Abstract
This chapter discusses the milieu of academic anthologies and the particular concerns that they arise from, and to. It argues that this anthology provides a variety of reports from scholar practitioners that offer a series of views for what interactive documentary practice is, and might be. It argues that for these practitioner scholars the network emerges as a site of practice, and that as a place for making requires different affordances and understandings than that of legacy documentary. It concludes with a series of propositions about the World Wide Web as a socio-technical system that encourages granular, distributed, and relational forms.
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Miles, A. (2018). Thirteen Points of View from Afar. In: Miles, A. (eds) Digital Media and Documentary. Palgrave Pivot, Cham. https://doi.org/10.1007/978-3-319-68643-1_1
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DOI: https://doi.org/10.1007/978-3-319-68643-1_1
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