Skip to main content
SpringerLink
Log in

Stilvarianten – Ästhetische Differenzen und Gemeinsamkeiten in nationalen Adaptionen von Yo soy Betty, la fea

  • Chapter
  • First Online:
Transnationale Serienkultur

Part of the book series: Film, Fernsehen, Medienkultur ((FFM))

Zusammenfassung

Die globale Fernsehlandschaft ist in der ersten Dekade des 21. Jahrhunderts zu einem komplexen Phänomen mit widersprüchlichen Entwicklungen und Trends geworden. Seit den Anfangstagen des Fernsehens waren die USA der wichtigste Exporteur von Fernsehserien und Gameshows. Aber die Zeiten haben sich geändert.

Die Autoren bedanken sich bei Hugh O’Donnell und Yulia Yurtaeva für die Kopie und die Übersetzung der russischen Adaption.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Log in via an institution

Subscribe and save

Springer+ Basic
$34.99 /Month
  • Get 10 units per month
  • Download Article/Chapter or eBook
  • 1 Unit = 1 Article or 1 Chapter
  • Cancel anytime
Subscribe now

Buy Now

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 49.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 49.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Similar content being viewed by others

Literatur

  • Akass, Kim/McCabe, Janet (2007): Not So Ugly: Local Production, Global Franchise, Discursive Femininities, and the Ugly Bett y Phenomenon. In: Flow, 5(7), 26.01.2007; http://flowtv.org (Abruf: 21.01.2008)

  • Allen, Robert C. (Hrsg.) (2005): To Be Continued … Soap Operas Around the World, London/New York: Routledge

    Google Scholar 

  • Alvarado, Maria Teresa (2006): Big Love, Big Business. In: Worldscreen.com, Juni 2006; http://worldscreen.com/print.php?filename = novelas0606.htm (Abruf: 15.01.2008)

  • Anderson, Benedict (1983): Imagined Communities. Refl ections on the Origin and Spread of Nationalism. London: Verso

    Google Scholar 

  • Antola, Livia/Rogers, Everett M. (1984): Television Flows in Latin America. In: Communication Research, 30 (1), 3–24

    Google Scholar 

  • Armbruster, Stefanie/Mikos, Lothar (2009): Innovation im Fernsehen am Beispiel von Quizshow-Formaten. Konstanz: UVK

    Google Scholar 

  • Baldwin, Kate (2005): Montezuma’s Revenge: Reading Los Ricos También Lloran in Russia. In: Allen (2005): 285–300

    Google Scholar 

  • Bielby, Denise D./Harrington, C. Lee (2005): Opening America? The Telenovelaization of US Soap Operas. In: Television & New Media, 6 (4), 383–399

    Article  Google Scholar 

  • Bielby, Denise D./Harrington, C. Lee (2008): Global TV. Exporting Television and Culture in the World Market. New York/London: New York University Press

    Google Scholar 

  • Bordwell, David/Thompson, Kristin (1993): Film Art. An Introduction. New York: McGrawHill (4. Aufl age)

    Google Scholar 

  • Bourdieu, Pierre (1984) Die feinen Unterschiede. Kritik der gesellschaftlichen Urteilskraft. Frankfurt a. M.: Suhrkamp (3. Aufl age)

    Google Scholar 

  • Cantor, Muriel G./Pingree, Suzanne (1983): The Soap Opera. Beverly Hills, CA: Sage

    Google Scholar 

  • Casett i, Francesco (1998): Inside the Gaze: The Fiction Film and Its Spectator. Bloomington, IND: Indiana University Press

    Google Scholar 

  • De La Fuente, Anna Marie (2006): Ugly Betty grows into swan around globe. In: Variety, 05.02.2006; http://www.variety.com/article/VR1117937365?refCatId = 14 (Abruf: 29.07.2012)

  • Havens, Timothy (2006): Global Television Marketplace. London: BFI

    Google Scholar 

  • Hills, Matt (2002): Fan Cultures. London/New York: Routledge

    Google Scholar 

  • Hofstede, Geert (1991): Culture’s Consequences: Software of the Mind. London/New York: McGrawHill

    Google Scholar 

  • Hoskins, Colin/Mirus, Rolf (1988): Reasons for the US dominance of the International Trade in Television Programmes. In: Media, Culture & Society, 10 (4), 499–504

    Article  Google Scholar 

  • Hutcheon, Linda (2006): A Theory of Adaptation. New York/London: Routledge

    Google Scholar 

  • Jenks, Chris (2005): Subculture. The Fragmentation of the Social. London: Sage

    Google Scholar 

  • Keane, Michael/ Fung, Anthony, Y.H./Moran, Albert (2007): New Television, Globalisation, and the East Asian Cultural Imaginatio. Hong Kong: Hong Kong University Press

    Google Scholar 

  • Kilborn, Richard (2003): Staging the Real. Factual TV Programming in the Age of Big Brother. Manchester: Manchester University Press

    Google Scholar 

  • La Pastina, Antonio C/Straubhaar, Joseph D. (2005): Multiple Proximities between Television Genres and Audiences: The Schism between Telenovelas’ Global Distribution and Local Consumption. In: International Communication Gazette, 67 (3), 271–288

    Article  Google Scholar 

  • Lippert, Bianca (2011): Telenovela Formats. Localized Versions of a Universal Love. Gött ingen: Sierke

    Google Scholar 

  • Lopez, Ana M. (1995): Our Welcomed Guests: Telenovelas in Latin America. In: Allen (2005): 256–275

    Google Scholar 

  • Martín-Barbero, Jesús (2005): Memory and Form in the Latin American Soap Opera. In: Allen (2005): 276–284

    Google Scholar 

  • Mathijs, Ernest/Jones, Janet (Hrsg.) (2004): Big Brother International. Formats, Critics, and Publics. London: Wallfl ower

    Google Scholar 

  • Mikos, Lothar (2008): Film- und Fernsehanalyse. Konstanz: UVK (2. Aufl.)

