Abstract
This chapter will explore the reception of newsreels in various countries. Using contemporary observation studies, oral history testimony, memoirs, works of fiction and poetry, it will construct a complex picture of how newsreels were received and understood, in the contexts of cinema history, news consumption and social history. The newsreel is important in media history in terms of how it represented news choice for audiences. Previously, audiences had gained their news from the one medium, newspapers. The newsreels could never compete with newspapers in terms of a daily service, but by positioning themselves as part of a chain of news provision—by offering moving images of stories that the newspapers had established in the public’s mind as ‘news’—they helped create an understanding of news that was not the product of a publishing organization but rather something that was sought out by, and therefore created by, the audience itself. Thus, the newsreel was an important first step in leading to the multiplicity of news and information sources offered to us in the twenty-first century. Seeing how audiences understood and contextualized newsreels in terms of the information and entertainment worlds about them will help us appreciate the significance of newsreels, and understand the roots of news consumption as it now exists.
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Notes
- 1.
Zweig, S. (trans. A. Bell) (1992) The World of Yesterday. London: Pushkin Press, pp. 232–234. Kaiser Wilhelm II arrived in Vienna on 26 March 1914.
- 2.
Vande Winkel, R. (2006) ‘Newsreel Series: World Overview’, in Aitken, I. (2006) Encyclopedia of the Documentary Film. New York; London: Routledge, pp. 985–986.
- 3.
McKernan, L. (2009) ‘Newsreels: Form and Function’, in Howells, E. & Matson, R.W. (eds.), Using Visual Evidence. Maidenhead: Open University Press, p. 99.
- 4.
See Oremus, W. (2016) Who Controls Your Facebook Feed, Slate, 3 January 2016, http://www.slate.com/articles/technology/cover_story/2016/01/how_facebook_s_news_feed_algorithm_works.html. Tang, M. (2016) I Know You Are And So Am I: The Dangers of Confirmation Bias, Huffington Post, http://www.huffingtonpost.com/michelle-tang/i-know-you-are-and-so-am-_b_12375786.html; Lacy, L. (2017), Why fake news is a bigger problem for Google than Facebook, The Drum, http://www.thedrum.com/news/2017/01/05/why-fake-news-bigger-problem-google-facebook (accessed 9 August 2018).
- 5.
Figures from Jowett, G. (1976) Film: The Democratic Art. Boston; Toronto: Little, Brown and Company, p. 475. 100 Years of Cinema in Europe, http://www.mediasalles.it/ybkcent/ybk95_hi.htm; (accessed 9 August 2018). Baechlin, P. & Muller-Strauss, M. (1952) Newsreels Across the World. Paris: UNESCO, p. 9.
- 6.
See Richards, J. & Sheridan, D. (1987) Mass-Observation at the Movies. London; New York: Routledge & Kegan Paul.
- 7.
The Bioscope, 4 August 1927, p. 20.
- 8.
Hiley , N. (1998) ‘Audiences in the Newsreel Period’, in Jeavons, C. Mercer, L. & Kirchner, D. (ed.) “The Story of the Century!” An International Newsfilm Conference. London: British Universities Film and Video Council, p. 59.
- 9.
Harrisson, T. (1940), Social Research and the Film, Documentary News Letter, 1 (11), p. 11.
- 10.
Young, C. (2005), The Rise and Fall of the News Theatres, Journal of British Cinema and Television, 2 (2), pp. 227–241.
- 11.
Hiley (1998), p. 60. For detailed audience analysis figures, see Mayer, J.P. (1948) British Cinemas and Their Audiences: Sociological Studies. London: Dennis Dobson, pp. 253–274.
- 12.
Kuhn, A. (2002) An Everyday Magic: Cinema and Cultural Memory. London: I.B. Tauris, p. 1.
- 13.
England, L. (1940) Mass-Observation File Report 215: Newsreels (June), 19 June 1940, reproduced at http://bufvc.ac.uk/wp-content/media/2009/06/mo_report_215.pdf. Original file report held at Mass-Observation Archive, University of Sussex. ‘Obs’ means Observer.
- 14.
Day Lewis , C. (1938), ‘Newsreel’, in Overtures to Death, and Other Poems. London: Jonathan Cape, p. 17.
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Sebastian, M. (trans. P. Camiller) (2003, orig. pub. 1996) Journal 1935–1944. London: Pimlico, p. 162.
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Brod , M. (1912), Kinomatograph in Paris, Der Merker 3 (1), pp. 95–98, quoted in part and translated in Zischler, H. (2003) Kafka Goes to the Movies. Chicago; London: University of Chicago Press, pp. 47–51.
- 17.
National Council of Public Morals (ed.) (1917) The Cinema: Its Present Position and Future Possibilities. London: Williams and Norgate, pp. 198–201.
- 18.
M. Crawshaw, quoted in Richards & Sheridan (1987), p. 128. ‘War news’ refers to the Spanish Civil War.
- 19.
O’Toole, P. (1992) Loitering with Intent: The Child. New York: Hyperion, pp. 2–3.
- 20.
Anderson , L. (2009) Postcards from the edge: The untidy realities of working with older cinema audiences, distant memories and newsreels, Participations 6 (2), www.participations.org/Volume%206/Issue%202/special/anderson.htm (accessed 9 August 2018).
- 21.
Melly, G. (1977) Rum, Bum and Concertina. London: Weidenfeld & Nicolson, p. 41.
- 22.
Quoted in Chaplin, M. (2001) Come and See: The Beguiling Story of the Tyneside Cinema. Newcastle upon Tyne: New Writing North/Tyneside Cinema, p. 60.
- 23.
Kuhn (2002), p. 9. Kuhn’s interviewees do not mention newsreels, but they were not the prime subject of her study, which is the memory of feature films within the filmgoing experience.
- 24.
Kuhn (2002), pp. 6–7.
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McKernan, L. (2018). The Newsreel Audience. In: Chambers, C., Jönsson, M., Vande Winkel, R. (eds) Researching Newsreels. Global Cinema. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-91920-1_3
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