Abstract
This chapter shows how the Europeanisation of Holocaust memory enables contemporary Croatia to preserve and disseminate a long-held narrative of Jasenovac that rejects historical context, perpetrator responsibility, and national identity. By tracing changing memory politics at Jasenovac Memorial Museum (JMM) through its three permanent exhibitions (1968, 1988, and 2006), I show how political actors manipulated the same problematic narrative over time to escape historical responsibility. Most recently, in 2006, the new permanent exhibition of JMM presented a narrative of Jasenovac that divorced victims and perpetrators from their ethnic identities and ignored the concentration camp’s location specific context in favour of greater emphasis on the larger Holocaust narrative, relieving Croatia from negative association with the ustaša or responsibility for crimes committed by the regime. This article shows how “European” memory standards do not necessarily result in the proclaimed aim of dealing with the past or act as a support to reconciliatory efforts. In some cases, these standards continue to assist former Nazi-collaborationist states, like Croatia, to relativise domestic crimes that occurred under state fascist regimes.
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Notes
- 1.
The IHRA used to be previously known as the Task Force for International Cooperation on Holocaust Education, Remembrance, and Research or, the ITF.
- 2.
While Kucia (2016) observed that this narrative can vary by state, this narrative, initially developed by and for Western European states, continues to predominate.
- 3.
While it cannot be said that Hitler or the Nazi apparatus ordered the execution of Serbs or other Slavs in the NDH, a general ambivalence towards their fate can be reasonably assumed. See Longerich (2012).
- 4.
In addition, as Heike Karge has shown, due to the cost of erecting a memorial at Jasenovac, Yugoslav authorities considered the Jasenovac site a memorial space representative of all the former camp sites (Nazi, Ustaše, Italian etc.) in Yugoslavia and the victims who perished there—including those like Sajmište and Banjica. Yet another reason that a general, anti-fascist, partisan centered narrative of Second World War in Yugoslavia was presented in this space. See Karge (2012). This avoidance of ethnic group association is also characteristic of Yugoslav communist-era textbooks, see Pavasović Trošt (2018).
- 5.
It is interesting to note that the other time Croatians are directly linked to the ustaše in this exhibition is in an excerpt taken from a rather violent anti-Serb speech given by a Catholic priest. This presumably is present in the exhibit due to the anti-religious nature of communist Yugoslavia. Perhaps this suggests that blame for such atrocities also lies with religion.
- 6.
It is interesting to note that this retrospective narrative that drew on Yugoslav communism as a force of unity preventing conflict, appears unique to the Jasenovac Memorial Museum. As Tamara Pavasović Trost has shown, in the late 1980s, narratives of Jasenovac in Serbian and Croatian textbooks had already taken a sharp ethno-national turn. While an exact reason for this discontinuity is difficult to provide, it is likely attributed to the funding sources. Until roughly 1990, Jasenovac Memorial Museum appears to have been funded centrally through Belgrade while textbooks were generally funded and developed directly within each republic. See Pavasović Trost (2013, 2018).
- 7.
This committee was formed as a result of a second IPAM grand awarded to the USHMM and JMM in 2003; Greg Naranjo, Interview by Alexandra Zaremba, July 30, 2019.
- 8.
Greg Naranjo, Interview by Alexandra Zaremba, July 30, 2019; Diane Saltzman, Interview by Alexandra Zaremba, July 25, 2019.
- 9.
Greg Naranjo, Interview by Alexandra Zaremba, July 30, 2019.
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Acknowledgements
This chapter was made possible thanks to the author’s tenure as a Graduate Research Fellow at the Mandel Center for Advanced Holocaust Studies, United States Holocaust Memorial Museum as well as Vardy International Research Grant funding from Duquesne University.
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Zaremba, A. (2021). Constructing a Usable Past: Changing Memory Politics in Jasenovac Memorial Museum. In: Milošević, A., Trošt, T. (eds) Europeanisation and Memory Politics in the Western Balkans. Memory Politics and Transitional Justice. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-54700-4_5
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