    Google Scholar 

  • Mikos, Lothar / Töpper, Claudia (2006): Medienumgang und Medienvorlieben in bildungsfernen Milieus. Unveröff entlichter Forschungsbericht

    Google Scholar 

  • Mikos, Lothar/Haible, Evelin/ Töpper, Claudia/Verspohl, Lars (2001): Big Brother als globales Fernsehformat. Ein Vergleich länderspezifi scher Inszenierungen. In: Medien Praktisch Texte, 4, 57–64

    Google Scholar 

  • Moran, Albert (1998): Copycat TV. Globalization, Program Formats and Cultural Identity. Luton: University of Luton Press

    Google Scholar 

  • Moran, Albert (2009): New Flows in Global TV. Bristol: Intellect

    Google Scholar 

  • Moran, Albert/Malbon, Justin (2006): Understanding the Global TV Format. Bristol: Intellect

    Google Scholar 

  • Muggleton, David (2000): Inside Subculture. The Postmodern Meaning of Style. Oxford: Berg

    Google Scholar 

  • Perrotta, Marta (2007): Il format televisivo. Caratt eristiche, circolazione internazionale, usi e abusi. Urbino: Quatt roVenti

    Google Scholar 

  • Sandvoss, Cornel (2005): Fans. The Mirror of Consumption. Cambridge: Polity

    Google Scholar 

  • Savorelli, Antonio (2008): Oltre la sitcom. Indagine sulle nuove forme comiche della televisione americana. Milano: FrancoAngeli

    Google Scholar 

  • Straubhaar, Joseph D. (1991): Beyond Media Imperialism: Asymmetrical Interde pendence and Cultural Proximity. In: Critical Studies in Mass Communication, 8, 39–59

    Article  Google Scholar 

  • Straubhaar, Joseph D. (2007): World Television. From Global to Local. Los Angeles, CA: Sage

    Google Scholar 

  • Thussu, Daya K. (2007): Mapping Global Media Flow and Contra-Flow. In: Thussu (2007): 11–32

    Google Scholar 

  • Trepte, Sabine (2008): Cultural Proximity in TV Entertainment: An Eight-Country Study on the Relationship of Nationality and the Evaluation of US Prime-Time Fiction. In: Communications, 33 (1), 1–25

    Article  Google Scholar 

  • Tufte, Thomas (2000): Living with the Rubbish Queen. Telenovelas, Culture and Modernity in Brazil. Luton: University of Luton Press

    Google Scholar 

  • Thussu, Daya K. (Hrsg.) (2007): Media on the Move. Global Flow and Contra-Flow. London/New York: Routledge

    Google Scholar 

  • Waisbord, Silvio R. (2004): McTV. Understanding the Global Popularity of Television Formats. In: Television & New Media, 5 (4), 359–383

    Article  Google Scholar 

  • Willis, Paul (1990): Common Culture. Symbolic Work at Play in the Everyday Cultures of theYoung. Milton Keynes: Open University Press

    Google Scholar 

  • WorldScreen.com (2007): http://www.worldscreen.com/archivenews4php?filename = disney052107.htm (Abruf: 14.03.2008)

Download references

Author information

Authors and Affiliations

  1. Konrad Wolf, Potsdam-Babelsberg, Deutschland

    Lothar Mikos

  2. Universität Roma Tre, Rom, Italy

    Marta Perrotta

Authors
  1. Lothar Mikos
    View author publications

    You can also search for this author in PubMed Google Scholar

  2. Marta Perrotta
    View author publications

    You can also search for this author in PubMed Google Scholar

Editor information

Editors and Affiliations

  1. Potsdam, Germany

    Susanne Eichner

  2. Hochschule für Film und Fernsehen, Marlene-Dietrich-Allee 11, Potsdam, 14482, Brandenburg, Germany

    Lothar Mikos

  3. Universitätsstr. 65- 67, Klagenfurt, 9020, Austria

    Rainer Winter

Rights and permissions

Reprints and permissions

Copyright information

© 2013 Springer Fachmedien Wiesbaden

About this chapter

Cite this chapter

Mikos, L., Perrotta, M. (2013). Stilvarianten – Ästhetische Differenzen und Gemeinsamkeiten in nationalen Adaptionen von Yo soy Betty, la fea . In: Eichner, S., Mikos, L., Winter, R. (eds) Transnationale Serienkultur. Film, Fernsehen, Medienkultur. Springer VS, Wiesbaden. https://doi.org/10.1007/978-3-531-93465-5_14

Download citation

  • DOI: https://doi.org/10.1007/978-3-531-93465-5_14

  • Published:

  • Publisher Name: Springer VS, Wiesbaden

  • Print ISBN: 978-3-531-17868-4

  • Online ISBN: 978-3-531-93465-5

  • eBook Packages: Humanities, Social Science (German Language)

Publish with us

Policies and ethics

Search

Navigation