Abstract
Due to its immense sociocultural influence and economic resources, the global screen media industry is at the forefront of raising awareness for the political and social issues resulting from accelerated environmental instability. Over the past two decades, not only have environmental subjects been more prominently represented on screen, but sustainability and eco-friendly rhetoric have become central to the rebranding of studios, the activism and social capital of movie stars, and the publicity strategies designed to draw audiences to cinemas, television, and streaming services. However, Janus-like, the twenty-first century relationship between screen media and the environment has another face that demands urgent scrutiny. The advent of the digital age and the vast electrical and Information and Communication Technologies (ICT) infrastructures required to support digital production, distribution, and archiving has resulted in the rapid expansion and diversification of the industry’s resource use, infrastructure construction, energy dependency, and consequent waste and emissions production. All of this at a time when these processes—resource extraction, manufacturing, and grid deployment—continue to follow mostly environmentally destructive twentieth-century protocols.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Similar content being viewed by others
References
Caldwell, J. (2008). Production Culture: Industrial Reflexivity and Critical Practice in Film and Television. Durham: Duke University Press.
Cubitt, S. (2017). Finite Media: Environmental Implications of Digital Technologies. Durham: Duke University Press.
Gabrys, J. (2014). ‘Programming Environments: Environmentality and Citizen Sensing in the Smart City’, Environment and Planning 32 (1): 30–48.
Ghosh, B. and B. Sarkar. (2020). The Routledge Companion to Media and Risk. London: Routledge.
Hjort, M. (2012). Film and Risk. Detroit: Wayne State University Press.
Kääpä, P. (2018). Environmental Management of the Media. London and New York: Routledge.
Kääpä, P. and H. Vaughan. (2022). ‘From Content to Context (and Back Again) New Industrial Strategies for Environmental Sustainability in the Media’, in M. Hjort and T. Nannicelli (eds.). Cinema and the Public Good. Chichester: Wiley, 308–326.
Mayer, V., M. Banks and J. Caldwell. (eds.). (2009). Production Studies: Cultural Studies of Media Industries. London: Routledge.
Maxwell, R. and T. Miller. (2012). Greening the Media. London: Routledge.
Rust, S., S. Monani, and S. Cubitt. (eds.). (2013). Ecocinema Theory and Practice. London and New York: Routledge.
Rust, S., S. Monani and S. Cubitt. (eds.). (2015). Ecomedia: Key Issues. London: Earthscan.
Starosielski, N. and J. Walker. (eds.). (2017). Sustainable Media. Abingdon-on-Thames: Taylor and Francis.
Vaughan, H. (2019). Hollywood’s Dirtiest Secret: the Hidden Environmental Costs of the Movies. New York: Columbia University Press.
Acknowledgments
This book was made possible by support received through the Arts and Humanities Research Council (AHRC) Global Green Media Network grant (2019, REF: AH/S010793/1).
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2022 The Author(s), under exclusive license to Springer Nature Switzerland AG
About this chapter
Cite this chapter
Vaughan, H., Kääpä, P. (2022). Introduction: Film and Television Production in the Era of Accelerated Climate Change—A Greener Screen?. In: Kääpä, P., Vaughan, H. (eds) Film and Television Production in the Age of Climate Crisis. Palgrave Studies in Media and Environmental Communication. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-98120-4_1
Download citation
DOI: https://doi.org/10.1007/978-3-030-98120-4_1
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-030-98119-8
Online ISBN: 978-3-030-98120-4
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)