seni Lukis Moden Malaysia: Era Perintis Hingga Pluralis (1939–1990). Kuala Lumpur: Utusan Publication.
Maruto, D. (2015). KAJIAN ETIKA, ETIS DAN ESTETIKA DALAM KARYA SENI RUPA. IMAJI, 12(1).
Noh, L. M. M., Haron, H., Samian, A. L., & Hasan, A. (2015).Formalistic as an analysis method in signifying the malay cultural symbol in Malaysian modern art of paintings. Mediterranean Journal of Social Sciences, 6(4 S2), 30.
Ruzaika Omar Basaree. (2015). Kesenian Islam. Suatu Perspektif Malaysia. Kuala Lumpur: Balai Seni Lukis Negara.
Syed Ahmad Jamal. (1997). Rupa dan Jiwa. Kuala Lumpur: Penerbit Universiti Malaya.
Tohid, S., Legino, R., Basaree, R. O., Amin, P., & Amin, R. (2015). Classification design motifs of traditional malay wood carving. In Proceedings of the International Symposium on Research of Arts, Design and Humanities (ISRADH 2014) (pp. 55–63). Singapore: Springer.
Yatim, O. (2000). Mengukir kegemilangan lalu, biografi wan su othman, penerima anugerah seni negara, 1997. Kuala Lumpur: Kementerian Kebudayaan, Kesenian dan Pelancongan.
Yusof, N. A., Haron, H., & Mutalib, N. A. (2014). Malacca Mosque: The aesthetics of old mosques in Malaysia. Mediterranean Journal of Social Sciences, 5(27P3), 1342.
Acknowledgements
The authors would like to acknowledge UiTM and the people who has been helping throughout this research study. Special thanks go to National Visual Art Gallery, National Archive, Gallery Shah Alam, Terengganu Museum, and other private gallery.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2018 Springer Nature Singapore Pte Ltd.
About this paper
Cite this paper
Hassan, N.A., Amin, P., Tohid, M.S. (2018). Identification of Malay Aesthetic Concept in Visual Artworks. In: Anwar, R., Mahamood, M., Md. Zain, D., Abd Aziz, M., Hassan, O., Abidin, S. (eds) Proceedings of the Art and Design International Conference (AnDIC 2016). Springer, Singapore. https://doi.org/10.1007/978-981-13-0487-3_41
Download citation
DOI: https://doi.org/10.1007/978-981-13-0487-3_41
Published:
Publisher Name: Springer, Singapore
Print ISBN: 978-981-13-0486-6
Online ISBN: 978-981-13-0487-3
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)