Abstract
This chapter explores depictions of opium in the women’s writing of the British Romantic period, comparing and contrasting them with the better-known opium literature written by their male contemporaries, Samuel Taylor Coleridge and Thomas De Quincey. By discussing these works in the context of Romantic-era medical writings on opium, which persistently condemned the use of opiates as recreational stimulants while maintaining that they had legitimate medical uses as sedatives, the essay argues that female writers of the period took care to align their accounts of their own usage of opiates with the medically approved sedative properties of the drug, thus distancing themselves from the orientalised and countercultural figure of the hedonistic “opium-eater”, with which no “respectable” female author of the period could afford to be identified.
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Notes
- 1.
In this they formed a striking contrast to the medically trained John Keats, who consistently emphasised the drug’s sedative powers in his poetry (Keats 1970, 70; 511; 525; 652; 660–61). See also essay in this volume by Octavia Cox.
- 2.
The 2001 film Pandemonium went further, depicting both “Kubla Khan” and “The Rime of the Ancient Mariner” as being more-or-less direct transcriptions of Coleridge’s opium dreams.
- 3.
In this context, it seems highly suggestive that even though Erasmus Darwin’s biological theories led him to class opium as a “most powerful stimulant”, when treating “accomplished” and “ingenious” young women he mostly seems to have used it as a tranquiliser to control their convulsions, spasms, “reveries”, headaches and delirium (Darwin 1794, 26–27; 221–23; 364; 427; 439).
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Crawford, J. (2020). “When Poor Mama Long Restless Lies, / She Drinks the Poppy’s Juice”: Opium and Gender in British Romantic Literature. In: Roxburgh, N., Henke, J.S. (eds) Psychopharmacology in British Literature and Culture, 1780–1900 . Palgrave Studies in Literature, Science and Medicine. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-53598-8_12
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