Skip to main content

The Public Artist as a Fringe Agent for Sustainability: Practices of Environmentalist Driven Art-Activism and Their Digital Perspectives

  • Chapter
  • First Online:
The Palgrave Handbook of Digital and Public Humanities

Abstract

The chapter investigates today’s intersection of visual arts and sustainability, which developed thanks to the civic agency of public artists especially concerned with environmental issues. Since its inception, public art operated on the fringe, thus framing a space for new practices and wider audiences. Drawing on an interdisciplinary analysis of the last two decades that shaped sustainable art practices, the chapter explores key concepts, practices, categories, and exemplary artworks that defined public art as a form of activism addressing environmental concerns. The chapter analyzes examples of ecological interventions, community engagement, radical actions, and digital sharing that efficiently addressed environmental concerns. The last section centers on the emblematic exhibition Weather Report (2007) curated by Lucy Lippard in Boulder, Colorado, and on the international network of practitioners gala Green Art Lab Alliance (2012), which employs art projects and digital tools to disseminate an ecological ethos through public art projects. Art activism enabled a decidedly pragmatic and transformative approach, in order to find creative solutions and societal strategies for sustainable development, further adopting digital technologies to offer a platform for promoting practices, exchanging experiences, sharing resources, defining best practices, and building bridges across local perspectives.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Subscribe and save

Springer+ Basic
$34.99 /Month
  • Get 10 units per month
  • Download Article/Chapter or eBook
  • 1 Unit = 1 Article or 1 Chapter
  • Cancel anytime
Subscribe now

Buy Now

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 189.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 249.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Similar content being viewed by others

References

  • Baker, Elizabeth C. (1976 [1983]). “Artworks on the Land” in Art in America 64; reprinted in Art in the Land: A Critical Anthology of Environmental Art, edited by Alan Sonfist, 73–84. New York: Dutton.

    Google Scholar 

  • Baker, George, Rosaline Krauss, Benjamin Buchloh, Andrea Fraser, David Joselit, James Meyer, Robert Storr, Hal Foster, John Miller, and Helen Molesworth. 2002. “Round Table: The Present Conditions of Art Criticism.” October 100, Issue: Obsolescence (Spring): 200–28.

    Google Scholar 

  • Barea, Francesca. 2021. “Half-Way Between Public and Sustainable.” In Waste Matters, edited by Francesca Barea, Anna Bonfante, and Diego Mantoan. Venice: Edizioni Ca’ Foscari: 31–44.

    Google Scholar 

  • Bayon, Damian. 1972. “Les arts plastique.” La Nouvelle Revue Des Deux Mondes (Regards sur l’Amérique Latin I): 346–50.

    Google Scholar 

  • Becker, Howard. 2008. Art Worlds. London: University of California Press.

    Google Scholar 

  • Bendor, Roy, David Maggs, Rachel Peake, John Robinson, and Steve Williams. 2017. “The Imaginary Worlds of Sustainability.” Ecology and Society 22 (2). https://doi.org/10.5751/ES-09240-220217.

  • Blanc, Nathalie, and Barbara L. Benish. 2018. Form, Art and the Environment. London: Routledge.

    Google Scholar 

  • Boettger, Suzanne. 2008. “Global Warnings.” Art in America (June/July): 154–61.

    Google Scholar 

  • Bois, Yve-Alain, Benjamin H. D. Buchloh, David Joselit, Hal Foster, and Rosalind Krauss. 2016. Art Since 1900: Modernism Antimodernism Postmodernism. London: Thames & Hudson.

    Google Scholar 

  • Braddock, Alan C., and Renée Ater. 2014. “Art in the Anthropocene.” American Art 28 (3) (Fall): 2–8.

    Google Scholar 

  • Braden, Sue. 1978. Artists and People. London: Routledge & Kegan Paul.

    Google Scholar 

  • Carlson, Allen 1986. “Is Environmental Art an Aesthetic Affront to Nature?” Canadian Journal of Philosophy 16 (4) (December): 635–50.

    Google Scholar 

  • Cartiere, Cameron, and Martin Zebracki, eds. 2015. The Everyday Practice of Public Art. London: Routledge.

    Google Scholar 

  • Connelly, Angela, Simon C. Guy, Edward Wainwright, Wolfgang Weileder, and Marianne Wilde. 2016. “Catalyst Reimagining Sustainability with and Through Fine Art.” Ecology and Society 21 (4). https://doi.org/10.5751/ES-08717-210421.

