Abstract
The LEGO Movie 2: The Second Part seems to provide a scathing critique of toxic masculinity, but it manages to reaffirm a less openly malevolent version of the patriarchy in a firework of humorous and educated intertextuality. In this chapter, author Matthias Zick Varul argues that the film’s openly conducted gender discourse, which plays out mainly between Emmet and Lucy, the two protagonists from The LEGO Movie, is interwoven with a covert discourse on race that the film introduces through a space invasion plot that affords Emmet the role of a “white savior.” Both lines of discourses connect to an ontology of capitalism as envisaged in the first movie, negotiating the mirror fears of total order and total chaos by gendering and racializing and thereby externalizing the fear of excess, the accursed share (Bataille’s part maudite).
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Similar content being viewed by others
References
Achebe, C. (1977). An image of Africa. The Massachusetts Review, 17(4), 782–794.
Auerbach, J. (2002). Art, advertising and the legacy of Empire. Journal of Popular Culture, 35(4), 1–23.
Barthes, R. (1957). Mythologies. Paris: Éditions du Seuil.
Bataille, G. (1967). La Part maudite. Paris: Éditions du Minuit.
Began, B., Chapman, G. E., D’Sylva, A., & Bassett, B. R. (2008). “It’s just easier for me to do it”: Rationalizing the family division of foodwork. Sociology, 42(4), 653–671.
Bellah, R. N., Madsen, R., Sullivan, W. M., Swidler, A., & Tipton, S. M. (1985). Habits of the heart: Individualism and commitment in American life. New York: Harper & Row.
Benjamin, W. (1978). Der Ursprung des deutschen Trauerspiels. Frankfurt am Main: Suhrkamp.
Chang, J. (2019, February 5). Review: “The LEGO Movie2” is funny but falls short of the first. Los Angeles Times. https://www.latimes.com/entertainment/movies/la-et-mn-the-lego-movie-2-the-second-part-review-20190205-story.html. Accessed on July 16, 2019.
Chave, A. C. (1994). New encounters with les demoiselles d’Avignon: Gender, race, and the origins of cubism. Art Bulletin, 76(4), 597–611.
Coetzee, J. M. (2004 [1980]). Waiting for the barbarians. London: Vintage.
Conrad, J. (1994 [1902]). Heart of darkness. London: Penguin.
Dargis, M. (2019, February 6). “The Lego Movie 2: The Second Part” Review: Everything is not awesome. Everything is an ad. The New York Times. https://www.nytimes.com/2019/02/06/movies/the-lego-movie-two-the-second-part-review.html. Accessed on July 16, 2019.
Davis, M. (1998). Ecology of fear: Los Angeles and the imagination of disaster. New York: Metropolitan Books.
Djèlí Clark, P. (2013, December 28). Oh come all ye white saviors. Mediadiversified. https://mediadiversified.org/2013/12/28/oh-come-all-ye-white-saviors/. Accessed on July 16, 2019.
Douglas, M. (1967). The meaning of myth, with special reference to “La Geste d’Asdiwal”. In E. Leach (Ed.), The structural study of myth (pp. 49–69). London: Tavistock.
Essed, P. (1991). Understanding everyday racism: An interdisciplinary theory. London: Sage.
Fanon, F. (2002 [1961]). Les Damnés de la terre. Paris: Éditions La Découverte & Syros.
Goggin, J. (2018). “How do those Danish bastards sleep at night?”: Fan labor and the power of cuteness. Games and Culture, 13(7), 747–764.
Hans, S. (2019, February 9). The Lego Movie 2 review—Another block-solid success. The Guardian. https://www.theguardian.com/film/2019/feb/09/the-lego-movie-2-review. Accessed on July 16, 2019.
hooks, b. (1984). Feminist theory: From margin to center. Boston, MA: Southend Press.
Johnson, D. (2014). Chicks with bricks: Building creativity across industrial design cultures and gendered construction play. In M. J. P. Wolf (Ed.), LEGO studies: Examining the building blocks of a transmedial phenomenon (pp. 107–130). London: Routledge.
Lévi-Strauss, C. (1962). La Pensée sauvage. Paris: Plons.
Lovecraft, H. P. (2008). Necromonicon. London: Gollancz.
Mauss, M. (1950). Sociologie et anthropologie. Paris: Presses Universitaires de France.
Modelski, T. (1991). Feminism without women: Culture and criticism in a “postfeminist” age. London: Routledge.
Morrison, T. (1992). Playing in the dark: Whiteness and the literary imagination. Cambridge, MA: Harvard University Press.
Newitz, A. (2009, December 18). When will white people stop making movies like “Avatar”? io9. https://io9.gizmodo.com/when-will-white-people-stop-making-movies-like-avatar-5422666. Accessed on July 16, 2019.
Parsons, T. (1956). The American family: Its relations to personality and to the social structure. In T. Parsons & R. F. Bales (Eds.), Family: Socialization and interaction processes (pp. 3–33). London: Routledge & Kegan Paul.
Pitcher, B. (2013). The cultural politics of being a knob. In P. Bennett & J. Mcdougall (Eds.), Barthes’ Mythologies today: Readings in contemporary culture. London: Routledge.
Pratt, M. L. (1992). Imperial eyes: Travel writing and transculturation. London: Routledge.
Rieder, J. (2005). Science fiction, colonialism, and the plot of invasion. Extrapolation, 46(3), 373–394.
Rieder, J. (2011). Race and revenge fantasies in Avatar, District 9 and Inglorious Basterds. Science Fiction Film and Television, 4(1), 41–56.
Schumacher, J. (1972 [1937]). Die Angst vor dem Chaos. Über die falsche Apokalypse des Bürgertums. Frankfurt am Main: Makol Verlag.
Theweleit, K. (1987). Male fantasies, volume 1: Women, floods, bodies, history. Minneapolis: University of Minnesota Press.
Truit, B. (2019, February 4). Review: Everything is still pretty awesome in super-fun “Lego Movie 2.” USA Today. https://eu.usatoday.com/story/life/movies/2019/02/04/lego-movie-2-sequel-review-everything-still-pretty-awesome/2723313002/. Accessed on July 16, 2019.
Varul, M. Z. (2018). The cultural tragedy of production and the expropriation of the brickolariat: The LEGO Movie as consumer-capitalist myth. European Journal of Cultural Studies, 21(6), 724–743.
Vera, H., & Gordon, A. M. (2003). Screen saviors: Hollywood fictions of whiteness. Lanham, MD: Rowman & Littlefield.
Wisker, G. (2018). Speaking the unspeakable: Women, sex and Lovecraft, Angela Carter, Caitlín R. Kiernan and Beyond. In S. Moreland (Ed.), New directions in supernatural horror literature: The critical influence of H. P. Lovecraft (pp. 209–234). Cham: Palgrave Macmillan.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2019 The Author(s)
About this chapter
Cite this chapter
Varul, M.Z. (2019). The Accursed Second Part: Small-Scale Discourses of Gender and Race in The LEGO Movie 2. In: Hains, R., Mazzarella, S. (eds) Cultural Studies of LEGO. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-32664-7_6
Download citation
DOI: https://doi.org/10.1007/978-3-030-32664-7_6
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-030-32663-0
Online ISBN: 978-3-030-32664-7
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)