Skip to main content

The Frozen Ones: Dantean Moments, Characters and Space in the films Aliens, Amelie, Sunset Blvd, Batman and Others

  • Chapter
  • First Online:
Empathetic Space on Screen
  • 50k Accesses

Abstract

This chapter details Dantean characters and spaces, defining them and then tracing their invention to Dante’s Inferno. A Dantean character is someone who has had an experience of high emotional intensity that connects him to a place and time who then perceives the world and behaves as if still partly stuck in that experience. A Dantean space is a subjective narrative space that is both in the present and also in some sense imbued with a past experience so that it reveals the internal emotional struggles, history, and hopes, dreams or fears of the character. An example is Miss Havisham from Great Expectations: brutally betrayed and abandoned as a young woman on her wedding day, for decades she lives in her tattered wedding dress in her dark grand parlor with the table still laden with the rotting wedding feast. Examples of Dantean Space include Aliens, Amelie, Sunset Blvd, and Nolan’s Batman trilogy.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Institutional subscriptions

Similar content being viewed by others

Bibliography

  • Alighieri, Dante. 2006. The Divine Comedy, trans. and ed. Robin Kirkpatrick. London: Penguin.

    Google Scholar 

  • Aristotle. 1986. Poetics, trans. S. Halliwell. Chapel Hill, NC: University of North Carolina Press.

    Google Scholar 

  • Burnett, Francis Hodgson. 1961. The Secret Garden. London: William Heinemann.

    Google Scholar 

  • Camus, Albert. 1991. The Fall. Vintage Books.

    Google Scholar 

  • Creed, Barbara. 1990. Alien and the Monstrous-Feminine. In Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema, ed. Annette Kuhn. London: Verso.

    Google Scholar 

  • D’Adamo, Amedeo. 2013. Dantean Space in the Cities of Cinema. In Media and the City: Urbanism, Technology and Communication, ed. Simone Tosoni, Matteo Tarantino, and Chiara Giaccardi. Newcastle upon Tyne: Cambridge Scholars Press.

    Google Scholar 

  • Dickens, Charles. 2002. Great Expectations. London: Penguin Classics.

    Google Scholar 

  • Dostoevski, Fyodor. 2003. The Brothers Karamazov. London: Penguin Classics.

    Google Scholar 

  • Dostoevski, Fyodor. 2004. The Idiot. London: Penguin Classics.

    Google Scholar 

  • Finger, Bill et al. 1939. “The Batman Wars against the Dirigible of Doom”, Detective Comics, 33 (November 1939), DC Comics.

    Google Scholar 

  • Gardiner, Eileen (ed.). 1989. Visions of Heaven and Hell before Dante. New York: Italica Press.

    Google Scholar 

  • Hauge, Michael. 1991. Writing Screenplays that Sell (reprint). New York: Collins Reference.

    Google Scholar 

  • Lansing, R. (ed.). 2000. The Dante Encyclopedia. New York and London: Garland Publishing.

    Google Scholar 

  • Miller, Frank. 2016. The Dark Knight Returns: 30th Anniversary Edition. DC Comics.

    Google Scholar 

  • Tolkein, J.R.R. 2011. The Hobbit. New York: HarperCollins.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Amedeo D’Adamo .

Rights and permissions

Reprints and permissions

Copyright information

© 2018 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

D’Adamo, A. (2018). The Frozen Ones: Dantean Moments, Characters and Space in the films Aliens, Amelie, Sunset Blvd, Batman and Others. In: Empathetic Space on Screen. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-66772-0_3

Download citation

Publish with us

Policies and ethics