  • Crickmay, Chris. 2003. “Art and Social Context.” Journal of Visual Art Practice 2 (3): 119–33.

    Article  Google Scholar 

  • Crimp, Douglas. 1993. On the Museum’s Ruins. Cambridge: MIT Press.

    Google Scholar 

  • Demos, T. J. 2013. “Contemporary Art and the Politics of Ecology.” Third Text 27 (120): 1–9.

    Article  Google Scholar 

  • Demos, T. J., Emily Eliza Scott, and Subhankar Banerjee, eds. 2021. The Routledge Companion to Contemporary Art, Visual Culture, and Climate Change. London: Routledge.

    Google Scholar 

  • Deutsche, Rosalyn. 1992. “Tilted Arc and the Uses of Public Spaces.” Design Book Review 23 (Winter): 22–27.

    Google Scholar 

  • Dunaway, Finis. 2009. “Seeing Global Warming.” Environmental History 14 (1): 9–31.

    Article  Google Scholar 

  • Forrest, William, James M.Kaplan, and Noah Kindler. 2008. “Data Centers: How to Cut Carbon Emissions and Costs.” POV McKinsey Report, 1–10. McKinsey & Company.

    Google Scholar 

  • Fowkes, Reuben, and Maja Fowkes. 2006. “The Principles of Sustainabilty in Contemporary Art.” Praesens: Contemporary Central European Art Review 1: 5–11.

    Google Scholar 

  • Garrett-Jones, Megan. 2012. “Slow Cycle, The Evolution of Coin Operated Wetland.” Runway 21 (March): 20–25.

    Google Scholar 

  • Giannitelli, Tiziana. 2021. “Earth Speakr, l’App che dà voce ai più piccoli contro i cambiamenti climatici.” Matis Magazine (April 2). Accessed July 14, 2021. https://metismagazine.com/2021/04/02/earth-speakr-lapp-che-da-voce-ai-piu-giovani-contro-i-cambiamenti-climatici/.

  • Haderer, Karoline. 2010. “Der Treibhauseffekt.” Denkanstösse Magazin 3: 50–56.

    Google Scholar 

  • Habermas, Jürgen. 1989. “Justice and Solidarity: On the Discussion Concerning ‘Stage 6’.” Philosophical Forum 21 (1–2): 32–48.

    Google Scholar 

  • Harding, David. 1995. “Another History: Memories and Vagaries.” In Art with People, edited by M. Dickson, 26–30. Sunderland: Artist Information.

    Google Scholar 

  • Heinich, Nathalie. 1999. “Objets, Problematique, Terrains, Methodes.” In Sociologie de l’art, edited by Raymonde Moulin, 11–28. Paris: L’Harmattan.

    Google Scholar 

  • Julie’s Bicycle. 2016. “COP21 MANIFESTO.” CSPA Quarterly 14 (August): 27–29.

    Google Scholar 

  • Kagan, Sacha. 2011. Art and Sustainability. Bielefeld: Transcript.

    Google Scholar 

  • Kagan, Sacha. 2015. “Prefiguring Sustainability.” In Art for the Planet’s Sake, edited by Hannah Van Den Bergh, 29–32. Brussels: IETM.

    Google Scholar 

  • Kester, Grant. (1999) 2015. “Conversation Pieces: The Role of Dialogue in Socially-Engaged Art.” In Theory in Contemporary Art since 1985, edited by Zoya Kocur and Simon Leung, 153–65. Malden: Wiley-Blackwell.

    Google Scholar 

  • Krause Knight, Cher, and Herriet F. Senie, eds. 2016. A Companion to Public Art. Chichester: Wiley.

    Google Scholar 

  • Kurt, Hildegard. 2004. “Aesthetics of Sustainability.” In Ecological Aesthetics, edited by Hermann Prigan, Heike Strelow, and Vera David, 238–41. Basel: Birkhäuser.

    Google Scholar 

  • Kwon, Miwon. (1997 [2015]). “One Place After Another: Notes on Site Specificity (1997).” In Theory in Contemporary Art since 1985, edited by Zoya Kocur, and Simon Leung, 34–55. Malden: Wiley-Blackwell.

