Abstract
This chapter focuses on the Caribbean plantation regime and African-diasporic food cultures. Through a reading of the work of the Guyanese poet Grace Nichols, it explores the racialized and gendered violence surrounding the sugar frontier and its brutal re-making of human and nonhuman relations. The chapter shows how Nichols’ collections I Is A Long Memoried Woman (1983) and The Fat Black Women’s Poems (1984) script black women’s painful and pleasurable associations with food, and in so doing manifest the horrors of the plantation system. Not only that, they also furnish a literary mode of dissent against the continued brutalities of the contemporary world-food-system, underscoring the latter’s origins in capitalism’s genocidal ransacking of the globe in the colonial era.
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Notes
- 1.
Keys texts from this period include David Dabydeen’s Slave Song (1984), Fred D’Aguiar’s, Mama Dot (1985), and Caryl Phillips’s, Higher Ground (1989).
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Hugo, E. (2021). Pain, Pleasure, and the World-Food-System: Plotting the Afterlife of the Plantation in the Poetry of Grace Nichols. In: Campbell, C., Niblett, M., Oloff, K. (eds) Literary and Cultural Production, World-Ecology, and the Global Food System. Literatures, Cultures, and the Environment. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-76155-4_3
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