    Google Scholar 

  • Lang, Daniel J., Arnim Wiek, Matthias Bergmann, Michael Stauffacher, Pim Martens, Peter Moll, Mark Swilling, and Christopher J. Thomas. 2012. “Transdisciplinary Research in Sustainability Science.” Sustainability Science 7 (1): 25–43.

    Article  Google Scholar 

  • Lemenager, Stephanie, and Stephanie Foote. 2012. “The Sustainable Humanities.” PMLA 127 (3) (May): 572–78.

    Google Scholar 

  • Lippard, Lucy R. 1976. “Projecting a Feminist Criticism.” Art Journal 35 (4) (Summer): 337–39.

    Google Scholar 

  • Lippard, Lucy R. 1980. “The Contribution of Feminism to the Art of the 1970s.” Art Journal 40 (1–2) (Autumn–Winter): 362–65.

    Google Scholar 

  • Lippard, Lucy R. 2011. “Tunnel Visions: Nancy Holt’s Art in the Public Eye.” In Nancy Holt: Sightlines, edited by Alena J. Williams, 59–72. Berkeley: University of California Press.

    Google Scholar 

  • Mahony, Emma. 2021. “From Institutional to Interstitial Critique: The Resistant Force that is Liberating the Neoliberal Museum from Below.” In The Routledge Companion to Contemporary Art, Visual Culture, and Climate Change, edited by T. J. Demos, Emily Eliza Scott, and Subhankar Banerjee. London: Routledge.

    Google Scholar 

  • Mantoan, Diego. 2018. “Carezze e pugni: Vinci/Galesi alle radici dell’arte ambientale e partecipativa.” In La Repubblica delle Meraviglie, edited by Diego Mantoan, and Paola Tognon, 7–9. Caserta: aA29 Project Room.

    Google Scholar 

  • Mantoan, D. 2021. “Sustainability Way Beyond Academia.” In Waste Matters, edited by Francesca Barea, Anna Bonfante, and Diego Mantoan, 15–30. Venice: Edizioni Ca’ Foscari.

    Google Scholar 

  • Miles, Malcolm. 2015. Limits to Culture: Urban Regeneration vs. Dissident Art. London: Pluto Press.

    Google Scholar 

  • Moore, Sadhbh, and Alison Tickell. 2014. “The Arts and Environmental Sustainability.” D’Art Report 34(b), IFACCA and Julie’s Bicycle.

    Google Scholar 

  • Ostendorf, Yasmine. 2015. “The S-word.” In Art for the Planet’s Sake, edited by Hannah Van Den Bergh, 33–34. Brussels: IETM.

    Google Scholar 

  • Ottaviano, Giulia. 2020. “Aravani Art Project: street art e murales per dare voce alla comunità transgender indiana.” Artribune (26 May). Accessed July 10, 2021. https://www.artribune.com/arti-visive/street-urban-art/2020/05/aravani-art-project-india-transgender/.

  • Paker, Hande. 2021. “Arts and Culture for Ecological transformation.” Report Istanbul Foundation for Culture and Arts (February). Accessed June 28, 2021. https://www.iksv.org/en/reports/arts-and-culture-for-ecological-transformation.

  • Pancotto, Pier Paolo. 2010. Arte contemporanea: dal minimalismo alle ultime tendenze. Rome: Carocci.

    Google Scholar 

  • Pesapane, Lucia. 2005. “Land Art.” In Arte contemporanea, edited by Francesco Poli, 406–34. Milan: Mondadori Electa.

    Google Scholar 

  • Pröpper, Michael H. 2017. “Sustainability Science as if the World Mattered: Sketching an Art Contribution by Comparison.” Ecology and Society 22 (3). https://doi.org/10.5751/ES-09359-220331.

  • Rancière, Jacques. 2009. The Emancipated Spectator. London: Verso.

    Google Scholar 

  • Rathwell, Kaitlyn J., and Derek Armitage. 2016. “Art and Artistic Processes Bridge Knowledge Systems About Social-Ecological Change.” Ecology and Society 21 (2). https://doi.org/10.5751/ES-08369-210221.

  • Richardson, Craig. 2012. “Waste to Monument: John Latham’s Niddrie Woman.” Tate Papers 17 (Spring). Accessed June 15, 2021. https://www.tate.org.uk/research/publications/tate-papers/17/waste-to-monument-john-lathams-niddrie-woman.

  • Roth, Moira, Suzanne Lacy, Julio Morales, and Unique Holland. 2001. “Making & Performing ‘Code 33’.” PAJ—A Journal of Performance and Art 23 (3) (September): 47–62.

    Google Scholar 

  • Schwarze, Dirk. 2012. Meilensteine: Die documenta 1 bis 13. Berlin: Siebenhaar.

    Google Scholar 

  • Schweickart, Patrocinio P. 1996. “Speech Is Silver, Silence Is Gold: The Asymmetrial Intersubjectivity of Communicative Action.” In Knowledge, Difference and Power, edited by Nancy Rule Goldberger, Jill Mattuck Tarule, Blythe McViker Clinchy, and Mary Field Belenky, 305–31. New York: Basic Books.

    Google Scholar 

  • Scott, Emily Eliza. 2013. “Artists’ Platforms for New Ecologies.” Third Text 27 (120) (January). Accessed June 25, 2021. http://www.thirdtext.org/artists-platforms-for-new-ecologies-arc.

  • Sheridan, Jill. 2015. “StreamLines Mixes Art and Science to Connect People with Local Waterways.” wfyi Indianapolis (8 September). Accessed June 28, 2021. http://www.wfyi.org/news/articles/streamlines-mixes-art-and-science.

  • Staines, Judith. 2015. “An Evaluation/Reflection on the GALA Project.” GALA Green Art Lab Alliance 6. Accessed June 11, 2021. https://greenartlaballiance.files.wordpress.com/2020/06/gala-report-final.pdf.

  • Stein, Judith E. 1994. “Collaboration.” In The Power of Feminist Art, edited by Norma Broude and Mary D. Garrard, 228–45. New York: Harry N. Abrams Publishers.

    Google Scholar 

  • Thomsen, Dana C. 2015. “Seeing Is Questioning: Prompting Sustainability diScourses Through an Evocative Visual Agenda.” Ecology and Society 20 (4). https://doi.org/10.5751/ES-07925-200409.

  • Throsby, David. 1996. “Disaggregated Functions for Artists.” In Economics of the Arts. Selected Essays, edited by Victor Ginsburgh and Pierre-Michel Menger, 331–46. Amsterdam: Elsevier.

    Google Scholar 

  • Tribò, Francesca. 2018. “Art History/Vucciria, la performance di Tiziana Pers per MEMORIA COLLETTIVA.” Art for Breakfast (22 October). Accessed June 29, 2021. https://artforbreakfast.it/2018/10/22/art-history-vucciria-tiziana-pers/.

  • Van Den Bergh, Hannah, ed. 2015. Art for the Planet’s Sake. Brussels: IETM.

    Google Scholar 

  • Van Poeck, Katrien, Jeppe Læssøe, and Thomas Block. 2017. “An Exploration of Sustainability Change Agents as Facilitators of Nonformal Learning: Mapping a Moving and Intertwined Landscape.” Ecology and Society 22 (2). https://doi.org/10.5751/ES-09308-220233.

  • Vertaldi, Raffaele. 2020. “L’agenzia che rivende ai cittadini proprietà pubbliche non utilizzate.” Domus (24 July). Accessed July 5, 2021. https://www.domusweb.it/it/arte/gallery/2020/07/21/bene-pubblico-vendesi-o-meglio-offresi-ai-legittimi-proprietari.html.

  • Wallen, Ruth. 2012. “Ecological Art: A Call for Visionary Intervention in a Time of Crisis.” Leonardo 45 (3): 234–42.

    Article  Google Scholar 

  • Wallen, Ruth. 2019. “Walking with Trees.” Dark Matter: Women Witnessing 9, Issue: Extinction Illness: Grave Affliction and Possibility. Accessed June 26, 2021. https://darkmatterwomenwitnessing.com/issues/Oct2019/articles/Ruth-Wallen_Walking-with-Trees.html.

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Diego Mantoan .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2022 The Author(s), under exclusive license to Springer Nature Switzerland AG

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Mantoan, D. (2022). The Public Artist as a Fringe Agent for Sustainability: Practices of Environmentalist Driven Art-Activism and Their Digital Perspectives. In: Schwan, A., Thomson, T. (eds) The Palgrave Handbook of Digital and Public Humanities. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-11886-9_26

Download citation

Publish with us

Policies and ethics